Criminal Femmes Fatales In American Hardboiled Crime Fiction
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Criminal Femmes Fatales in American Hardboiled Crime Fiction by Maysaa Husam Jaber Pdf
This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
Criminal Femmes Fatales in American Hardboiled Crime Fiction by Maysaa Husam Jaber Pdf
This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
Reimagining Delilah’s Afterlives as Femme Fatale by Caroline Blyth Pdf
The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.
Serial Crime Fiction by Carolina Miranda,Jean Anderson,Barbara Pezzotti Pdf
Serial Crime Fiction is the first book to focus explicitly on the complexities of crime fiction seriality. Covering definitions and development of the serial form, implications of the setting, and marketing of the series, it studies authors such as Doyle, Sayers, Paretsky, Ellroy, Marklund, Camilleri, Borges, across print, film and television.
This book addresses the intersections between gender and identity by critically examining female spaces. It has famously been argued that men and women are made in culture. As such, this volume explores how spaces—social, political, cultural, historical, and even cyber—affect the creative, personal, urban and global identities of women. The scholarly approaches of the contributors here probe into these spaces and analyze the problematic of gender identities as they are constructed, reconstructed or deconstructed through processes of appropriation, subversion and signification. The functional politics of patriarchy influences a range of networks that include social, cultural, political, and religious archetypes. This book will open new vistas in women’s studies through dialogues and discussions on the various facets of “Space”, and how in turn they generate the rhetoric of agency and power or again how they annihilate attempts at emancipation and empowerment. Furthermore, the book explores the diversity of women’s experiences and their contributions across cultures, and examines knowledge and practices in the light of gender differences, suggesting new ways to “conceptualize the relations between the self and the ever changing global communities”. Its interdisciplinary nature, drawing on the humanities, arts, social sciences will give it a wide readership among students, teachers and researchers. In addition, since women’s studies is one of the most sought-after academic disciplines of the contemporary academic world, this book will generate interest and contribute to the dynamic nature of women’s studies research.
Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism. The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.
God and the Great Detective by Nathanael T. Booth Pdf
The problem of human evil is never far beneath the surface of mystery fiction. This was particularly true in the wake of the horrific events of World War II. One figure who set out to investigate this crisis was Ellery Queen. This book provides a much-needed intervention in the study of detective fiction by giving sustained attention to Ellery Queen as well as suggesting possible directions for broader discussions of the genre. After the war, Queen mounted an inquiry into the state of masculinity and of the world in the wake of unimaginable horrors represented by the death camps and the atomic bomb. During his investigation, Ellery rummaged through the ruins of culture, invoking and evoking figures such as Walt Whitman, Henry David Thoreau, and (naturally) Edgar Allan Poe. Ultimately, this quest brought him up against an unexpected foe: God himself. This book examines the ways Queen pushes against the boundaries of what was (and, in some circles, still is) considered possible or desirable in the genre.
Clues: A Journal of Detection, Vol. 36, No. 2 (Fall 2018) by Janice M. Allan Pdf
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
This collection of new essays examines how the injection of supernatural creatures and mythologies transformed the hugely popular crime procedural television genre. These shows complicate the predictable and comforting patterns of the procedural with the inherently unknowable nature of the supernatural. From Sherlock to Supernatural, essays cover a range of topics including the gothic, the post-structural nature of The X-Files, the uncanny lure of Twin Peaks, trickster detectives, forensic fairy tales, the allure of the vampire detective, and even the devil himself.
Robert van Gulik and His Chinese Sherlock Holmes by Sabrina Yuan Hao Pdf
In the post-war mid-century Robert van Gulik produced a series of stories set in Imperial China and featuring a Chinese Judge: Judge Dee. This book examines the author’s unprecedented effort in hybridising two heterogenous crime writing traditions – traditional Chinese gong’an (court-case) fiction and its Anglo-American counterpart – bringing to light how his fiction draws elements from these two traditions for plots, narrative features, visual images, and gender representation. Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.
Hard-boiled Fiction as a Realistic Representation of American Gender Identities? Analyzing Masculinity and Femininity in "The Maltese Falcon" by Anonim Pdf
Seminar paper from the year 2017 in the subject Didactics for the subject English - History of Literature, Eras, grade: 2,0, University of Paderborn, language: English, abstract: In this term paper, I am going to argue that the reason for the gender conflict as well as the gender development in hard-boiled detective fiction can be found in the historical background and historical incidents of which the United States suffered during the Twenties. Further, I will support Seesslen’s claim that, after World War I, there was the public’s desire for a more honest and harsh view of America which is fulfilled by the post-war realism used in hard-boiled fiction. For this, I will try to outline the realism in Dashiell Hammett’s "The Maltese Falcon" (1930) as a representation and/or critique of the United States in the 1920s. This particular novel is used because it can be seen as representative for many other hard-boiled fictions and the hard-boiled genre in general as Dashiell Hammett’s work redefined crime fiction. His stories mark an obvious shift from the classical detective story in which the detective is the main crime solver in middle-class suburban places, to an urban space in the United States where organized crime, gangsters and corruption pervade the city. The characters involved in "The Maltese Falcon" will help to draw a certain connection between the historical development of the United States and the development of men and women in hard-boiled fiction. For that reason, in chapter 2, I will try to define the hard-boiled genre and in which way its plot structure and themes are shaped by the historical events and social issues of that time. In chapter 3, I will present the two archetypal characters, the Femme fatale and the tough guy, in hard-boiled fiction. Because both of them can be found in "The Maltese Falcon", I will use this novel to analyse masculinity, or more precisely, the protagonist Sam Spade, and femininity, mainly Brigid O’Shaughnessy, in chapter 4 and 5. By means of the conclusion in chapter 6 I will summarize the main results in order to support my thesis that the hard-boiled fictions’ plot, especially the gender identities, mirror historical incidents and social developments the United States underwent during 1920 onward. In addition, I will put the insights on femininity and masculinity in hard-boiled detective fictions in a broader context concerning the film industry and the hard-boiled fiction’s impact on following genres, just like Film noir.
Detective Agency by Priscilla L. Walton,Manina Jones Pdf
Since the late 1970s, a subgenre of crime fiction, written by women and featuring a professional woman investigator, has exploded on the popular fiction market. Priscilla L. Walton and Manina Jones focus on this recent proliferation of women writers of detective fiction, providing the first book-length study of the historical and societal changes that fueled this popularity, along with insightful and entertaining readings of the texts themselves. Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hard-boiled tradition has been challenged and transformed. Issues of child, spousal, and sexual abuse are more likely to surface in women's detective novels, the authors show, and female sleuths face many of the same dilemmas as those who read about them—everyday problems with relationships, parenting, and money. Detective Agency also integrates interviews with authors and publishers, reader surveys, publication data, and analysis of internet discussion groups to present a fascinating picture of the "industry" of women's detective fiction. Authors of these works are powerful players in the publishing system as well as agents of cultural intervention, Walton and Jones claim. They conclude by examining the rise of female detectives in television and film.
The Centrality of Crime Fiction in American Literary Culture by Alfred Bendixen,Olivia Carr Edenfield Pdf
This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.
The Femme Fatale in American Literature by Ghada Suleiman Sasa Pdf
Characters in the literary tradition of American naturalism are usually perceived as passive, lacking in will, weak, and predetermined. They are constantly seen as the victims of heredity and environment, and their lives are shaped according to these strong forces that operate upon them. This interesting book examines the representation of female characters in American naturalism and argues that women in American naturalism are often represented as femmes fatales. Since heredity and environment are the determining factors in their lives, they are victims who have no control. However, with characters such as Trina Sieppe in Frank Norris's McTeague, Caroline Meeber in Theodore Dreiser's Sister Carrie, Edna Pontellier in Kate Chopin's The Awakening, and Helga Crane in Nella Larsen's Quicksand, these women victims gradually turn themselves into victimizers in order to conquer both heredity and environment. They consciously and deliberately use the only power they have that can help them overcome the naturalistic world in which they are entrapped--the power of the feminine. The book explains who exactly the femme fatale that has been born out of American naturalism is, and explores images of women in American realism who precede the femme fatale of American naturalism. This study examines characters like Trina Sieppe, Caroline Meeber, Edna Pontellier, and Helga Crane. It analyzes these women's backgrounds, their demeanors, their temperaments, their experiences, and their settings, and explains how and when each woman decides to use her sexuality. There is also a brief discussion of other femmes fatales in American naturalism, such as Stephen Crane's Maggie: A Girl of the Streets. Although the perception of women in nineteenth-century American literature has always had its place in discussions of literary texts, this book is unique in its argument that women in American naturalism are neither weak nor passive, but rather are strong and daring women who try diligently to find a means of fighting back. This book is an important addition to collections in literature and Women's studies.
