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Cultural Ways of Worldmaking by Vera Nünning,Ansgar Nünning,Birgit Neumann Pdf
Taking as its point of departure Nelson Goodman's theory of symbol systems as delineated in his seminal book «Ways of Worldmaking», this volume gauges the possibilities and perspectives offered by the worldmaking approach as a model for the study of culture. The volume serves to demonstrate how specific media and narratives affect the worlds that are created, and shows how these worlds are established as socially relevant. It also illustrates the extent to which ways of worldmaking are imbued with cultural values, and thus inevitably implicated in power relations.
Worldmaking by Tom Clark,Emily Finlay,Philippa Kelly Pdf
In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty-five years since then, creative works have played a crucial role in realigning, reshaping and renegotiating our understandings of how worlds can be made and preserved in the face of globalizing trends. The volume is divided into three sections, each engaging with worlds as malleable constructs. Central to all of the contributions is the question: how can we understand the relationships between natural, political, cultural, fictional, literary, linguistic and virtual worlds, and why does this matter?
Frictions in Cosmopolitan Mobilities by Rodanthi Tzanelli Pdf
This groundbreaking book investigates the clash between a desire for unfettered mobility and the prevalence of inequality, exploring how this generates frictions in everyday life and how it challenges the ideal of just cosmopolitanism. Reading fictional and popular cultural texts against real global contexts, it develops an ‘aesthetics of justice’ that does not advocate cosmopolitan mobility at the expense of care and hospitality but rather interrogates their divorce in neoliberal contexts.
Author : Astrid Erll,Roy Sommer Publisher : Walter de Gruyter GmbH & Co KG Page : 600 pages File Size : 44,9 Mb Release : 2019-07-08 Category : Literary Criticism ISBN : 9783110652307
Narrative in Culture by Astrid Erll,Roy Sommer Pdf
The collection showcases new research in the field of cultural and historical narratology. Starting from the premise of the ‘semantisation of narrative forms’ (A. Nünning), it explores the cultural situatedness and historical transformations of narrative, with contributors developing new perspectives on key concepts of cultural and historical narratology, such as unreliable narration and multiperspectivity. The volume introduces original approaches to the study of narrative in culture, highlighting its pivotal role for attention, memory, and resilience studies, and for the imagination of crises, the Anthropocene, and the Post-Apocalypse. Addressing both fictional and non-fictional narratives, individual essays analyze the narrative-making and unmaking of Europe, Brexit, and the Postcolonial. Finally, the collection features new research on narrative in media culture, looking at the narrative logic of graphic novels, picture books, and newsmedia.
The Trans/National Study of Culture by Doris Bachmann-Medick Pdf
This volume introduces key concepts for a trans/national expansion in the study of culture. Using translation as an analytical category, it explores what is translatable and untranslatable between nation-specific approaches such as British/American cultural studies, German Kulturwissenschaften and other traditions in studying culture. The range of articles included in the book covers both theoretical reflections and specific case studies that analyze the tensions and compatibilities amongst contemporary perspectives on the study of culture. By testing various key concepts – translation, cultural transfer, travelling concepts – this volume reflects on an essential vocabulary and common points of reference for scholars seeking new frameworks and methodologies for the foundation of a trans/national study of culture that is commensurate with the entangled nature of our world society.
The SAGE International Encyclopedia of Travel and Tourism by Linda L. Lowry Pdf
Taking a global and multidisciplinary approach, The SAGE International Encyclopedia of Travel and Tourism brings together a team of international scholars to examine the travel and tourism industry, which is expected to grow at an annual rate of four percent for the next decade. In more than 500 entries spanning four comprehensive volumes, the Encyclopedia examines the business of tourism around the world paying particular attention to the social, economic, environmental, and policy issues at play. The book examines global, regional, national, and local issues including transportation, infrastructure, the environment, and business promotion. By looking at travel trends and countries large and small, the Encyclopedia analyses a wide variety of challenges and opportunities facing the industry. In taking a comprehensive and global approach, the Encyclopedia approaches the field of travel and tourism through the numerous disciplines it reaches, including the traditional tourism administration curriculum within schools of business and management, economics, public policy, as well as social science disciplines such as the anthropology and sociology. Key features include: More than 500 entries authored and signed by key academics in the field Entries on individual countries that details the health of the tourism industry, policy and planning approaches, promotion efforts, and primary tourism draws. Additional entries look at major cities and popular destinations Coverage of travel trends such as culinary tourism, wine tourism, agritourism, ecotourism, geotourism, slow tourism, heritage and cultural-based tourism, sustainable tourism, and recreation-based tourism Cross-references and further readings A Reader’s Guide grouping articles by disciplinary areas and broad themes
Author : Kevin L. Cope,Samara Anne Cahill Publisher : Rutgers University Press Page : 327 pages File Size : 47,8 Mb Release : 2022-04-15 Category : Art ISBN : 9781684484102
1650-1850 combines fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy. Volume 27 expands around a landmark special feature on worlds and worldmaking--on the imagining of new, exotic, unexplored, ideal, and utopian worlds ranging from south sea islands to polar utopias to zones of intercultural encounter to the conjectural territories of interpretive cartography. Enlivening the volume is a cavalcade of full-length book reviews.
Touristic World-Making and Fan Pilgrimage in Popular Culture Destinations by Vassilios Ziakas,Christine Lundberg,Maria Lexhagen Pdf
This volume considers world-making as the intersection of the fan pilgrimage experience and the responses of destinations. It critically examines the emerging field of popular culture tourism and its close connection with fan studies and placemaking. The chapters illustrate how different destinations capitalise on expressive cultural practices to attract fan tourists, the processes involved in their tourismification, and the outcomes for both visitors and local communities. The book establishes a common ground for the comprehensive and critical study of popular culture tourism development and fandom. It integrates theory and practice and provides evidence-based recommendations for popular culture destinations. It is a useful resource for researchers in tourism management, fandom, pop culture and media studies, as well as for those working in the tourism industry.
The only Arabic voice to have witnessed the Ottoman conquest of Cairo, Ibn Iyās, is an eminent historical source for the late Mamluk period. This book is the first to take stock of the author's complete works, approaching him through an examination of his narrative voice and writing strategies. Tracing Ibn Iyās's working process by compilation analysis, it shows how the author adapted his representations of Egyptian history to his writing projects and audience. Ibn Iyās's ways of worldmaking are shaped deeply by beliefs, biases and intellectual trends as well as the impact of the social and historical context the author wrote in. Knowing these conditioning factors allows to understand his presentation of history as an individual voice of his time.
Narrative(s) in Conflict by Wolfgang Müller-Funk,Clemens Ruthner Pdf
Narrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ‘realistic’ paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts.
Author : Isabel Capeloa Gil,Helena Gonçalves da Silva Publisher : Walter de Gruyter GmbH & Co KG Page : 233 pages File Size : 53,8 Mb Release : 2015-07-01 Category : History ISBN : 9783110420890
The Cultural Life of Money by Isabel Capeloa Gil,Helena Gonçalves da Silva Pdf
The book discusses how culture simultaneously shapes and is shaped by the economy. Over the past few years, as the world has staggered from one financial crisis to another, the neat separation of economics and culture has been consistently challenged. To understand the current state of affairs, it has become increasingly necessary to understand the conjuncture that rules the production of value in economic systems, how money shapes social relations and affects discursive practices. By discussing the vocabulary, by understanding the rhetoric and interpreting the narratives, be it of crisis, austerity, growth, welfare, neo-liberalism or socialism, new modes of imaging the economic system may be made possible. The book is structured in four chapters dealing with theory and conjuncture (“Philosophies of Money”), with the visual arts and investment (“The Arts and Finance”), with literary representation and narrativity (“Literature and Money Matters”) and with the cognitive impact of fiduciary representation (“Cognitive Moneyscapes”). This collection analyses the process whereby a material icon invested with the symbolical power to rule social exchange becomes an explanatory narrative determining the way societies produce meaning.
Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.
Destruction remains a relatively unexplored and badly understood topic in archaeology and history. The term itself refers to some form and measurable degree of damage inflicted to an object, a system or a being, usually exceeding the stage during which repair is still possible but most often it is examined for its impact with destructive events interpreted in terms of a punctuated equilibrium, extraordinary features that represent the end of an archaeological culture or historical phase and the beginning of a new one. The three-day international workshop of which this volume presents the proceedings took place at Louvain-la-Neuve in Belgium, from November 24 to 26, 2011 and was organized by CEMA – Centre d'Étude des Mondes Antiques – one of the research centres within INCAL – Institut de Civilisations, Arts et Lettres. Our aim with organising this gathering was to seriously engage with destruction as a phenomenon and how it is perceived by archaeologists, historians and philologists of the ancient world. The volume is similarly structured to the workshop which it reflects, with first a series of more theoretical papers and then following a chronological and geographical order.
In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation.
