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Cult Fiction by Andrew Calcutt,Richard Shephard Pdf
What makes a novel cult?: drink and drugs; sex and rock 'n' roll?; a window on subcultures?; the ability to tap into the zeitgeist? This book provides an insight into the cult canon assessing 250 authors who have pioneered experiments in style and content, from Kathy Acker and Nelson Algren via Burroughs and Bukowski to Tom Wolfe and Irvine Welsh.
Published to accompany the Hayward Gallery Touring Exhibition, held at New Art Gallery, Wallsall, 4 May - 1 July 2007, Nottingham Castle, 14 July - 16 September 2007, Leeds City Art Gallery, 21 September - 11 November 2007, Aberystwyth Art Gallery, 17 November 2007 - 13 January 2008 and Tullie House, Carlisle, 19 January - 16 March 2008.
The magnum opus by Japanese literary sensation Fuminori Nakamura, Cult X is a story that dives into the psychology of fringe religion, obsession, and social disaffection. When Toru Narazaki’s girlfriend, Ryoko Tachibana, disappears, he tries to track her down, despite the warnings of the private detective he’s hired to find her. Ryoko’s past is shrouded in mystery, but the one concrete clue to her whereabouts is a previous address in the heart of Tokyo. She lived in a compound with a group that seems to be a cult led by a charismatic guru with a revisionist Buddhist scheme of life, death, and society. Narazaki plunges into the secretive world of the cult, ready to expose himself to any of the guru’s brainwashing tactics if it means he can learn the truth about Ryoko. But the cult isn’t what he expected, and he has no idea of the bubbling violence he is stepping into. Inspired by the 1995 sarin gas terrorist attack on the Tokyo subway, Cult X is an exploration of what draws individuals into extremism. It is a tour de force that captures the connections between astrophysics, neuroscience, and religion; an invective against predatory corporate consumerism and exploitative geopolitics; and a love story about compassion in the face of nihilism.
Here is an exploration of pulp literature and pulp mentalities: an investigation into the nature and theory of the contemporary mind in art and in life. Here too, the violent, the sensational and the erotic signify different facets of the modern experience played out in the gaudy pages of kitsch literature. Clive Bloom offers the reader a chance to investigate the underworld of literary production and from it find a new set of co-ordinates for questions regarding publishing and reading practices in America and Britain, ideas of genre, problems related to commercial production, concerns regarding high and low culture, the canon and censorship, as well as a discussion of the rhetoric of current critical debate. Concentrating on remembered authors as well as many long disregarded or forgotten, Cult Fiction provides a theory of kitsch art that radically alters our perceptions of literature and literary values whilst providing a panorama of an almost forgotten history: the history of pulp.
Essays on 50 books that have acquired a permanent underground following in the past two centuries, analyze each story, its place in its world, and the manifestations of its cultism. Animal farm, Dune, Lord of the rings, and Walden two, are among the books. Also includes an introductory survey of the cult phenomenon, general and specific bibliographies, and a chronological list, 1774-1979, that also notes books not discussed. Classic Cult Fiction is a history, analysis, and reference guide to books that have become "bibles" to generations of Europeans and Americans over the past 200 years--books like The Catcher in the Rye. Fearlessly taking on "canon formation," Whissen identifies the top 50 classic cult books, first presenting an informed and witty interpretation of the phenomenon and its characteristics with examples from different cultures and periods. The individual works are each discussed relative to time and place, impact, and audience psychology and analyzed in terms of common cult attributes. A chronological listing of cult fiction adds a number of titles not chosen for the top 50.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance. A BEST BOOK OF THE YEAR at the Washington Post, the BBC, Esquire, Harper’s Bazaar, and more! One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger as the recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult. Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.
THE INSTANT BESTSELLER • An indelible portrait of girls, the women they become, and that moment in life when everything can go horribly wrong ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, The Guardian, Entertainment Weekly, San Francisco Chronicle, Financial Times, Esquire, Newsweek, Vogue, Glamour, People, The Huffington Post, Elle, Harper’s Bazaar, Time Out, BookPage, Publishers Weekly, Slate Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence. Finalist for the Los Angeles Times Book Prize • Finalist for the National Book Critics Circle John Leonard Award • Shortlisted for The Center for Fiction First Novel Prize • The New York Times Book Review Editors’ Choice • Emma Cline—One of Granta’s Best of Young American Novelists Praise for The Girls “Spellbinding . . . a seductive and arresting coming-of-age story.”—The New York Times Book Review “Extraordinary . . . Debut novels like this are rare, indeed.”—The Washington Post “Hypnotic.”—The Wall Street Journal “Gorgeous.”—Los Angeles Times “Savage.”—The Guardian “Astonishing.”—The Boston Globe “Superbly written.”—James Wood, The New Yorker “Intensely consuming.”—Richard Ford “A spectacular achievement.”—Lucy Atkins, The Times “Thrilling.”—Jennifer Egan “Compelling and startling.”—The Economist
500 Essential Cult Books by Gina McKinnon,Steve Holland Pdf
500 essential cult books brings together some of the best cult books ever written, assembling an incredible list comprising fiction, memoirs, thrillers, sci-fi and fantasy epics, self-help tomes, graphic novels and children's books from across the ages.
"Intricately imagined and timely . . . Maazel is an entertaining writer with a dry, droll sense of humor." —The New York Times Book Review, Editor's Choice * Shortlisted for the Believer Book Award * Fiona Maazel's Woke Up Lonely follows a cult leader, his ex-wife, and the four people he takes hostage. It's about loneliness in America, North Korea, espionage, a city underneath Cincinnati, cloud seeding, and eavesdropping. It's also a big, sweeping love story.
A poignant new novel that combines humour and heartache, from the brilliant mind of Governor General’s Award finalist Claudia Dey Seventeen years after falling from a stolen car into a remote northern town, Billie Jean Fontaine is still an outsider. She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart. With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.
Why would an aspiring young writer of fiction and poetry such as author K. Gordon Neufeld join an extreme religion like the Unification Church of the Reverend Sun Myung Moon? How did Neufeld's involvement in this group impact his creative writing, and how did writing impact his involvement? After leaving the group, how did Neufeld process his experiences through creative writing? Finally, what value can writing have for other survivors of extreme religions? These are the questions this book explores, while providing samples of Neufeld's creative writing from 1973 to 2013. The four questions are explored in a series of four academic papers presented at conferences of the International Cultic Studies Association. The sample writings range from highly intense personal reflections to zany and irreverent spoofs, and include many sensitive, thoughtful short stories and poems. This collection will be of interest to academics wanting to understand the psychological roots and effects of cultic involvement, and also to general readers who just want to read a good story.
When Sofia meets Franz Oswald, the handsome, charming leader of a mysterious New Age movement, she's dazzled and intrigued. Visiting his headquarters on Fog Island, Sofia's struck by the beautiful mansion overlooking the sea, the gardens, the sense of peace and the purposefulness of the people who live there. And she can't ignore the attraction she feels for Franz. So she agrees to stay, just for a while. But as summer gives way to winter, and the dense fog from which the island draws its name sets in, it becomes clear that Franz rules the island with an iron fist. No phones or computers are allowed. Contact with the mainland is severed. Electric fences surround the grounds. And Sofia begins to realize how very alone she is and that no one ever leaves Fog Island...
