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Cynthia Reed, single mother, psychiatric nurse, novelist and connoisseur, married Sidney Nolan in Sydney in 1948. England served as their home base from 1953 till her death in 1976, territory charted in her four travel books. This biography is drawn from her books in depth and from her intimate letters to her brother John and his wife, Sunday Reed between 1927, when she was nineteen, and 1944 when their correspondence ceased. Her unpopularity in Australia in the sixties is accounted for and the stereotypes of the envious sister-in-law, the mad artist's wife and the nihilistic suicide dismantled.
Digging through the myths around Australia’s most famous artist, many of which he created himself as a masterful self-promoter, this book is the biography that Sidney Nolan deserves. In an authoritative, insightful and often irreverent biography that fully charts Nolan’s life and work, Nancy Underhill peels back the layers from a complicated, expedient and manipulative artistic genius. She carries the story from Nolan’s birth in 1917 to his death in 1992, tracing his early life, his experience as a commercial artist, his involvement in theAngry Penguins magazine, his painting and set design, his difficult marriages and friendships with some of the twentieth century’s most famous figures: Patrick White, Albert Tucker, Benjamin Britten, Robert Lowell, Stephen Spender and Kenneth Clark.
The newest addition to the Artist’s Materials series offers the first technical study of one of Australia’s greatest modern painters. Sidney Nolan (1917–1992) is renowned for an oeuvre ranging from views of Melbourne’s seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan’s preferred paint, but this fascinating study—certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art—reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.
The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book, highly illustrated in full colour, reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of the book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context.
This work presented by Esso and Mobil, celebrates the achievements of one of Australia's most creative and honoured artists. In focusing on specific aspects of Nolan's prolific work - images of Australia's inland landscape, Burke and Wills, religion and environmental concerns - produced between 1949 and 1953, it has been possible to present a highly detailed exhibition rarely accorded to an Australian artist.
Republics of Letters by Peter Kirkpatrick,Professor Robert Dixon Pdf
Republics of Letters: Literary Communities in Australia is the first book to explore the notion of literary community or literary sociability in relation to Australian literature.
Sunday's Kitchen by Lesley Harding,Kendrah Morgan Pdf
Sunday Reed was a passionate cook and gardener, who believed in home-grown produce, seasonal cooking and a communal table. Sunday's Kitchen tells the story of food and living at the home of John and Sunday Reed, two of Australia's most significant art benefactors. Settling on the fifteen-acre property in 1935, the Reeds transformed it from a run-down dairy farm into a fertile creative space for artists such as Sidney Nolan, Albert Tucker, Joy Hester and Charles Blackman. Richly illustrated with art, photographs-many previously unpublished-and recipes from Sunday's personal collection, Sunday's Kitchen recreates Heide's compelling and complex story.
Backgazing: Reverse Time in Modernist Culture by Paul Giles Pdf
This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.
The New Oxford Book of Literary Anecdotes by John Gross Pdf
In The New Oxford Book of Literary Anecdotes, master anthologist John Gross brings together a delectable smorgasbord of literary tales, offering striking new insight into some of the most important writers in history. Many of the anecdotes here are funny, others are touching, outrageous, sinister, inspiring, or downright weird. They show writers from Chaucer to Bob Dylan acting both unpredictably and deeply in character. The range is wide--this is a book which finds room for Milton and Shakespeare, Mark Twain and Walt Whitman, Kurt Vonnegut and P. G. Wodehouse, Chinua Achebe and Salman Rushdie, James Baldwin and Tom Wolfe. It is also a book in which you can find out which great historian's face was once mistaken for a baby's bottom, which film star experienced a haunting encounter with Virginia Woolf not long before her death, and what Agatha Christie really thought of her popular character Hercule Poirot. It is in short an unrivalled collection of literary gossip offering intimate glimpses into the lives of authors ranging from Shakespeare to Philip Roth--a book not just for lovers of literature, but for anyone with a taste for the curiosities of human nature.
Inspector West Collection Two by Peter Mulraney Pdf
Another three stories of murder that will keep you guessing until the end. Whistleblower - A whistleblower exposes other people's secrets. Death exposes the secrets of all, including a whistleblower's. Inspector West investigates the death of a public service whistleblower, and discovers the whistleblower has a few secrets of his own. Twisted Justice - Revenge. Betrayal. Murder. Detective Inspector West scrambles to stop a serial killer and smash a car-stealing racket. Trent Mitchell is a man with a grudge and a list of people to execute. He’s started on his mission. Ian Holden is a car thief with a problem. Someone wants him dead. Can Inspector West bring them to justice before Trent kills everyone on his list and Ian disappears without a trace? The East Park Syndicate - Murder Mystery. Detective Inspector Carl West investigates the murder of the mayor of East Park - businessman and political insider - Doug Clarke. Carl struggles to find a motive for Clarke’s murder until his detectives explore the activities of the poker playing East Park Syndicate. If you like stories with twists and surprises, you’ll enjoy this collection of stories from Peter Mulraney’s Inspector West series.
This is a memoir about the Australian film industry, with inside stories about how films are funded and made, and the problems facing a producer. Sue met and worked with some unforgettable characters, including Sidney Nolan, George Johnston and Charmian Clift, Frank Thring, John Meillon, Graham Kennedy, John Hargreaves, Bryan Brown, Graeme Blundell and Barry Humphries. The book includes a number of black-and-white photos, and a foreword by well known director Bruce Beresford, who has worked closely with Sue.
Revenge. Betrayal. Murder. Detective Inspector West scrambles to stop a serial killer and smash a car-stealing racket. Trent Mitchell is a man with a grudge and a list of people to execute. He’s started on his mission. Ian Holden is a car thief with a problem. Someone wants him dead. Can Inspector West bring them to justice before Trent kills everyone on his list and Ian disappears without a trace? If you like a story with twists and surprises, you’ll enjoy Peter Mulraney’s Twisted Justice, the fifth book in his Inspector West series.
This biography studies the making of writer and artist's wife Cynthia Nolan, born Violet Cynthia Reed. She was almost forty when she married Sidney Nolan and consigned her past to obscurity. It tracks this brave, elusive figure through historical sources, letters, her novels, the recollections of friends and family, and the photographs and portraits made of her. After a privileged but constrained childhood, she travelled to Europe. Inspired by what she'd seen, she returned to Australia and, with a small circle of artists and designers, created a brief but influential business in contemporary art and design. In 1934 she moved to Sydney, hoping to find work as an actress. Disenchanted, Cynthia travelled to America, then London, to train as a nurse. Nurse Reed was in France when war was declared. She returned to Melbourne, pregnant, and stayed at Heide. She made a life for herself and her daughter, Mosca Jinx, in a cottage in Sydney, where she completed her much overlooked novels. Cynthia met Sidney through her sister-in-law, Sunday, who was married to John Reed. The women were close, but in 1941 Cynthia and Sunday had a falling out. Sidney came knocking on Cynthia's door in 1948. Once married, Sidney adopted Jinx, signalling his commitment to their family life. Cynthia had the requisite skills, experience and contacts to assist Sidney in his unprecedented success. From 1953, their home base was in Putney, London. Cynthia recorded their travels and preoccupations in four books, and also wrote a novel, A Bride for St Thomas, published in 1970. By this time she was frail, often in severe pain. In 1976, having confided in no-one, Cynthia died in a hotel room in London. In her letters and books we hear her distinctive and discriminating voice, despite the turmoil surrounding her at Heide. This book restores her rightful place in history, as an influential woman in her own right.
Randolph Stow was one of the great Australian writers of his generation. His novel To the Islands - written in his early twenties after living on a remote Aboriginal mission - won the Miles Franklin Award for 1958. In later life, after publishing seven remarkable novels and several collections of poetry, Stow's literary output slowed. This biography examines the productive period as well as his long periods of publishing silence. In Mick: A Life of Randolph Stow, Suzanne Falkiner unravels the reasons behind Randolph Stow's quiet retreat from Australia and the wider literary world. Meticulously researched, insightful and at times deeply moving, Falkiner's biography pieces together an intriguing story from Stow's personal letters, diaries, and interviews with the people who knew him best. And many of her tales - from Stow's beginnings in idyllic rural Australia, to his critical turning point in Papua New Guinea, and his final years in Essex, England - provide us with keys to unlock the meaning of Stow's rich and introspective works. *** "The overriding virtue of this book is Falkiner's steady trust in the intelligence of her readers. She spells very little out, presenting us instead with this carefully curated wealth of textual evidence." -- Kerryn Goldsworthy, Australian Book Review *** Finally we have some sense of the wounds that shaped and animated Stow's poetry and fiction." -- Geordie Williamson, The Australian *** "Suzanne Falkiner's prodigious biography of Randolph Stow is a book long awaited by many; not just the literati of his native Australia but those countless readers who feasted on his novels and wondered what kind of person could write with such imaginative power. Not only do we come to appreciate what led this renowned Australian writer to create his celebrated fictional works, but we are also given rare glimpses into the inner world of this most private individual, whose personal demons included a dependence on alcohol, two suicide attempts, and struggles with homosexuality. Falkiner cut her teeth on six previous biographies, which stood her in good stead to tackle this challenge. Against significant odds, she has done a masterful job in painting a portrait of one of Australia's most revered writers, somewhat akin to what compatriot David Marr did for Nobel Prize-winning author Patrick White. It will no doubt send readers scurrying back to Stow's novels, which, as Marr once said, is the best news a biographer can hear." --World Literature Today, January-February 2017 [Subject: Biography, Literary Criticism]
