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Author : Iris Barry
Publisher : Unknown
Page : 98 pages
File Size : 41,8 Mb
Release : 1965
Category : Motion pictures
ISBN : UOM:39015020676543
Author : Iris Barry
Publisher : Unknown
Page : 0 pages
File Size : 50,9 Mb
Release : 1984
Category : Electronic
ISBN : OCLC:1355507437
Author : Iris Barry
Publisher : Unknown
Page : 42 pages
File Size : 51,7 Mb
Release : 2013-08
Category : Electronic
ISBN : 1258782138
Author : Tom Gunning
Publisher : University of Illinois Press
Page : 334 pages
File Size : 45,6 Mb
Release : 1994
Category : Art
ISBN : 025206366X
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Author : Scott Simmon
Publisher : CUP Archive
Page : 196 pages
File Size : 55,5 Mb
Release : 1993-07-30
Category : Performing Arts
ISBN : 0521388201
An introduction to the work of the first widely acknowledged master filmmaker.
Author : Ira H. Gallen
Publisher : FriesenPress
Page : 122 pages
File Size : 40,7 Mb
Release : 2015-12-08
Category : Motion picture producers and directors
ISBN : 9781460260982
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
Author : Richard Schickel
Publisher : Hal Leonard Corporation
Page : 675 pages
File Size : 51,5 Mb
Release : 1996-01-01
Category : Biography & Autobiography
ISBN : 9780879100803
He transformed a nickelodeon novelty into a new art form and a powerful, glamorous American industry. He codified the rules and techniques of screen story-telling, and pioneered the conventions that brought films to life, from surging spectacle to soul-baring close-ups. A poor farm boy from the South, Griffith rose to fame with The Birth of a Nation, a cinematic masterpiece stained by the racism that infected his heritage. Though he went on to direct some of the most legendary films of the silent era, Griffith was doomed by his over-reaching drives, and he died an embittered man, shunned by the community he had largely created. His story is told here with unsparing truth and compelling narrative sweep.
Author : Harriet Schoenholz Bee,Michelle Elligott
Publisher : The Museum of Modern Art
Page : 264 pages
File Size : 49,8 Mb
Release : 2004
Category : Art
ISBN : 0870700014
"This volume chronicles the Museum's story from its opening, ten days after the stock market crash of 1929, in a few rented rooms in a midtown office building, up to the present day, in its new building on West Fifty-third and Fifty-fourth streets. The book presents a pictorial and documentary review of each year, and each important period, of the Museum's history. It tells the story of how The Museum of Modern Art, New York, began as a small set of art galleries inaugurated by three ladies of means who had a passion for modern art. Through a selection of photographs, official documents, letters, quotations, newspaper clippings, cartoons, and other ephemera, the complex and multilayered history of the Museum unfolds in a visual march through time, revealing the extraordinary vision of a determined group of individuals who had the ability and courage to translate their vision into reality" -- OhioLink Library Catalog.
Author : David Mayer
Publisher : University of Iowa Press
Page : 311 pages
File Size : 51,6 Mb
Release : 2009-03-01
Category : Performing Arts
ISBN : 9781587298400
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.
Author : Tom Gunning
Publisher : Unknown
Page : 316 pages
File Size : 46,9 Mb
Release : 1991
Category : Electronic
ISBN : OCLC:803221346
Author : Harry M. Geduld
Publisher : Prentice Hall
Page : 208 pages
File Size : 53,8 Mb
Release : 1971
Category : Performing Arts
ISBN : UOM:39015020666338
Author : Anthony Slide
Publisher : Univ. Press of Mississippi
Page : 224 pages
File Size : 55,7 Mb
Release : 2012-07-02
Category : Performing Arts
ISBN : 9781617032998
D. W. Griffith (1875–1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause. Collected together here are virtually all of the “interviews” given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, Intolerance, and, most substantially, Hearts of the World, while others provide the director with an opportunity to expound on topics of personal interest, including the importance of proper exhibition of his and other’s films, and his search for truth and beauty on screen. The interviews are taken from many sources, including leading newspapers, trade papers, and fan magazines. They are often marked by humor and by a desire to please the interviewer and thus the reader. Griffith may not have been particularly enthusiastic about giving interviews, but he seems always determined to put on a good show. Ultimately, D. W. Griffith: Interviews provides the reader with a unique insight into the mind and filmmaking techniques of a director whose work and philosophy is as relevant today as it was when he was at the height of his fame in the 1910s and 1920s.
Author : Iris Barry
Publisher : Facsimiles-Garl
Page : 162 pages
File Size : 51,5 Mb
Release : 1985
Category : Performing Arts
ISBN : UOM:49015000281171
Author : Melvyn Stokes
Publisher : Oxford University Press
Page : 432 pages
File Size : 40,6 Mb
Release : 2008-01-15
Category : History
ISBN : 0198044364
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
Author : Robert M. Henderson
Publisher : New York : Oxford University Press
Page : 426 pages
File Size : 49,8 Mb
Release : 1972
Category : Biographies
ISBN : STANFORD:36105002539190
"It has been said that after Griffith, nothing new has been added to the motion picture. The one-time Kentucky farm boy, high school dropout and itinerant stock company actor revolutionized the movie industry, transforming a fledgling attraction into the world's most powerful entertainment medium. D.W. Griffith produced and directed The Birth of a Nation, Intolerance, Broken Blossoms, and Orphans of the Storm. He launched the screen careers of Mary Pickford, Lillian and Dorothy Gish, and Lionel Barrymore. From the ranks of his assistants came Erich von Stroheim, Raoul Walsh, and Mack Sennett. Yet the man who was known as "the Master" and "the Belasco of the screen" ended his career in obscurity, unemployed and ignored by the industry he had helped create. With compassion and clarity, this book traces the rise and fall of David Wark Griffith. It presents a fully faceted portrait of a theatrical personality who lived by grandiloquent gestures and practiced exaggerated Southern gentility. [Author] Henderson traces Griffith's Confederate background; describes his early years on the stage as an actor and aspiring playwright; and then details his film career, from the first directorial assignments at Biograph Films, where he made more than four hundred one- and two-reel movies in five years, to the pathetic final years on the fringes of Hollywood. Griffith's faults are observed, his genius is explored, his financial difficulties are explained, and the infant colossus that was Hollywood in the days prior to the First World War is brought vividly to life. Griffith's two masterpieces, The Birth of a Nation and Intolerance, influenced a generation, or more, of filmmakers, notably the Soviet giant Eisenstein. Between 1908 and 1915, Griffith invented the basic syntax of the motion picture. He demonstrated, or devised, the dramatic use of the close-up, the fade-out, the scenic long shot, and above all, the use of film editing. His series of feature films, in widely different styles, remain anchor points in any examination of cinema art. This eloquent biography details the full story of Griffith's achievements. It is a masterful life-and-times study of the pioneer movie director who became the seminal figure in American film."--Jacket.
