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‘Focuses a razor light on the plight of one of our most iconic birds. Inspirational!’ Tim Birkhead Curlews are Britain’s largest wading bird, known for their evocative calls which embody wild places; they provoke a range of emotions that many have expressed in poetry, art and music.
Christians often don't know how to respond to the climate crisis and messages of possible destruction caused by human activity. Frances Ward shows how Christians can live and act with hope and faith in God in the face of eco-anxiety.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.
Beak, Tooth and Claw: Living with Predators in Britain by Mary Colwell Pdf
‘A must read for all wildlife lovers’ Dominic Dyer Foxes, buzzards, crows, badgers, weasels, seals, kites – Britain and Ireland’s predators are impressive and diverse and they capture our collective imagination. But many consider them to our competition, even our enemies.
In 2019, Gwen Wilkinson set herself the challenge of building a canoe and paddling it the length of Ireland, along a network of inland waterways. She set out from the shores of Lough Erne and navigated a 400 km journey to the tidal waters of the River Barrow in Ireland. More than just a travelogue, The Waters and the Wild explores the interwoven histories of the people and wildlife that shaped Gwen’s journey. As the adventure unfolds, she also shines a light on pioneering women who have left their mark on Ireland’s landscape – both natural and cultural. From wild camping on deserted islands to drifting on lakes in the company of restless lapwings, this book invites the reader to share an intense engagement with the natural world. The charming text is accompanied by the author’s own striking lino and woodcut prints, beautiful and though-provoking interpretations of the flora and fauna she observed on her travels.
In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this third volume, Yeats’s poetry of the first decade of the twentieth century is brought into sharp focus, revealing the extent of his efforts to re-fashion a style that had already made him a well-known poet. All of the major modes in Yeats’s earlier work are subject to radical re-imagining in these years, from poetic narrative founded in Irish myth, in poems such as ‘Baile and Aillinn’ and ‘The Old Age of Queen Maeve’, to the symbolist drama-poetry of The Shadowy Waters, here edited in its two (completely different) versions of 1900 and 1906. In a decade when the theatre was one of Yeats’s principal concerns, his lyric poems, which were becoming increasingly explicit in personal terms, began to discover new intensities of conversational pitch and mythic resonance. Poems such as ‘The Folly of Being Comforted’, ‘Adam’s Curse’, ‘No Second Troy’, and ‘The Fascination of What’s Difficult’ are given close attention in this new edition, alongside topical and epigrammatic pieces that are often passed over in accounts of Yeats’s development. The evolving complexities of Yeats’s personal and political lives are crucial to his artistic growth in these years, and the commentary gives these generous attention, showing how the poetry both feeds upon and often transcends the circumstances of its composition. The volume offers strong evidence for this decade as a crucial one in Yeats’s poetic life, in which the poet created wholly new registers for his verse as well as new dimensions for his imaginative vision.
'Deeply poetic.' CAROLINE LUCAS MP 'A masterpiece of storytelling.' NICK MAYHEW-SMITH 'Mary Colwell is a candle of open-minded curiosity.' PATRICK LAURIE 'An unforgettable story.' MICHAEL MCCARTHY 'Inspiring.' JEREMY MYNOTT 'Brave, tough and surprisingly funny.' ROGER MORGAN-GRENVILLE - Mary Colwell makes a 500-mile solo pilgrimage along the Camino Francés, winding through forests, mountains, farmland, industrial sprawls and places of worship, weaving her experiences of the Camino with natural history, spirituality and modern environmentalism. Pilgrims have always walked in times of upheaval, pitching themselves against weather, hunger, thirst and sometimes pain as they tread the paths their ancestors followed before them. In The Gathering Place, author, nature campaigner and veteran solo walker Mary Colwell undertakes a 500-mile pilgrimage along the Camino Francés in northern Spain at a unique moment in history – a time of pandemic, profound political change, and a climate and biodiversity emergency. In a typical year, more than 300,000 people walk this route or part of it, but in between lockdowns in 2020, Mary was virtually alone. The modern world weaves in and out of the Camino's worn trackway, providing a focus for contemplation and a place where memories and experiences can gather. There are times of intense spirituality, meetings with a demon slayer, strange goings-on and magical tales, and the constant backdrop of nature with all its complexity and wonder. In this delightful book, Mary's winter pilgrimage weaves a personal tale with a walk that millions have undertaken over the centuries. The Gathering Place is a beautiful, thoughtful and, at times, humorous journey of both body and soul.
Phillip Hall writes from the edge: the edge of language; the edge of mental illness; and, from the perspective of a non-Indigenous poet and teacher standing at the edge of Indigenous culture and community carrying generosity and love alongside the ongoing trauma of dispossession. This is a volume intensely interested in language and the self-care required in precarious lives. Phillip Hall's Fume is a hymn and a love song for Borroloola on the Gulf of Carpentaria, and for the Yanyuwa, Mara, Gudanji & Garrawa peoples. - Back cover.
Human animals are despoiling nature and causing a sixth extinction on Earth. Our natural environment is being compromised, and birds and other animals are disappearing at an alarming rate. Flight from Grace does not so much reveal the extent of the damage as ask and answer the perplexing question: why? This book traces human reverence for birds from the Stone Age and the New Stone Age, through the cultures of Mesopotamia, Egypt, Peru, and Greece and through biblical traditions, up to its vestiges in the present. Richard Pope takes a hard look at Judaeo-Christian and ancient Greek thought to demonstrate how the emergence of anthropocentrism and belittling of nature led to our present-day ecological dilemma. Striking images of cultural artifacts -- many little-known -- together with extensive discussion of art, music, literature, and religion illustrate the paradox in our contemporary relationship to the natural world. Humanity, in moving from its paleolithic origins to modern times, has simultaneously distanced itself from and disenchanted nature. Suggesting that the replacement of an animistic worldview with a mechanistic one has led humans to deny their animality, Flight from Grace calls on readers to appreciate how our past relationship with birds might help transform our current relationship with nature.
Animal Texts examines critical works of American Environmental Literature for how they portray, discuss, and represent animals. By interweaving animal studies, literary animal studies, animal science, and close readings, the author establishes critical animal concepts for environmental literature that expand the understanding and knowledge of animal lives to promote conservation and meaningful reflection on current human-animal relationships. Lauren E. Perry-Rummel demonstrates the grave importance and promise these writers saw in the animals alongside them by examining the textual proof of how America's great environmental writers viewed animals. The author’s tracing of animal texts begins with late nineteenth century American texts from Sarah Orne Jewett, Jack London, into the mid-early twentieth century, ecologically focused works of Aldo Leopold and Rachel Carson, into the later twentieth century with the musings of Edward Abbey and the devastating memoir of Terry Tempest Williams, and ending with the contemporary species-centric works of Nate Blakeslee and Dan Flores.
Mushin provides the first full grammatical description of Garrwa, a critically endangered language of the Southwest Gulf of Carpentaria region in Northern Australia. Garrwa is typologically interesting because of its uncertain status in the Australian language family, its pronouns and its word order syntax. This book covers Garrwa phonology, morphology and syntax, with a particular focus on the use of grammar in discourse. The grammatical description is supplemented with a word list and text collection, including transcriptions of ordinary conversation.
The Silver Curlew is one of Eleanor Farjeon's finest works, an intriguing re-telling of the classic story Rumpelstiltskin. Mother Codling lives with her children in a small, Norfolk windmill. One day, the Codlngs receive a surprise visit from the king of Norwich, who insists that eighteen-year-old Doll Codling must spin a certain amount of flax for him, or he will cut off her head. Doll, terrified of dying, makes a deal with a spindle-imp, in order to save herself and her family. The only clincher is, that he returns to the castle when Doll's daughter is born and insists that he take the newborn child as payment for his work. Doll, and her younger sister Poll, try desperately to keep the baby...
⭐⭐⭐⭐⭐ The Telegraph ‘Beautifully crafted, fascinating and unbearably poignant, I totally loved this book.' Isabella Tree, author of Wilding ‘Gow reinvents what it means to be a guardian of the countryside.' Guardian Author of Bringing Back the Beaver and Britain’s favourite maverick rewilder Derek Gow embarks on an adventure to uncover the mythology, mystery and history of wolves in Britain. Derek Gow’s dream is that one day we will see the return of the wolf to Britain. Wolf rewilding projects have been successfully implemented across the world – so what is holding us back in the UK? Hunt for the Shadow Wolf is Derek’s quest to uncover the true nature of this magnificent creature. As Derek worked to reintroduce the beaver, he began to hear stories of the wolf, both real and mythical, and his fascination with it grew. He pieced together fragments of information, stories and artefacts to reveal a shadowy creature that first walked proud through these lands and then was hunted to extinction. What Derek came to realise was that the underlying motives behind our hatred were actually rooted in power and profit. We turned the wolf into a savage beast and saw its extirpation as a civilising mission. But the wolf endured and Derek tells of his sightings through folklore and mythology, the records of grand estates and parish churches as well as wolf heads, both real and recreated. With bitingly funny but also tender stories, Hunt for the Shadow Wolf makes clear why we must reconcile our relationship with this majestic animal before we can begin to bring it back to these lands. ‘Gow has a fire in his belly. We need more like him.’ BBC Wildlife Magazine