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Author : John Elderfield,Mary Morton,Xavier Rey
Publisher : Princeton University Press
Page : 257 pages
File Size : 44,9 Mb
Release : 2017-11-28
Category : Art
ISBN : 9780691177861
Published in 2017 in Great Britain by National Portrait Gallery Publications, London.
Author : Mary Tompkins Lewis
Publisher : Princeton University Press
Page : 98 pages
File Size : 47,7 Mb
Release : 2017-11-28
Category : Art
ISBN : 9780691177953
This beautifully illustrated book features twenty-four masterpieces in portraiture by celebrated French artist Paul Cézanne (1839-1906), offering an excellent introduction to this important aspect of his work. Arranged chronologically and spanning five decades, featured portraits range from a selection of the artist's self-portraits, made throughout his life, to paintings depicting family and friends, including his uncle Dominique, his wife Hortense, his son Paul, and his final portrait of Vallier, the gardener at his house near Aix-en-Provence, completed shortly before Cézanne's death. Art historian Mary Tompkins Lewis contributes an illuminating essay on Cézanne and his portraiture for general readers, alongside an illustrated chronology of the artist's life and work.
Author : Susan Sidlauskas
Publisher : Unknown
Page : 340 pages
File Size : 47,9 Mb
Release : 2009
Category : Art
ISBN : UOM:39015084128241
"In the voluminous scholarship that's been written on Paul Cezanne, little has been said about the twenty-four portraits in oil that Cezanne made of his wife, Hortense Fiquet Cezanne, over an extended twenty-year period. In Cezanne's Other: The Portraits of Hortense, Susan Sidlauskas breaks new ground, focusing on these paintings as a group and looking particularly at the differences that render many of them unrecognizable as the same person. She argues that Cezanne sidestepped the conventional goals of portraiture-he avoids representing a consistent, identifiable physiognomy or conventional feminine postures and does not portray the subject's inner life-making lack of fixedness itself his subject, which leads him ultimately to a radical reformulation of modern portraiture. Sidlauskas also upends the notion of Mme Cezanne as the irrelevant and absent spouse. Instead she reveals Hortense Fiquet Cezanne as a presence so crucial to the artist that she became the essential "other" to his ever-evolving "self." Coupling historical texts from philosophy, psychology, and physiology with more recent writings from women's and gender studies, cognitive psychology, and visual culture, Sidlauskas demonstrates that Mme Cezanne offered intimacy at arm's length for the painter who has been dubbed "the lone wolf of Aix."" --Book Jacket.
Author : Steven Platzman
Publisher : Univ of California Press
Page : 232 pages
File Size : 40,9 Mb
Release : 2001
Category : Self-portraits
ISBN : 0520232917
Platzman's accessible and richly illustrated book examines the stylistic development of Czanne's self-portraits in an effort to understand how the artist saw himself and others. 111 b&w & 82 color illustrations.
Author : Dita Amory
Publisher : Metropolitan Museum of Art
Page : 244 pages
File Size : 42,6 Mb
Release : 2014
Category : Art
ISBN : 9780300208108
A new account of the French modernist master's complex relationship with his muse and wife argues against her detractors to reveal her pivotal contributions as a willing model, Cézanne's creative partner and the mother of his only son.
Author : Linda Nochlin
Publisher : Unknown
Page : 40 pages
File Size : 46,6 Mb
Release : 1996
Category : Portrait painting, French
ISBN : STANFORD:36105020482977
Author : Erle Loran
Publisher : Univ of California Press
Page : 174 pages
File Size : 47,5 Mb
Release : 2006
Category : Art
ISBN : 0520248457
Praise for the first edition: "I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print."--Clement Greenberg, Nation
Author : Alex Danchev
Publisher : Pantheon
Page : 554 pages
File Size : 40,9 Mb
Release : 2012
Category : Art
ISBN : 9780307377074
A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.
Author : Gerstle Mack
Publisher : Plunkett Lake Press
Page : 373 pages
File Size : 53,6 Mb
Release : 2019-08-15
Category : Biography & Autobiography
ISBN : 8210379456XXX
Paul Cézanne (1839-1906), whose work profoundly influenced modern art, is revealed here in all his sensitivity and complexity. With over one hundred letters to Zola and others, poems and photographs. “In this biography, admirable from beginning to end, Paul Cézanne is at last brought convincingly to life... Gerstle Mack has produced a full-length portrait [...] likely to prove, all in all, the most sympathetic, unbiased and complete picture of the extraordinary ‘hermit of Aix’ that we shall ever have... to read Mr. Mack’s beautifully coordinated narrative is sheer pleasure... With what amounts virtually to a novelist’s grasp of the whole situation, Mr. Mack causes Cézanne’s friends — those who played in any measure a significant part in his life — to come alive along with him... Gerstle Mack, in preparing this exceptionally fine biography of Cézanne, has assembled the existing material, weighed it with discriminating judgment, and woven the strands together to form a portrait that seems irradiated with truth...the life of Paul Cézanne as reconstructed by Mr. Mack is extraordinarily full and satisfying. It is a deft, engrossing, revelatory piece of work.” — Edward Arden Jewell, The New York Times(October 13, 1935) “The best biography [of Paul Cézanne] in English.” — John Rewald, The History of Impressionism “A thorough, dependable biography... It will remain the one indispensable source for those who undertake to interpret the modern master.” — The Nation “[Gerstle Mack] gives an excellent account of the impressionist movement... while his discussion of Cézanne’s painting is always lucid.” — London Times Literary Supplement “Mr. Mack’s chief reward is likely to come in finding that his work has set a date in our understanding of Cézanne’s real part in the history of modern painting.” — The New Republic “Definitive life of the painter who probably influenced modern art more than any man of his time... An important book for anyone interested in the history of art.” — Kirkus Reviews
Author : Nina M. Athanassoglou-Kallmyer
Publisher : University of Chicago Press
Page : 356 pages
File Size : 41,7 Mb
Release : 2003-05
Category : Art
ISBN : 0226423085
Discusses painter Paul Cézanne's 1886 departure from Paris to his native city, Aix-en-Provence, arguing that it was related to French regionalist politics of the time, and shows how the move affected his art.
Author : Carol Armstrong
Publisher : Yale University Press
Page : 293 pages
File Size : 54,5 Mb
Release : 2018-11-13
Category : Art
ISBN : 9780300232714
A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.
Author : Jon Kear
Publisher : Reaktion Books
Page : 224 pages
File Size : 45,5 Mb
Release : 2016-06-15
Category : Biography & Autobiography
ISBN : 9781780236032
Few artists have exerted as much influence on modern art as Paul Cézanne. Picasso, Braque, and Matisse all acknowledged a profound debt to his painting, and many historians regard him as the father of modernism. This new biography reexamines Cézanne’s life and art, discussing the key events and people who shaped his work and placing his oeuvre in the context of nineteenth and early twentieth-century art and culture. Jon Kear begins with Cézanne’s formative years in Provence, highlighting the deep and abiding impressions the landscapes of the region would have on his paintings. He follows him through his turbulent years as a young artist in Paris, where he would create the larger-than-life artistic persona—through a rugged painting style detailing explicit subjects—that would become a lasting mythology for him throughout all of his phases. He looks closely at Cézanne’s relationships with Edouard Manet—whom he both emulated and critiqued—and the writer Émile Zola, as well as his close collaboration with Camille Pissarro. Above all, he tells the story of his life as a part of the pivotal shift toward the twentieth century, illuminating how much his work and ideas helped to usher it in.
Author : Paul Cézanne
Publisher : Courier Corporation
Page : 144 pages
File Size : 40,9 Mb
Release : 1985-01-01
Category : Art
ISBN : 0486247902
Great artist experiments with tonal effects, light, mass, other qualities in over 100 drawings. A revealing view of developing master painter, precursor of Cubism. 102 black-and-white illustrations.
Author : Anna Barskaya,Yevgenia Georgievskaya
Publisher : Parkstone International
Page : 160 pages
File Size : 45,9 Mb
Release : 2011-07-01
Category : Art
ISBN : 9781780422909
Since his death 200 years ago, Cézanne has become the most famous painter of the nineteenth century. He was born in Aix-en-Provence in 1839 and the happiest period of his life was his early youth in Provence, in company with Emile Zolá, another Italian. Following Zolá’s example, Cézanne went to Paris in his twenty-first year. During the Franco-Prussian war he deserted the military, dividing his time between open-air painting and the studio. He said to Vollard, an art dealer, “I’m only a painter. Parisian wit gives me a pain. Painting nudes on the banks of the Arc [a river near Aix] is all I could ask for.” Encouraged by Renoir, one of the first to appreciate him, he exhibited with the impressionists in 1874 and in 1877. He was received with derision, which deeply hurt him. Cézanne’s ambition, in his own words, was “to make out of Impressionism something as solid and durable as the paintings of the museums.” His aim was to achieve the monumental in a modern language of glowing, vibrating tones. Cézanne wanted to retain the natural colour of an object and to harmonise it with the various influences of light and shade trying to destroy it; to work out a scale of tones expressing the mass and character of the form. Cézanne loved to paint fruit because it afforded him obedient models and he was a slow worker. He did not intend to simply copy an apple. He kept the dominant colour and the character of the fruit, but heightened the emotional appeal of the form by a scheme of rich and concordant tones. In his paintings of still-life he is a master. His fruit and vegetable compositions are truly dramatic; they have the weight, the nobility, the style of immortal forms. No other painter ever brought to a red apple a conviction so heated, sympathy so genuinely spiritual, or an observation so protracted. No other painter of equal ability ever reserved for still-life his strongest impulses. Cézanne restored to painting the pre-eminence of knowledge, the most essential quality to all creative effort. The death of his father in 1886 made him a rich man, but he made no change in his abstemious mode of living. Soon afterwards, Cézanne retired permanently to his estate in Provence. He was probably the loneliest of painters of his day. At times a curious melancholy attacked him, a black hopelessness. He grew more savage and exacting, destroying canvases, throwing them out of his studio into the trees, abandoning them in the fields, and giving them to his son to cut into puzzles, or to the people of Aix. At the beginning of the century, when Vollard arrived in Provence with intentions of buying on speculation all the Cézannes he could get hold of, the peasantry, hearing that a fool from Paris was actually handing out money for old linen, produced from barns a considerable number of still-lifes and landscapes. The old master of Aix was overcome with joy, but recognition came too late. In 1906 he died from a fever contracted while painting in a downpour of rain.
Author : Robert Snell
Publisher : Routledge
Page : 137 pages
File Size : 48,7 Mb
Release : 2020-12-29
Category : Art
ISBN : 9781000326055
By inviting a ‘conversation’ between them, this book offers a nuanced introduction both to Cézanne—the ‘father of modern art’—and perhaps the most vital body of theory in contemporary psychoanalysis, ‘post-Bionian field theory’, as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese, and others. Cézanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained ‘subjects’, we fundamentally exist only within a larger interpersonal ‘field’. Cézanne’s painting can give us a direct experience of this. For the Italian field analysts, building on Bion’s work, the field is accessed through reverie, metaphor, and dream, which now come to occupy the heart of psychoanalysis. Here primitive ‘proto-emotions’ that link us all might be transformed—as Cézanne transformed his ‘sensations’—into aesthetic form, into feelings-linked-to-thoughts that in turn enrich and expand the field. The book draws on the words of artists (Cézanne himself, Mann), philosophers (Merleau-Ponty, Bergson), art historians and theorists (Clark, Smith, Shaw), as well as psychoanalysts (Bion, Ferro, Civitarese, and others), and it is the first to focus on one particular—and seminal—painter as a way of exploring this aesthetic and ‘field’ dimension in depth and detail. Aimed at psychoanalysts, psychotherapists, artists, art historians, and the general reader, it suggests how far art and contemporary psychoanalysis are mutually generative.