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The discovery of Indian ancestry by a young French-Canadian gives his life new meaning. It happens to Tom Têtreault of Massachusetts, an alcoholic until his past is revealed to him by his dying grandfather.
PRAISE FOR THE FIRST EDITION: "Thanks to Mrs. Kroeber’s simple, supple style, the stories all succeed as stories; they please, engage, move, or divert without depending for their effect on their exotic source."—The New Yorker "The varying but almost always superb story style of these narratives will speak to all."—New York Herald Tribune "This is a jewel of a book."—San Francisco Chronicle "These stories enlarge life. They remind us of Shakespeare and Aeschylus…. That Mrs. Kroeber’s book should generate such thoughts is proof of its power and beauty."—New York Times Book Review
Elias Kelly's My Side of the River combines memoir and stories of Kelly's elders with public history to explore the impact of federal and state regulations on the traditional life and subsistence methods of Native Alaskans.
Sometimes you need to repeat something a hundred times before a bell rings in the colony.' From the bestselling author Bruce Pascoe comes a deeply personal story about the consequences and responsibility of disrupting Australia's history. When Dark Emu was adopted by Australia like a new anthem, Bruce found himself at the centre of a national debate that often focussed on the wrong part of the story. But through all the noise came Black Duck Foods, a blueprint for traditional food growing and land management processes based on very old practices. Bruce Pascoe and Lyn Harwood invite us to imagine a different future for Australia, one where we can honour our relationship with nature and improve agriculture and forestry. Where we can develop a uniquely Australian cuisine that will reduce carbon emissions, preserve scarce water resources and rebuild our soil. Bruce and Lyn show us that you don't just work Country, you look, listen and care. It's not Black Duck magic, it's the result of simply treating Australia like herself. From the aftermath of devastating bushfires and the impact of an elder's death to rebuilding a marriage and counting the personal cost of starting a movement, Black Duck is a remarkable glimpse into a year of finding strength in Country at Yumburra. 'Bruce invites us onto the land that changed the man behind the book that changed the nation.' - Narelda Jacobs 'Bruce's love of Country is resoundingly evident. I get the sense that this book and his work with the Black Duck team has been profoundly cleansing for a man who has faced numerous challenges in his life after Dark Emu. His connection to place, land and Country is at the core of his remarkable resilience. Bruce gets right into the belly of the land and storytelling, a medicine this country needs.' - Stephen Page 'This brilliant book gives a real insight into the minds and lives of Bruce and Lyn and the impact Dark Emu had on both of them.' - Tony Armstrong 'Bruce and Lyn so eloquently bring us into intimate contact with the land and our beautiful culture - reminding us all of the rich history that Australia holds.' - Allira Potter
In a rare blend of scientific fact and poetic truth, the acclaimed author of A Natural History of the Senses explores the activities of whales, penguins, bats, and crocodilians, plunging headlong into nature and coming up with highly entertaining treasures.
This is the first book-length study of the 12 films starring African American Renaissance man Paul Robeson (1898-1976). Singer, actor, author, lawyer, athlete, pacifist and civil rights activist, Robeson was also the first African American to receive top billing in motion pictures, delivering unforgettable characterizations in such classics as The Emperor Jones (1933), Sanders of the River (1935), Show Boat (1936) and The Proud Valley (1940). Original research is provided from primary materials housed at the Schomburg Center for Black Culture in Harlem and the FBI archives in Washington, D.C., and from Robeson's family and friends, including his son Paul Robeson, Jr. Two appendices cover Robeson's film work as offscreen narrator and singer and his many stage appearances. Rare illustrations include never-before-published original studio materials.
The classic novel of fly fishing and spirituality republished with a new Afterword by the author. Since its publication in 1983, The River Why has become a classic. David James Duncan's sweeping novel is a coming-of-age comedy about love, nature, and the quest for self-discovery, written in a voice as distinct and powerful as any in American letters. Gus Orviston is a young fly fisherman who leaves behind his comically schizoid family to find his own path. Taking refuge in a remote cabin, he sets out in pursuit of the Pacific Northwest's elusive steelhead. But what begins as a physical quarry becomes a spiritual one as his quest for self-knowledge batters him with unforeseeable experiences. Profoundly reflective about our connection to nature and to one another, The River Why is also a comedic rollercoaster. Like Gus, the reader emerges utterly changed, stripped bare by the journey Duncan so expertly navigates.
Since the 18th century, researchers and scientists have traveled the peninsula of Kamchatka in the Russian Far East. Many of them were of German origin and had been commissioned by the Russian government to perform specific tasks. Their exhaustive descriptions and detailed reports are still considered some of the most valuable documents on the ethnography of the indigenous peoples of that part of the world. These works inform us about living conditions and particular ways of natural resource use at various times, and provide us with valuable background information for current assessment. As the first profound anthropological descriptions of that region, the publications of the Jesup North Pacific Expedition, undertaken in the first years of the 20th century, marked the beginning of a new era of research in Russia. They represented a shift of the already existing transnational research networks toward North America. Jochelson’s work The Koryak was an important milestone for Russian and North American anthropology that provides to this day a unique contribution to thoroughly understanding the cultures of the North Pacific rim.
Chesterfield recorded the effects of post life upon the Cree and Inuit, and showed how the white agents of the church and fur trade made us of native implements, clothing, and transportation. Recognizing the threat to native ways of life posed by the white man's advancing civilization, he photographed the native people's dress, their everyday activities, the details that define a culture. Much of what he recorded is now lost forever. The text by William C. James provides a detailed framework in which to understand the photographs. James describes Chesterfield's life, the region, the people he photographed, the role of the Hudson's Bay Company, the documentary significance of the activities depicted in the photographs, and the relationship between these and other extant photos of that region and era. The three-year period Chesterfield spent in the District of Ungava emerges as crucial in his own development and as a decisive turning point in the history of the region. Together with James's text, these pictures constitute an arresting chronicle of a place, its people, and their ways of life, now all irrevocably changed.