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In Dark Enlightenment Kennet Granholm explores the historical, sociological, and discursive contexts of contemporary esoteric magic. The book is focused on the Sweden-originated Left-Hand Path magic order Dragon Rouge in particular, but through a detailed contextualizing examination of this case study it offers a broader visage of contemporary esotericism in general. The author takes cue from both the historiography of Western esotericism and the sociological study of new religions and religious change, aiming to provide a transdisciplinary framework for a comprehensive study of esotericism in late modernity.
Lunar light, the serpent, bodily possession, the circular or thwarted journey, the double, the forest, the syzygy, the quatemity, and the mountain - all of which signify, tragically or not, the western psyche coming to consciousness of its alterity by confronting and/or assimilating its repressed, projected other."--Jacket.
Author : John V. Fleming Publisher : W. W. Norton & Company Page : 433 pages File Size : 54,9 Mb Release : 2013-07-22 Category : History ISBN : 9780393242171
The Dark Side of the Enlightenment: Wizards, Alchemists, and Spiritual Seekers in the Age of Reason by John V. Fleming Pdf
Why spiritual and supernatural yearnings, even investigations into the occult, flourished in the era of rationalist philosophy. In The Dark Side of the Enlightenment, John V. Fleming shows how the impulses of the European Enlightenment—generally associated with great strides in the liberation of human thought from superstition and traditional religion—were challenged by tenacious religious ideas or channeled into the “darker” pursuits of the esoteric and the occult. His engaging topics include the stubborn survival of the miraculous, the Enlightenment roles of Rosicrucianism and Freemasonry, and the widespread pursuit of magic and alchemy. Though we tend not to associate what was once called alchemy with what we now call chemistry, Fleming shows that the difference is merely one of linguistic modernization. Alchemy was once the chemistry, of Arabic derivation, and its practitioners were among the principal scientists and physicians of their ages. No point is more important for understanding the strange and fascinating figures in this book than the prestige of alchemy among the learned men of the age. Fleming follows some of these complexities and contradictions of the “Age of Lights” into the biographies of two of its extraordinary offspring. The first is the controversial wizard known as Count Cagliostro, the “Egyptian” freemason, unconventional healer, and alchemist known most infamously for his ambiguous association with the Affair of the Diamond Necklace, which history has viewed as among the possible harbingers of the French Revolution and a major contributing factor in the growing unpopularity of Marie Antoinette. Fleming also reviews the career of Julie de Krüdener, the sentimental novelist, Pietist preacher, and political mystic who would later become notorious as a prophet. Impressively researched and wonderfully erudite, this rich narrative history sheds light on some lesser-known mental extravagances and beliefs of the Enlightenment era and brings to life some of the most extraordinary characters ever encountered either in history or fiction.
The end is near. Hundreds of planets have been laid waste by the Drek and the virus. The Restoration begins in earnest its campaign to destroy The Church of the Blessed Prophets. Lord Comte Mishi's rebellion against what's left of the Imperium gains solid ground as the Lord Cardinal Nerodia presents the Lord Marshall Bhagavan in chains. Ailanthus' band of friends grows smaller and smaller with death, betrayal and self-sacrifice, while his responsibilities grow larger and larger and he learns fully the distorted history of humans and Dwad-Mehstiv and what he must do to save the last remnant of humanity. Thus continues the saga of Ailanthus and Tethys, two friends caught up in a universe that wants more from them than they are willing to give.
The Dark Enlightenment - Imperium Press by Nick Land Pdf
Neoreaction is not your grandfather's conservatism, but the web 2.0 era marriage between modern engineering principles and classical anti-democratic thought. Its central tenet is that the Enlightenment was a mistake, and in The Dark Enlightenment, Nick Land burns progressivism to the ground, salts the earth around its ashes, and raises an altar to anti-humanism in its place. Land explicates the main ideas of neoreaction-the Cathedral, neocameralism, formalism, etc.-always viewing democracy, liberalism, and politics in general through the lens of Darwinism. The result is something like Thomas Hobbes as ghostwritten by H. P. Lovecraft. Included in this volume is an unreleased essay by Land on the writing and impact of The Dark Enlightenment. Absolutely none of this incendiary work has been proven wrong in the ten years since it was written. No doubt it will remain relevant for many years to come.
Enlightenment thinkers such as Rousseau and Montesquieu are best known for their humanist theories and liberating influence on Western civilization. But as renowned French intellectual Louis Sala-Molins shows, Enlightenment discourses and scholars were also complicit in the Atlantic slave trade, becoming instruments of oppression and inequality. Translated into English for the first time, Dark Side of the Light scrutinizes Condorcet’s Reflections on Negro Slavery and the works of Montesquieu, Rousseau, and Diderot side by side with the Code Noir (the royal document that codified the rules of French Caribbean slavery) in order to uncover attempts to uphold the humanist project of the Enlightenment while simultaneously justifying slavery. Wielding the pen of both the ironist and the moralist, Sala-Molins demonstrates the flawed nature of these attempts and the reasons given for this denial of rights, from the imperatives of public order to the incomplete humanity of the slave (and thus the need for his progressive humanization through slavery), to the economic prosperity that depended on his labor. At the same time, Sala-Molins uses the techniques of literature to give equal weight to the perspective of the “barefooted, the starving, and the slaves” through expository prose and scenes between slave and philosopher, giving moral agency and flesh-and-blood dimensions to issues most often treated as abstractions. Both an urgent critique and a measured analysis, Dark Side of the Light reveals the moral paradoxes of Enlightenment philosophies and their world-changing consequences. Louis Sala-Molins is a moral and political philosopher and emeritus professor at the University of Toulouse. He is the author of many books, including Le Code Noir, ou Le calvaire de Canaan and L’Afrique aux Amériques. John Conteh-Morgan is associate professor of French and Francophone, African-American, and African studies at Ohio State University. He is the author of Theatre and Drama in Francophone Africa: A Critical Introduction.
An investigative reporter explores an infamous case where an obsessive and unorthodox search for enlightenment went terribly wrong. When thirty-eight-year-old Ian Thorson died from dehydration and dysentery on a remote Arizona mountaintop in 2012, The New York Times reported the story under the headline: "Mysterious Buddhist Retreat in the Desert Ends in a Grisly Death." Scott Carney, a journalist and anthropologist who lived in India for six years, was struck by how Thorson’s death echoed other incidents that reflected the little-talked-about connection between intensive meditation and mental instability. Using these tragedies as a springboard, Carney explores how those who go to extremes to achieve divine revelations—and undertake it in illusory ways—can tangle with madness. He also delves into the unorthodox interpretation of Tibetan Buddhism that attracted Thorson and the bizarre teachings of its chief evangelists: Thorson’s wife, Lama Christie McNally, and her previous husband, Geshe Michael Roach, the supreme spiritual leader of Diamond Mountain University, where Thorson died. Carney unravels how the cultlike practices of McNally and Roach and the questionable circumstances surrounding Thorson’s death illuminate a uniquely American tendency to mix and match eastern religious traditions like LEGO pieces in a quest to reach an enlightened, perfected state, no matter the cost. Aided by Thorson’s private papers, along with cutting-edge neurological research that reveals the profound impact of intensive meditation on the brain and stories of miracles and black magic, sexualized rituals, and tantric rites from former Diamond Mountain acolytes, A Death on Diamond Mountain is a gripping work of investigative journalism that reveals how the path to enlightenment can be riddled with danger.
It's one thing we all have in common. We've all been to school. But as Zander Sherman shows in this fascinating, often shocking account of institutionalized education, sending your kids off to school was not always normal. In fact, school is a very recent invention. Taking the reader back to 19th-century Prussia, where generals, worried about soldiers' troubling individuality, sought a way to standardize every young man of military age, through to the most controversial debates that swirl around the world about the topic of education today, Sherman tells the often astonishing stories of the men and women-and corporations-that have defined what we have come to think of as both the privilege and the responsibility of being educated. Along the way, we discover that the SAT was invented as an intelligence test designed to allow the state to sterilize "imbeciles," that suicide in the wake of disappointing results in the state university placement exams is the fifth leading cause of death in China, and that commercialized higher education seduces students into debt as cynically as credit card companies do. Provocative, entertaining-and even educational-The Curiosity of School lays bare the forces that shape the institution that shapes all of us.
The premise of Darkened Enlightenment is to highlight the fact that there currently exist a number of socio-political forces that have the design, or ultimate consequence, of trying to extinguish the light of reason and rationality. The book presents a critique of modernity and provides a socio-political and cultural analysis of world society in the early twenty-first century. Specifically, this analysis examines the deterioration of democracy, human rights, and rational thought. Key features include a combination of academic analysis that draws on numerous and specific examples of the growing darkness that surrounds us along with a balanced practical, everyday-life approach to the study of the socio-political world we live in through the use of popular culture references and featured boxes. The general audience will also be intrigued by these same topics that concern academics including: a discussion on the meaning of "fake news"; attacks on the media and a declaration of the news media as the "enemy of the people"; the rise of populism and nationalism around the world; the deterioration of freedom and human rights globally; the growing economic disparity between the rich and the poor; attempts to devalue education; a growing disbelief in science; attacks on the environment; pseudoscience as a by-product of unreasoned and irrational thinking; the political swamp; the power elites and the deep state; and the variations of Big Business that impact our daily lives. This book will make a great contribution to such fields as sociology, philosophy, political science, environmental science, public administration, economics, psychology, and cultural studies.
The Middle Ages in the Modern World by Bettina Bildhauer,Chris Jones Pdf
The Middle Ages continue to provide an important touchstone for the way the modern West presents itself and its relationship with the rest of the globe. This volume brings together leading scholars of literature and history, together with musicians, novelists, librarians, and museum curators in order to present exciting, up-to-date perspectives on how and why the Middle Ages continue to matter in the 20th and 21st centuries. Presented here, their essays represent a unique dialogue between scholars and practitioners of 'medievalism'. Framed by an introductory essay on the broad history of the continuing evolution of the idea of 'The Middle Ages' from the 14th century to the present day, chapters deal with subjects as diverse as: the use of Old Norse sagas by Republican deniers of climate change; the way figures like the Irish hero Cu Chulainn and St Patrick were used to give legitimacy to political affiliations during the Ulster 'Troubles'; the use of the Middle Ages in films by Pasolini and Tarantino; the adoption of the 'Green Man' motif in popular culture; Lady Gaga's manipulation of medieval iconography in her music videos; the translation of medieval poetry from manuscript to digital media; and the problem of writing national history free from the 'toxic medievalism' of the 19th and 20th centuries. This book will appeal to anyone interested in the Middle Ages and its impact on recent political and cultural history. It is dedicated to the memory of Seamus Heaney, who gave his last overseas lecture in St. Andrews in 2013, the year this book was conceived, and whose late poetry this book also discusses.
“New Dark Age is among the most unsettling and illuminating books I’ve read about the Internet, which is to say that it is among the most unsettling and illuminating books I’ve read about contemporary life.” – New Yorker As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age. From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation. In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime.
"Enlightenment discourse is generally characterized by an over-identification with favorable aspects of the human psyche and the repression and projection of energies not circumscribed by its sense of selfhood. This psychic split, which associates the immaterial soul with light and the physical body/natural world with darkness, is found in the Enlightenment's positioning of itself against various others - nature, the body, woman, wilderness, irrationality, affect, uncertainty, chaos, the exotic, and the nonwestern - configurations of which are central to eighteenth-century alterity. The Enlightenment, however, did not recognize the other as a psychic projection of itself. Such a realization would not take place until the emergence of Romanticism, a movement that served not as a repudiation of the preceding historical period, as some scholars have argued, but as Enlightenment's dialectical self-correction. Romanticism, as this study will demonstrate in Jungian terms, represents the beginnings of a complex, psychological resolution of the eighteenth century's collective doubling of itself." "The Romantic subjects of this study - Coleridge, Melville, Mary Shelley, Hawthorne, Poe, Byron, Keats, Percy Shelley, Whitman, and Wordsworth - not only delineated configurations of the repressed other in their work, but they also presciently anticipated the findings of Jungian depth psychology. In highly psychological narratives, such Romantics illustrated either the tragic effects of refusing re-integration with the other, or they depicted the radical alteration that occurs in consciousness when a psychic projection is recognized, withdrawn, voiced, and integrated. Anglophonic Romanticism thus represented the Enlightenment bringing into consciousness previously repressed and projected, unconscious contents. This process of psychic retrieval can be seen in an intertextual, transatlantic, psychoanalytic analysis of the following Romantic symbols: darkness, the moon and lunar light, the serpent, bodily possession, the circular or thwarted journey, the double, the forest, the syzygy, the quatemity, and the mountain - all of which signify, tragically or not, the western psyche coming to consciousness of its alterity by confronting and/or assimilating its repressed, projected other." --Book Jacket.
The Art of Innovation by Ian Blatchford,Tilly Blyth Pdf
Based on the landmark Radio 4 series, this beautifully illustrated modern history of the connections between science and art offers a new perspective on what that relationship has contributed to the world around us. __________ Throughout history, artists and scientists have been driven by curiosity and the desire to experiment. Both have wanted to make sense of the world around them, often to change it, sometimes working closely together, certainly taking inspiration from each other's disciplines. The relationship between the two has traditionally been perceived as one of love and hate, fascination and revulsion, symbiotic but antagonistic. But art is crucial to helping us understand our science legacy and science is well served by applying an artistic lens. How exactly has the ingenuity of science and technology been incorporated into artistic expression? And how has creative practice, in turn, stimulated innovation and technological change? The Art of Innovation is a history of the past 250 years viewed through the disciplines of art and science. Through fascinating stories that explore the sometimes unexpected relationships between famous artworks and significant scientific and technological objects - from Constable's cloudscapes and the chemist who first measured changes in air pressure, to the introduction of photography and the representation of natural history in print - it offers a new way of seeing, studying and interpreting the extraordinary world around us.
In this indispensable book, urban visionary Jane Jacobs argues that as agrarianism gives way to a technology-based future, we’re at risk of cultural collapse. Jacobs—renowned author of The Death and Life of Great American Cities and The Economy of Cities—pinpoints five pillars of our culture that are in serious decay: community and family; higher education; the effective practice of science; taxation, and government; and the self-regulation of the learned professions. The corrosion of these pillars, Jacobs argues, is linked to societal ills such as environmental crisis, racism, and the growing gulf between rich and poor. But this is a hopeful book as well as a warning. Drawing on a vast frame of reference—from fifteenth-century Chinese shipbuilding to Ireland’s cultural rebirth—Jacobs suggests how the cycles of decay can be arrested and our way of life renewed. Invigorating and accessible, Dark Age Ahead is not only the crowning achievement of Jane Jacobs’ career, but one of the most important works of our time.
