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Author : Anonim
Publisher : Unknown
Page : 312 pages
File Size : 50,8 Mb
Release : 1987
Category : Musicians
ISBN : STANFORD:36105043983688
Author : Anonim
Publisher : Unknown
Page : 942 pages
File Size : 55,8 Mb
Release : 1988
Category : Law
ISBN : PSU:000064374772
Author : Anonim
Publisher : Unknown
Page : 348 pages
File Size : 54,5 Mb
Release : 1992
Category : Athletes
ISBN : STANFORD:36105044593106
Author : Anonim
Publisher : Unknown
Page : 584 pages
File Size : 45,5 Mb
Release : 1988
Category : Law
ISBN : STANFORD:36105063604602
Author : Robert Crown Law Library
Publisher : Unknown
Page : 874 pages
File Size : 47,6 Mb
Release : 1987
Category : Law
ISBN : STANFORD:36105063034966
Author : Mark J. Davis
Publisher : BuzzGig LLC
Page : 207 pages
File Size : 53,7 Mb
Release : 2009-11-11
Category : Law
ISBN : 9780615336862
Do you know the answers to these questions? (You had better, if you want to survive in the music business.) * What can I copyright? * Why will a Poor Man copyright keep me poor? * Can I sell my copyright? Give it to my kids? * What is infringement? * What is Fair Use? (it is not what you think it is) * How do songwriters get paid? * What does a music publisher do? Do I need one? * Who are ASCAP, BMI, and SESAC? * How do cover songs work? * What is the difference between a parody and infringement? * What is in a record deal? * We are putting out our own album, what do we do? * What do all those legal terms mean? * How do recording artists get paid? * Am I recouped yet? Mark J. Davis is an attorney, university lecturer, and former arbitrator for the US Copyright Office. His students have gone on to careers in the music industry after taking his classes. Rely on his 30 years of experience in entertainment law.
Author : New York Public Library. Research Libraries
Publisher : Unknown
Page : 660 pages
File Size : 51,5 Mb
Release : 1989
Category : Congresses and conventions
ISBN : UOM:39015055039443
Vols. for 1975- include publications cataloged by the Research Libraries of the New York Public Library with additional entries from the Library of Congress MARC tapes.
Author : Congress of the U.S., Washington, DC. Office of Technology Assessment
Publisher : DIANE Publishing
Page : 292 pages
File Size : 54,7 Mb
Release : 1989
Category : Electronic
ISBN : 9781428922181
Home recording technologies allow today's consumer to make near-perfect copies of recorded music, television shows, movies, and other copyrighted works for private use at home. With the advance of digital recording equipment, consumers will be able to reproduce these copyrighted works with even greater accuracy. This is an issue of great concern for copyright owners, who claim that home copying is detrimental to their sales. This report presents an examination of home recording technologies and their relationship to the legal status of home copying, a comparison of the economic effects that home audiotaping may have on the recording industry with the effects that restricting home taping might have on consumers, a discussion of legal action that Congress or the industry may initiate, and the results of a national survey of home taping and copying behavior. The report is divided into seven chapters: (1) Summary, Issues, and Options; (2) Technological Change and Home Copying; (3) Legal Aspects of Copyright and Home Copying; (4) An Overview of the U.S. Record Industry; (5) Copyright Royalties for Music and Sound Recording; (6) The OTA (Office of Technology Assessment) Survey; and (7) Economic Perspectives on Home Copying. Appendixes contain a description of the survey development and review, a copy of the survey questionnaire, OTA survey tables, and a list of contractor reports related to the study. (MAB)
Author : Anonim
Publisher : Unknown
Page : 456 pages
File Size : 55,5 Mb
Release : 1987
Category : Government publications
ISBN : PURD:32754073269726
Author : Tony Bennett,Simon Frith,Larry Grossberg,John Shepherd,Graeme Turner
Publisher : Routledge
Page : 324 pages
File Size : 53,6 Mb
Release : 2005-08-19
Category : Art
ISBN : 9781134923052
Rock and Popular Music examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved. International in its scope and conception, this innovative collection explores the reasons for and ways in which governments have sought either to support or prohibit popular music in Canada, Australia and Europe as well as the impact of broadcasting policies in forming and shaping different musical communities. Rock and Popular Music is a unique collection suggesting significant new directions for the study of contemporary popular musics.
Author : Anonim
Publisher : Unknown
Page : 380 pages
File Size : 51,7 Mb
Release : 1989
Category : Government publications
ISBN : PURD:32754075442578
Author : United States. Congress. Office of Technology Assessment
Publisher : Unknown
Page : 280 pages
File Size : 45,6 Mb
Release : 1989
Category : Copyright
ISBN : UCR:31210024828715
Author : United States. Congress
Publisher : Unknown
Page : 1410 pages
File Size : 49,7 Mb
Release : 1967
Category : Law
ISBN : HARVARD:32044116493461
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Author : Matt Stahl
Publisher : Duke University Press
Page : 310 pages
File Size : 42,6 Mb
Release : 2013
Category : Business & Economics
ISBN : 9780822353430
DIVIn Unfree Masters, Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He argues that the widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation./div
Author : Lee Marshall
Publisher : Routledge
Page : 242 pages
File Size : 47,6 Mb
Release : 2013
Category : Art
ISBN : 9780415603454
The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry’s content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the ‘the recording industry’ to be a relatively static, homogeneous, entity. This book attempts to offer a broader, less Anglocentric and more dynamic understanding of the recording industry. It starting premise is the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry. Seven detailed case studies of different national recording industries illustrate this fact, each of them specifically chosen to provide a distinctive insight into the workings of the recording industry. The expert contributions to this book provide the reader with a sense of the history, structure and contemporary dynamics of the recording industry in these specific territories, and counteract the Anglo-American bias of coverage of the music industry. The International Recording Industrieswill be valuable to students and scholars of sociology, cultural studies, media studies, cultural economics and popular music studies.