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Vincent Ruggiero's wide ranging study takes in several authors, including Victor Hugo, Camus, Cervantes and Emile Zola, and addresses themes such as organized crime, the links between crime and drugs, political and administrative corruption, concepts of deviancy and the criminal justice process.
An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.
An exploration of poison's transformation into chemical crime during the nineteenth century and the impact on crime fiction and Victorian perceptions of science.
Sex, Crime and Literature in Victorian England by Ian Ward Pdf
The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women. Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated especial concern amongst contemporaries: adultery, bigamy, infanticide and prostitution. Each engaged questions of sexuality and its regulation, legal, moral and cultural, for which reason each attracted the considerable interest not just of lawyers and parliamentarians, but also novelists and poets and perhaps most importantly those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime. Alongside statutes such as the 1857 Matrimonial Causes Act and the 1864 Contagious Diseases Act, Sex, Crime and Literature in Victorian England contemplates those texts which shaped Victorian attitudes towards England's 'condition' and the 'question' of its women: the novels of Dickens, Thackeray and Eliot, the works of sensationalists such as Ellen Wood and Mary Braddon, and the poetry of Gabriel and Christina Rossetti. Sex, Crime and Literature in Victorian England is a richly contextual commentary on a critical period in the evolution of modern legal and cultural attitudes to the relation of crime, sexuality and the family.
Learn about the world’s most notorious cons, heists, and murders in The Crime Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Crime in this overview guide to the subject, great for novices looking to find out more and true crime experts wishing to refresh their knowledge alike! The Crime Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Crime, with: - More than 100 ground-breaking accounts of true crime - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Crime Book is a captivating introduction to the world’s most notorious criminal cases, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover more than 100 sinister accounts of true crime through exciting text and bold graphics. Your Crime Questions, Simply Explained This fresh new guide explores the most twisted accounts of crime and criminology in history. If you thought it was difficult to learn about the most prolific wrongdoings and the criminals behind them, The Crime Book presents key information in an easy to follow layout. From outlaws like pirates, bandits, and highwaymen, to serial killers and the cyber criminals of the 21st century, discover the worst felonies through fantastic mind maps and step-by-step summaries. The Big Ideas Series With millions of copies sold worldwide, The Crime Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969. Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
Women and Crime in the Street Literature of Early Modern England by S. Clark Pdf
Clark explores how real-life women's crimes were handled in the news media of an age before the invention of the newspaper, in ballads, pamphlets, and plays. It discusses those features of contemporary society which particularly influenced early modern crime reporting, such as attitudes to news, the law and women's rights, and ideas about the responsibility of the community for keeping order. It considers the problems of writing about transgressive women for audiences whose ideal woman was chaste, silent, and obedient.
The Cambridge Companion to Crime Fiction by Martin Priestman Pdf
The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.
Crime Fiction in and Around the Eastern Mediterranean by Börte Sagaster,Martin Strohmeier,Stephan Guth Pdf
For a long time, crime fiction has been considered popular literature - an assessment that prevented serious critical engagement with it. It is only in recent years that critical literary theories have begun to be applied to genres such as crime fiction, while at the same time the interest of literary scholars in crime fiction by authors not belonging to the European-American 'Western' cultures has grown. The articles assembled in this volume seek to address the role of crime fiction in and around the Eastern Mediterranean in countries such as Turkey, Greece, Morocco, Algeria, Syria, Saudi-Arabia, and Egypt, focusing on generic, terminological, literary critical, social, and cultural themes. The book is intended to be an invitation for literary scholars doing research on different literatures of the Eastern Mediterranean to compare and discuss their results and to engage in further research in this field.
The Language of Suspense in Crime Fiction by Reshmi Dutta-Flanders Pdf
This book introduces readers to linguistic stylistic analysis and combines both literary and linguistic analysis to explore suspense in crime fiction. Employing critical linguistics, discourse analysis and functional grammar, it demonstrates that suspense in plot-based stories is created through non-linear, causative presentation of the narrative. The author investigates how plot sequence is manipulated to ensure the reader cannot resolve the order of events until the end of the tale. From two-dimensional circumstantial detection in mystery stories to three-dimensional re-evaluation of offender orientation, she uses a linguistic-based stylistic framework to analyse offender motive. She also employs a 'discourse-based' frame analysis to examine the plot structure of crime stories for micro context and set-up scenarios, demonstrating that it is the unravelling of these devices that creates the suspense in murder mysteries and thrillers alike. Finally, she shows how grammaticization of the offending-self reveals an embedded diegetic space in the offender engagement discourse, provoking an intellectual and affective response and reshaping our overall outlook of the crime in the story. This book will appeal to researchers and students from literary and non-literary backgrounds looking for theoretical and practical advice on the linguistic stylistic approach to reading texts.
Comic Book Crime by Nickie D. Phillips,Staci Strobl Pdf
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.
First published in 1976, this bestselling thriller is as timely as ever. U.S. Attorney General Christopher Collins searches for the elusive R Document, which will prevent the ratification of FBI Director Vernon Tynan's constitutional amendment and his plans to take over the country. Reissue.
The Writer's Complete Crime Reference Book by Martin Roth Pdf
A comprehensive reference for writers of mysteries, thrillers, action/adventure, true crime, police procedurals, romantic suspense, and psychological mysteries--whether novels or scripts--covering numerous aspects of crime, outlining general rules of thumb, as well as specific policies and procedures of various law enforcement agencies. Annotation copyright by Book News, Inc., Portland, OR
The Story of Classic Crime in 100 Books by Martin Edwards Pdf
This book tells the story of crime fiction published during the first half of the twentieth century. The diversity of this much-loved genre is breathtaking, and so much greater than many critics have suggested. To illustrate this, the leading expert on classic crime discusses one hundred books ranging from The Hound of the Baskervilles to Strangers on a Train which highlight the entertaining plots, the literary achievements, and the social significance of vintage crime fiction. This book serves as a companion to the acclaimed British Library Crime Classics series but it tells a very diverse story. It presents the development of crime fiction-from Sherlock Holmes to the end of the golden age-in an accessible, informative and engaging style.