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In this dramatic 4-issue crossover, the 10th Muse teams up with Mike Baron’s fan favorite “The Badger.” When the time stream is weakened, The10th Muse is thrust into a dark future where Mt. Olympus has been destroyed, and the pantheon of the Gods is now hunted. There she fights a twisted version of Mercury. In the heat of battle, the teleporting Mercury loses control of his power, and transports them to the world of “The Badger.”
"During the first century of the republic, two modes of communication at a distance - telecommunications - were etched into lands inhabited by Native Americans; contested by rival European powers; and occupied by the United States. Both telecommunications systems supported this expanding US territorial empire but, despite this overarching commonality, they branched apart in other ways. One network was owned by the state and the other by capital, and the two branches of the telecommunications system developed disparate rate structures, patterns of access, and social and institutional relationships. During the decades after the Civil War their divergence became politically charged. Would one model prevail over the other? Going forward, would it be the government Post Office or the corporate telegraph that set the terms of telecommunications development? The Post Office was the nation's originating system for communication at a distance. Both before and long after it was elevated to a cabinet department in 1829, furthermore, the Post Office was by far the largest unit of the central state. In 1831, the nation's 8700 postmasters comprised three-quarters of federal civilian employment; half a century later (excluding temporary postal employees and ordinary and railway mail clerks and letter carriers), some 50,000 postmasters accounted for perhaps one-third of all civilian employees in the executive branch. Though its relative weight as a government employer diminished after this, its workforce continued to swell. During the last two antebellum decades, meanwhile, an emergent technology - the electrical telegraph - was passed quickly from the federal government to private capital. The two systems' institutional identities immediately began to contrast in other ways"--
This book is a love letter to the free press. It is Julian H. Walker’s personal memoir as a citizen and reporter which calls for a healthier New Brunswick free press—one that is more diverse, competitive, independent, and feisty. Through its traditional emulation of KC Irving and his family’s empire, New Brunswick has grown used to one-owner control of two key sectors, the media and large industry. Walker argues these two need not be mortal enemies, but they should not march forward hand in hand. Journalists are on a constant journey in pursuit of facts and the truth. If they do their job well, they bring new realities to light, promoting discussion and debate. In doing so, they help bring about positive change. In his memoir, Walker takes us through numerous examples of the perils of a wires-crossed relationship, notably in New Brunswick but also to an increasing extent across North America. Despite such examples, this book is affectionate toward such Irving family members as noted conservationist, JK Irving, eldest son of KC, and Ralph Costello, Irving loyalist and publisher of the flagship daily, Telegraph-Journal. The danger to the New Brunswick free press stems mainly from the wires-crossed relationship between the Irving Press and Irving industry. Under this structure, the Irvings are simply covering themselves in their own media. Walker argues that a strong and independent free press, whether digital or on newsprint, is vital for assuring good government in North America and the survival of Liberal Democracy itself.
The Digital Age has transformed nearly every facet of Western culture. More than ever, people are turning away from face-to-face interactions to spend countless hours mediating life through a screen. Such changes can be felt in the arenas of politics, sexuality, work, and recreation. Some futurists argue for the development of Transhumanism, a commitment to expanding human capacities through the use of applied technologies across a variety of platforms. The proponents promise radically long life, super-intelligence, and extreme bliss. But how does technology shape us at the spiritual level? Do our bodies even matter anymore? Crossing Wires navigates the complex terrain of digital and robotic technologies with refreshing approachability. The book opens the door for discussions on technology’s influence on human identity while laying out a case for embodied, empathetic communities of grace that can serve as a necessary antidote to a society that seems to love and trust devices above all else.
What would you do if you receive messages on your office phone about an alleged drug trafficking operation going on where you worked? What would you do if you believe this illegal drug activity could possibly involve your boss? Cross Wires is a powerful mystery that brings to light the dangers of a very respectful and successful employee who is caught in a vice between his loyalty to the company or reporting what he knows to the authorities. By going to law enforcement do you take a chance of losing your job and more risking your life by reporting these illegal acts? What happens next is cathartic scenes of the most devastating turn of events one can encounter dealing with fear. Cross Wires speaks of a corporate executive who had just received the nation’s top honor in receiving the Fortune 500 Award as one top business financially. Shortly after receiving this prestigious award his corporation is investigated by the feds involving him in an international drug tracking ring. After a series of the most suspense acts of terror involving a murder for hire plot things take the most unbelievable twist to justice. Cross Wires brings to meaning of who do you trust.
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Vols. for 1841-1914 include Rates of box and pocket chronometers on trial for purchase by the Board of Admiralty (varies slightly); 1888-1914 include Rates of chronometer watches on trial for purchase by the Board of Admiralty (varies slightly); 1838, 1845- include Reports of the Astronomer Royal to the Board of Visitors (these titles also issued separately).
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