Critical Readings In Impressionism And Post Impressionism

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Critical Readings in Impressionism and Post-Impressionism

Author : Mary Tompkins Lewis
Publisher : Univ of California Press
Page : 368 pages
File Size : 51,6 Mb
Release : 2023-12-22
Category : Art
ISBN : 9780520940444

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Critical Readings in Impressionism and Post-Impressionism by Mary Tompkins Lewis Pdf

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward

Impressionism and Post-Impressionism

Author : Nathalia Brodskaïa
Publisher : Parkstone International
Page : 391 pages
File Size : 54,8 Mb
Release : 2018-03-13
Category : Art
ISBN : 9781783105045

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Impressionism and Post-Impressionism by Nathalia Brodskaïa Pdf

Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.

Critical Essays on Postimpressionism

Author : Carol Donnell-Kotrozo
Publisher : Unknown
Page : 192 pages
File Size : 43,5 Mb
Release : 1983
Category : Art
ISBN : UOM:39015014402625

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Critical Essays on Postimpressionism by Carol Donnell-Kotrozo Pdf

Post-Impressionism

Author : Nathalia Brodskaïa
Publisher : Parkstone International
Page : 188 pages
File Size : 43,6 Mb
Release : 2018-03-13
Category : Art
ISBN : 9781785256585

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Post-Impressionism by Nathalia Brodskaïa Pdf

The Post-Impressionist period was one of solitary painters; Gauguin, Sisley, Cézanne, Van Gogh etc… “There is no longer a unique school. There are a few groups, but even they break up constantly. All these movements remind me of moving geometrical pieces in a kaleidoscope, which separate suddenly only to better come together again. They move apart then get together, but, nevertheless, stay in the same circle – the circle of the new art.” (Emile Verhaeren). Nathalia Brodskaïa, curator at the State Hermitage Museum, describes with her own unsurpassed talent the different paths taken by the heirs of Impressionism towards Modern Art.

Impressionism and the Modern Landscape

Author : James H. Rubin
Publisher : Univ of California Press
Page : 208 pages
File Size : 43,6 Mb
Release : 2008-04-03
Category : Art
ISBN : 9780520248014

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Impressionism and the Modern Landscape by James H. Rubin Pdf

The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.

The Post-impressionists

Author : Martha Kapos
Publisher : Unknown
Page : 382 pages
File Size : 55,8 Mb
Release : 1993
Category : Art
ISBN : STANFORD:36105005109256

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The Post-impressionists by Martha Kapos Pdf

In 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.

Rimbaud's Impressionist Poetics

Author : Aimée Israel-Pelletier
Publisher : University of Wales Press
Page : 145 pages
File Size : 40,8 Mb
Release : 2012-10-15
Category : Literary Criticism
ISBN : 9781783163137

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Rimbaud's Impressionist Poetics by Aimée Israel-Pelletier Pdf

In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.

Critical Essays in Honour of Mária Kurdi

Author : Zsuzsa Csikai, Andrew C. Rouse
Publisher : SPECHEL Egyesület
Page : 243 pages
File Size : 48,9 Mb
Release : 2018-02-02
Category : Language Arts & Disciplines
ISBN : 9789631292916

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Critical Essays in Honour of Mária Kurdi by Zsuzsa Csikai, Andrew C. Rouse Pdf

The essays in the present volume are dedicated and written in tribute to Professor Mária Kurdi upon celebrating her 70th birthday. As a multifaceted scholar, Mária is known for her enduring contribution to the wide field of literary studies, her main research areas being modern American and British drama, drama theory, and comparative literary studies. An internationally renowned scholar of modern Irish literature and culture, she is also well known for the many ways in which she has promoted Irish studies in Hungary. This is the third volume in the SPECHEL e-ditions series.

Impressionists in England (Routledge Revivals)

Author : Kate Flint
Publisher : Routledge
Page : 390 pages
File Size : 41,8 Mb
Release : 2016-02-05
Category : Art
ISBN : 9781317234845

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Impressionists in England (Routledge Revivals) by Kate Flint Pdf

First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.

Impressionism and Post-impressionism, 1874-1904

Author : Linda Nochlin
Publisher : Prentice Hall
Page : 244 pages
File Size : 45,6 Mb
Release : 1966
Category : Architecture
ISBN : UOM:39015006722782

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Impressionism and Post-impressionism, 1874-1904 by Linda Nochlin Pdf

Cézanne and the End of Impressionism

Author : Richard Shiff
Publisher : University of Chicago Press
Page : 337 pages
File Size : 49,6 Mb
Release : 2014-12-15
Category : Art
ISBN : 9780226237770

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Cézanne and the End of Impressionism by Richard Shiff Pdf

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

Post-Impressionists in England

Author : Barrie Bullen
Publisher : Taylor & Francis
Page : 506 pages
File Size : 53,8 Mb
Release : 2024-03-08
Category : Art
ISBN : 9781040002766

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Post-Impressionists in England by Barrie Bullen Pdf

First Published in 1988, Post-impressionists in England documents the response of English taste to modern French art from the first Post-Impressionist Exhibition in 1910 to the outbreak of the First World War. The notion of ‘Post-Impressionism’, unlike its earlier counterpart, Impressionism, was an exclusively English contribution to art history. Originally used to denote the work of Cezanne, Van Gogh, Gauguin, Matisse and the Fauve painters, it rapidly assimilated Futurism, Cubism and recent English work like Vorticism. By focusing on one aspect of an important and complex period in British cultural history, J.B. Bullen illuminates not only aesthetic questions but also the way in which those aesthetic issues were determined and conditioned by social and political concerns. Changes in English attitudes to art in this period were so rapid and were modified with such speed that the author has taken a strictly chronological approach to the subject. He sets out clearly the month-by-month developments in English attitudes and traces in detail the debates about modernism in England. To make matters clearer the book is divided into three major parts, each complementary to the others. The introduction surveys the period as a whole and places attitudes to art in the general context of the culture of the time. In the second part the extracts provide selected, concrete and particular examples of the huge range of material upon which the findings of the introduction are based; the writers represented include Roger Fry, Bernard Berenson, Desmond McCarthy, John singer Sargent, Walter Sickert, Clive Bell, Virginia Woolf and Wyndham Lewis. In the third part a chronology sets out in tabular form month-by-month events- exhibitions and major publications- as they occurred in Britain and in France. This is a must read for scholars and researchers of British cultural history and art history.

Impressionism

Author : Robert L. Herbert
Publisher : Yale University Press
Page : 348 pages
File Size : 42,9 Mb
Release : 1988-01-01
Category : Art
ISBN : 9780300050837

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Impressionism by Robert L. Herbert Pdf

Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

Impressionism and Post-Impressionism

Author : Natalʹi︠a︡ Valentinovna Brodskai︠a︡
Publisher : Unknown
Page : 0 pages
File Size : 42,7 Mb
Release : 2018
Category : Art
ISBN : 1783105194

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Impressionism and Post-Impressionism by Natalʹi︠a︡ Valentinovna Brodskai︠a︡ Pdf

Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.

A Companion to Impressionism

Author : André Dombrowski
Publisher : John Wiley & Sons
Page : 644 pages
File Size : 54,9 Mb
Release : 2024-02-27
Category : Art
ISBN : 9781119373926

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A Companion to Impressionism by André Dombrowski Pdf

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.