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Dancing to the Music in My Head by Sanjaya Malakar,Alan Goldsher Pdf
One of the most popular contestants ever to appear on American Idol gives his fans an all-access pass to the wildly popular television show -- and opens up about how becoming an Idol star changed his life forever Sanjaya Malakar didn't need to win American Idol to take America by storm. He was just seventeen when his unique style, soft-spoken demeanor, and memorable song selections on the record-breaking show's sixth season captured hearts across the country. In his candid new book, Sanjaya opens up about what it feels like to go from obscurity as a high school student near Seattle to worldwide fame as a top ten finalist on one of the most popular television shows in American history. For the first time, the "People's Idol" talks about life before Randy, Simon, Paula and "Sanjayamania," and offers his devoted "Fanjayas" an intimate behind-the-scenes look at the blockbuster show. From going to Hollywood with his beloved sister, Shyamali, to becoming the most highly anticipated performer of season six, to facing the unforgiving chopping block, Sanjaya tells his fans everything they want to know. Finally, he shares how his life has changed since he left Idol, and where his music -- and unforgettable persona -- will take him next.
Now includes a bonus chapter! For many of us, moving the truth of God’s love from our heads to our hearts is a lifelong process. You believe that God loves the world… but sometimes you wonder if He truly loves you. In Lazarus Awakening, the final book in her life-changing Bethany trilogy, Joanna Weaver invites you to experience a divine shift in how you view your relationship with God. Shattering spiritual formulas for performance-driven faith, Lazarus Awakening clears a path to sweet intimacy with Jesus. You’ll encounter the story of Mary, Martha, and Lazarus in a fresh way as you open your heart to the truth that you are cherished—apart from anything you accomplish, apart from anything you bring. Just as He called Lazarus forth to new life, Jesus wants to free you to live fully in the light of His love, unhindered by fear, regret, or self-condemnation. This edition includes: • a bible study guide for both individual reflection and group discussion • a bonus chapter on laying aside everything that hinders your life with Jesus • tools and resources for living fully and freely as God’s beloved No more graveclothes, no more tombs… Love is calling your name.
For many people step dancing is associated mainly with the Irish step-dance stage shows, Riverdance and Lord of the Dance, which assisted both in promoting the dance form and in placing Ireland globally. But, in this book, Catherine Foley illustrates that the practice and contexts of step dancing are much more complicated and fluid. Tracing the trajectory of step dancing in Ireland, she tells its story from roots in eighteenth-century Ireland to its diverse cultural manifestations today. She examines the interrelationships between step dancing and the changing historical and cultural contexts of colonialism, nationalism, postcolonialism and globalization, and shows that step dancing is a powerful tool of embodiment and meaning that can provoke important questions relating to culture and identity through the bodies of those who perform it. Focusing on the rural European region of North Kerry in the south-west of Ireland, Catherine Foley examines three step-dance practices: one, the rural Molyneaux step-dance practice, representing the end of a relatively long-lived system of teaching by itinerant dancing masters in the region; two, Rinceoirí na Ríochta, a dance school representative of the urbanized staged, competition orientated practice, cultivated by the cultural nationalist movement, the Gaelic League, established at the end of the nineteenth century, and practised today both in Ireland and abroad; and three, the stylized, commoditized, folk-theatrical practice of Siamsa Tíre, the National Folk Theatre of Ireland, established in North Kerry in the 1970s. Written from an ethnochoreological perspective, Catherine Foley provides a rich historical and ethnographic account of step dancing, step dancers and cultural institutions in Ireland.
Scientific determinism, Tarot cards, Cinema, Music, Love, and Quantum Physics. The narrator negotiates love, murder, and war in this captivating philosophical journey. Pradhan is exceptional in showing the narrator's holistic approach to understanding. Quantum physics and love. A united theory of everything? It is an idealistic adolescent goal, and this is what makes Dancing with Shadows so interesting. This is a coming of age story of a young man in East Africa whose intuition tells him that these things are all connected. In his growing self-awareness and world weariness, he is obsessed with connecting the dots of his life in order to reveal some profound significance (i. e. the "music of God"). Who hasn't pondered such questions? How is my life unique or significant? How much more would life mean to me if I understood, say, the music of God...and what is the music of God? Although he is a young man continually preoccupied with sex and love, he is essentially a philosopher. He wants to understand things such as the life application of a quantum wave collapse or the difference between sex and love. This story is a Hamlet-esque self-portrait in his constant questioning. It echoes the uncertain and awkward, yet outwardly confident manner of Holden Caulfield. But above all, this story made me think of the kind quest for mystical self-importance that I recall from Joyce's narrator in "Araby."
Dancing Mindfulness by Jamie Marich, PhD, LPCC-S Pdf
This lively, passionate approach to moving meditation offers a fresh way to embrace mindfulness. It weaves together personal stories, therapeutic insights, practical skills and opportunities for reflection and practice to provide a gateway to spiritual growth, a path to more balanced living, a healing experience and ignition for your creativity.
The Man Who Mistook His Wife for a Hat by Oliver Sacks Pdf
In his most beloved and extraordinary book, Dr. Sacks recounts the case histories of patients inhabiting the compelling world of neurological disorders. Featuring a preface never before included. Oliver Sacks's The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with perceptual and intellectual disorders: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; whose limbs seem alien to them; who lack some skills yet are gifted with uncanny artistic or mathematical talents. In Dr. Sacks's splendid and sympathetic telling, his patients are deeply human, and his tales are studies of struggles against incredible adversity. A great healer, Sacks never loses sight of medicine's ultimate responsibility: "the suffering, afflicted, fighting human subject."
Dancing in the World by Sinclair Ogaga Emoghene,Kathleen A. Spanos Pdf
How can we create more inclusive spaces in the field of dance? This book presents a framework for dance practitioners and researchers working in diverse dance cultures to navigate academia and the professional dance field. The framework is based on the idea of "cultural confluences," conjuring up an image of bodies of water meeting and flowing into and past one another, migrating through what the authors refer to as the mainstream and non-mainstream. These streams are fluid categories that are associated with power, privilege, and the ability (or inability) to absorb other cultural forms in shared dance spaces. In reflective interludes and dialogues, Emoghene and Spanos consider the effects of migration on their own individual experiences in dance to understand what it means to carry culture through the body in various spaces. Through an analysis of language, aesthetic values, spaces, creative processes, and archival research practices, the book offers a collaborative model for communicating the value that marginalized dance communities bring to the field. This book will be of great interest to students, scholars, and arts administrators in dance.
What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.
Dance, Nana, Dance / Baila, Nana, Baila by Joe Hayes Pdf
A bilingual middle grade collection of playful folktales from Afro-Cuban tradition in side-by-side English and Spanish text, featuring ingenious human, animal and magical protagonists. Did you know that fire first came from an old sorceress? Cuban folklore teaches us about how she selfishly kept it for herself, until two clever twin boys who “could play their drums as if they had magic in their hands” tricked the hechicera into sharing it with the world. Whether or not you grew up hearing the story of Obbara the Orisha, who gained his special power by appreciating even the humblest gift, or of the three resourceful baby herons who used their song Tin ganga o, tin ganga o, yo mama ganga reré to find their parents— this folktales collection will charm you with its humor, magic, and wisdom. In this Aesop Prize-winning book, reformatted for middle grade readers, folklorist and storyteller Joe Hayes shares stories he learned after years visiting Cuba and listening to local storytellers. He first visited Holguín, Cuba, the sister city of his hometown, Santa Fe, New Mexico, in 2001. He fell in love with the island and began to look for opportunities to meet and listen to Cuban storytellers, and to share the stories he knew from the American Southwest. He returned year after year, establishing a rich cultural exchange between U.S. and Cuban storytellers. Out of that collaboration came this fun collection of thirteen Cuban folktales. Joe gives context to the collection with an introduction and an all-important Note to Storytellers. In the Note, Joe goes over some of background of each of the tales included—what culture these stories originate from, some of the cultural meanings of elements in the stories, previous collections these stories have been included in, or other relevant storytelling and anthropological information. This collection is a wonderful resource for anyone trying to learn about the unique blend of Spanish, African and Caribbean influences on Cuban culture; for intermediate students of Spanish or English; storytellers looking to expand their repertoire; or anyone who enjoys a good folktale. Have fun reading and re-telling these stories yourself! “A captivating collection of thirteen folktales with influences from the Caribbean, Spain and Africa; Hayes has captured the essence and diversity of Cuba. Creation myths, legends and Pataki comprise this fascinating folktale anthology.”—REFORMA Joe Hayes’ bilingual Spanish-English tellings have earned him a celebrated place among America’s storytellers. He began sharing his stories in print in 1982. In 2005, Joe received the Talking Leaves Literary Award from the National Story telling Network, an award given to members of the story telling community who have made considerable and influential contributions to the literature of story telling. His books have received the Arizona Young Readers Award, two Land of Enchantment Children’s Book Awards, four IPPY Awards, a Southwest Book Award, a Skipping Stone Honor, an Aesop Prize, and an Aesop Accolade Award. They have been on the Texas Bluebonnet Award Master List twice, and his book Ghost Fever was the first bilingual book to win the Bluebonnet Award. Mauricio Trenard Sayago was born in Santiago de Cuba in 1963. He was raised by his family and society to believe in the power of art to educate and transform the individual and society. This environment strongly influenced him. His goal is to use his work to simplify, exaggerate or change how we see our current realitites so that we can make the world a better place. Mauricio came to the United States in 2000 and lives in Brooklyn, making his living as an artist and using painting not only to create new images, but also to explore himself in his new cultural context.
#1 New York Times bestselling author of Everything, Everything and The Sun is Also a Star Nicola Yoon is back with her eagerly anticipated third novel. With all the heart and hope of her last two books, this is an utterly unique romance. Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything -- including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?
Dancing Is the Best Medicine by Julia F. Christensen,Dong-Seon Chang Pdf
“Lively and enlightening.”—Sarah L. Kaufman, Washington Post “[A] zippy guide to better health.”—Publisher’s Weekly STARRED Review Discover why humans were designed for dancing—and learn how to boogie for better health—with two neuroscientists as your guide. Dancing is one of the best things we can do for our health. In this groundbreaking and fun-to-read book, two neuroscientists (who are also competitive dancers) draw on their cutting-edge research to reveal why humans are hardwired for dance show how to achieve optimal health through dancing Taking readers on an in-depth exploration of movement and music, from early humans up until today, the authors show the proven benefits of dance for our heart, lungs, bones, nervous system, and brain. Readers will come away with a wide range of dances to try and a scientific understanding of how dance benefits almost every aspect of our lives. Dance prevents and manages illness and pain: such as Diabetes, arthritis, back pain, and Parkinson’s. Dance can be as effective as high intensity interval training: but without the strain on your joints and heart. Dance boosts immunity and lowers stress: it also helps reduce inflammation. Dance positively impacts the microbiome: and aids in digestion, weight loss, and digestive issues such as IBS. Dance bolsters the mind-body connection: helping us get in tune with our bodies for better overall health. We’re lucky that one of the best things we can do for our health is also one of the most fun. And the best part: dance is something anyone can do. Old or young, injured or experiencing chronic pain, dance is for everyone, everywhere. So, let’s dance! Types of dance featured in the book: Partner dance (salsa, swing dancing, waltz) Ballet Hip hop Modern Jazz Line dancing Tap dancing And more!
Pathways in Christian Music Communication by Roberta R. King Pdf
Life is a pilgrimage. For the Senufo of C™te d'Ivoire, life consists of following the kologo, that is the path, the road, or the way. As such, kologo is a key Senufo term that speaks of the directions people choose to follow in life. A central aspect of following the Christian pathway among Senufo believers occurs through music. Music serves as a major communication vehicle that speaks profoundly into the people's lives. Thus, Pathways in Christian Music Communication addresses the problem of contextualization of Christianity in Africa via the use of a people's indigenous music. It focuses on the significance of culturally appropriate songs for effective communication of the Gospel within the African context. In providing a history of the development of Christian songs among the Senufo, a musical analysis of the songs and music culture, identifying communication theory at work within the music-making process, and a content analysis of an emerging Senufo lyric theology, King shows the pivotal role that a people's cultural music plays in integrating a people's worldview and daily lives with biblical teaching. Finally, King examines the influence and effect of songs in communicating the Gospel by showing how the pathway of a song leads to changes of allegiance to the living God and transformed lives. Although set in West Africa, essential principles and guidelines for doing ethnomusicological studies within missiology lies at the heart of this work.
What links the popular songs "You'll Never Walk Alone", "Send in the Clowns", "Memory" and "I Am What I Am"? They all originated in Broadway musicals. Song of the Season is for those who believe that the score is at the heart of a musical and is the essential building block on which the rest of a show is built. Through a systematic historical survey from 1891 to 2023 it argues that the best musicals survive because of their songs, from early 20th century classics such as Show Boat and Oklahoma! through to the contemporary sound of Dear Evan Hansen and Hamilton. looking at outstanding songs from each Broadway season, the development and history of the musical is illustrated with a fresh perspective. As song styles and popular music tastes changed throughout the decades this structure charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. Song of the Season paints a fresh picture for musical theatre students and fans alike, illustrating significant changes in the form through the music. Analyzed in an accessible and engaging way that doesn't rely on music theory knowledge, and including a link to playlist where all the 'songs of the seasons' can be listened to, it is a must-have for those looking to expand their knowledge of the form and trace the social history of the American showtune.
Sugar Plum Ballerinas: Dancing Diva by Whoopi Goldberg,Deborah Underwood Pdf
The sixth book of the award-winning and bestselling Sugar Plum Ballerinas series by Whoopi Goldberg—now featuring brand-new illustrations! At the Nutcracker School of Ballet in Harlem, young dancers learn to chassé, plié, and jeté with their Sugar Plum Sisters—but things don't always go to plan! As the girls encounter challenges both on and off stage, they'll need the support of their classmates to carry them through with aplomb. Epatha knows she's the perfect pick for the lead in the new Sugar Plum ballet. But her dream role isn't as fabulosa as she imagined. When she tries to spice up the choreography with her free-spirited style it's up to the rest of the Sugar Plum Ballerinas to keep Epatha's toes in line. Will Epatha listen to her friends or can she convince the other ballerinas that her way is the best?