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Negotiating Memory from the Romans to the Twenty-First Century by Øivind Fuglerud,Kjersti Larsen,Marina Prusac-Lindhagen Pdf
Manipulation of the past and forced erasure of memories have been global phenomena throughout history, spanning a varied repertoire from the destruction or alteration of architecture, sites, and images, to the banning or imposing of old and new practices. The present volume addresses these questions comparatively across time and geography, and combines a material approach to the study of memory with cross-disciplinary empirical explorations of historical and contemporary cases. This approach positions the volume as a reference-point within several fields of humanities and social sciences. The collection brings together scholars from different fields within humanities and social science to engage with memorialization and damnatio memoriae across disciplines, using examples from their own research. The broad chronological and comparative scope makes the volume relevant for researchers and students of several historical periods and geographic regions.
Monumenta Graeca et Romana: Mutilation and transformation : damnatio memoriae and Roman imperial portraiture by Anonim Pdf
The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for "damnatio memoriae" and ultimately reveals its praxis to be at the core of Roman cultural identity.
Like most publishers, we at Brick Road Poetry Press list submission guidelines on our website. Additionally we go beyond the guidelines to include lists of "characteristics we like" and "characteristics we dislike." In Damnatio Memoriae, the winner of the Brick Road Poetry Prize, Michael Meyerhofer gives the impression of having gone down that list to check off each item one by one with almost every poem in the collection. As to the characteristics we dislike, he avoids them all including no "intentional obscurity or riddling," no "highfalutin vocabulary" or "lack of recognizable theme or topic." Without a doubt, these poems reveal wise insights on the human perspective, but never at the cost of being overly serious, scholarly, or mysterious. The reader of these poems faces no risk of boredom-quite the contrary. Imagination and a beguiling tongue-in-cheek tone are the trademarks of Michael Meyerhofer's poetry. His work hits all our "like" buttons as it speaks in "a coherent human voice," though not always his own or the one you might expect, but one with "a sense of humor" that uses "words and language as [a] springboard for playful exploration." In many of these poems, the speaker possesses an inquisitive mind with an avid interest in history and even pre-history, fueled by the Discovery and History channels, Google searches, and museums. These poems dramatize a mind capable of straddling centuries, combining in the same breath an ancient scene with a contemporary evaluation, as when in the title poem, "Damnatio Memoriae," we encounter a Roman "slave/who fell from a twine-wrapped ladder/that OSHA would never condone." Such use of anachronism strikes us as both clever and funny. In "The Original Swastika," we're guided briskly through history, spotting the association-laden symbol in cultures as varied as the Romans, early Christians, Buddhists, Hindus, Navajos, and finally, "on the hoods /of German sedans." This whirlwind tour succinctly reminds us that the meanings of symbols morph over time and across cultures and that our recent memories and associations tend to obscure the resonances assigned in prior eras. His persona poems conjure speakers from worlds we know and from worlds we wish we knew, and every scene, setting or experience is depicted intensely with concrete imagery and drama. At first blush, "Dear Students," appears to argue for the conceit that writing poetry today rises from the same impulse that produced Stone Age cave paintings. Yet the poem does so much more than simply propose a comparison. It actually delivers a vivid experience from the point of view of a Paleolithic hunter, as if to say poetry is about beauty, guilt, and survival. Although many of these poems pursue history, the contemporary perspective and the everyday moment are not neglected. In "For Tanya, Whose Fate Remains Unknown," the speaker receives a phone call about "bad news" concerning a daughter he doesn't have. The surprise of the erroneous call sets off a poignant daydream of what peril the "daughter" Tanya might be suffering, and then an even deeper imagining of memories that might be slipping away from Tanya as she bleeds. These poems wake you up with their surprising twists, with the intensity of their speakers, and with the inventiveness of their lines and concepts. Sometimes these poems even risk offending the reader by tampering with archetypes, as in "Hansel's Redemption" where the question of what ever happened to Hansel and Gretel is answered with a scandalous narrative. As you may have guessed, Damnatio Memoriae easily asserted itself as the winner of our inaugural Brick Road Poetry Prize. We're proud to be publishing it and further encourage you to seek out Michael Meyerhofer's other books immediately. Keith Badowski & Ron Self Brick Road Poetry Press Columbus, GA
Damnatio Memoriae by Jeff Biggers,Carla Paciotto Pdf
Damnatio Memoriae explores the role of the theatre amid the conflicts of immigration, human rights, citizenship, family, and legacy. From the clash of two theatre troupes on stage—one Italian, and the other composed of foreign actors—a new play emerges, revealing the history of Ancient Rome, its forgotten emperors, entangled cultural heritage, and today's unfolding stories on the Mediterranean Sea.
Author : Charles W. Hedrick Publisher : University of Texas Press Page : 594 pages File Size : 45,9 Mb Release : 2010-01-01 Category : History ISBN : 9780292779372
“It is so rare and refreshing to read a Roman history book which recognizes and celebrates the sheer difficulty of writing history” (The Times Literary Supplement). The ruling elite in ancient Rome sought to eradicate even the memory of their deceased opponents through a process now known as damnatio memoriae. These formal and traditional practices included removing the person’s name and image from public monuments and inscriptions, making it illegal to speak of him, and forbidding funeral observances and mourning. Paradoxically, however, while these practices dishonored the person's memory, they did not destroy it. Indeed, a later turn of events could restore the offender not only to public favor but also to re-inclusion in the public record. This book examines the process of purge and rehabilitation of memory in the person of Virius Nicomachus Flavianus. Charles Hedrick describes how Flavianus was condemned for participating in the rebellion against the Christian emperor Theodosius the Great—and then restored to the public record a generation later as members of the newly Christianized senatorial class sought to reconcile their pagan past and Christian present. By selectively remembering and forgetting the actions of Flavianus, Hedrick asserts, the Roman elite honored their ancestors while participating in profound social, cultural, and religious change. “One of the most interesting and original books about the Later Roman Empire that I have ever read.” —T. D. Barnes
The years surrounding the decisive battle of Actium in 31 BC, and the various measures undertaken by the victor Augustus to create and legitimate a new system of government in Rome are among the most discussed aspects of Roman history. This book re-evaluates Augustus' rise to power, first as triumvir along with Antonius and Lepidus, and then as sole ruler, focusing particularly on the part played by propaganda and ideological claims. Augustus is shown to have acknowledged the Actium war as a civil as well as an external war, and the commemorations of the battle at the site and in Rome are re-assessed, along with the role ascribed to Apollo in the victory. The celebrated settlement of 28-27 BC is shown to have constituted the accomplishment of the triumviral assignment.
Harald Weinrich's epilogue considers forgetting in the present age of information overflow, particularly in the area of the natural sciences."--Jacket.
Toward the Retrieval of the Historic Memory of Spain In Ancient Rome, the senate would impose a dishonour known as the damnatio memoriae (obliteration of memory) as a form of punishment inflicted upon traitors or anyone who was not in the Roman emperors good books. In Francos Spain, this punishment provided the framework for the new states genocidal policy to exterminate all those opposed to the Fascist regime, that is, half of the Spanish population. The military coup that overthrew the legal Republican government with a bloody civil war that began July 18, 1936, inflicted a totalitarian regime under General Franco that remained in power until the Caudillos death in 1975. More than three-quarters of a century later, supporters of the movement to restore the Historic Memory of Spain strive to unearth and publish the stories of the hundreds of thousands of loyal men and women whose memory the Francoists have endeavoured to consign to oblivion and to damn for eternity. They shall not be forgotten.
Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D. Flower explores Roman memory sanctions against the background of Greek and Hellenistic cultural influence and in the context of the wider Mediterranean world. Combining literary texts, inscriptions, coins, and material evidence, this richly illustrated study contributes to a deeper understanding of Roman political culture.
The Oxford Handbook of the Valley of the Kings by Richard H. Wilkinson,Kent Weeks Pdf
The royal necropolis of New Kingdom Egypt, known as the Valley of the Kings (KV), is one of the most important--and celebrated--archaeological sites in the world. Located on the west bank of the Nile river, about three miles west of modern Luxor, the valley is home to more than sixty tombs, all dating to the second millennium BCE. The most famous of these is the tomb of Tutankhamun, first discovered by Howard Carter in 1922. Other famous pharaoh's interred here include Hatshepsut, the only queen found in the valley, and Ramesses II, ancient Egypt's greatest ruler. Much has transpired in the study and exploration of the Valley of the Kings over the last few years. Several major discoveries have been made, notably the many-chambered KV5 (tomb of the sons of Ramesses II) and KV 63, a previously unknown tomb found in the heart of the valley. Many areas of the royal valley have been explored for the first time using new technologies, revealing ancient huts, shrines, and stelae. New studies of the DNA, filiation, cranio-facial reconstructions, and other aspects of the royal mummies have produced important and sometimes controversial results. The Oxford Handbook of the Valley of the Kings provides an up-to-date and thorough reference designed to fill a very real gap in the literature of Egyptology. It will be an invaluable resource for scholars, teachers, and researchers with an interest in this key area of Egyptian archaeology. First, introductory chapters locate the Valley of the Kings in space and time. Subsequent chapters offer focused examinations of individual tombs: their construction, content, development, and significance. Finally, the book discusses the current status of ongoing issues of preservation and archaeology, such as conservation, tourism, and site management. In addition to recent work mentioned above, aerial imaging, remote sensing, studies of the tombs' architectural and decorative symbolism, problems of conservation management, and studies of KV-related temples are just some of the aspects not covered in any other work on the Valley of the Kings. This volume promises to become the primary scholarly reference work on this important World Heritage Site.
Anglo-Saxon England: Volume 36 by Malcolm Godden,Simon Keynes Pdf
Anglo-Saxon England is the only publication which consistently embraces all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 36 include: The tabernacula of Gregory the Great and the conversion of Anglo-Saxon England by Flora Spiegel; The career of Aldhelm by Michael Lapidge; The name 'Merovingian' and the dating of Beowulf by Walter Goffart; An abbot, an archbishop and the Viking raids of 1006-7 and 1009-12 by Simon Keynes; and Demonstrative behaviour and political communication in later Anglo-Saxon England by Julia Barrow.
In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen’s existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names—“enemies of the people;” the “missing,” the “disappeared,” “ghost” detainees in “black sites”—but they are subject to the same fate of political erasure. Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life “unbearable,” unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the “life” of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies.
The Materiality of Text – Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity by Anonim Pdf
This volume explores the significance of the physical materials and contexts of inscribed texts in Greek and Roman antiquity and their performative roles in ancient society from an anthropological and historical perspective (7th century B.C.E. to 4th century C.E.).
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts by Anonim Pdf
The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, and cultural issues raised by one of only two surviving statues of the Roman emperor Caligula (r. 37-41 C.E.).
University of Pennsylvania. Museum of Archaeology and Anthropology,Irene Bald Romano
Author : University of Pennsylvania. Museum of Archaeology and Anthropology,Irene Bald Romano Publisher : UPenn Museum of Archaeology Page : 350 pages File Size : 54,5 Mb Release : 2006 Category : CD-ROMs ISBN : 9781931707848
Classical Sculpture by University of Pennsylvania. Museum of Archaeology and Anthropology,Irene Bald Romano Pdf
"Romano describes each piece completely, with measurements, accession data where known, report of condition, a list of the published sources, and commentary reflecting the most recent scholarship. Photographs provide additional information for each entry. An accompanying CD includes 54 color images, many of which are of the pieces. Various audiences will appreciate the accessibility of the scholarship presented here; students may engage in further study on some of the topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant Classical sculpture collection."--BOOK JACKET.
