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Darkening the Italian Screen by Eugenio Ercolani Pdf
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
Darkening the Italian Screen II by Eugenio Ercolani Pdf
This work is a detailed portrait of one of the most important, bustling and absurd industries that cinema has ever known: colorful essays and nine career-spanning interviews with Italian genre directors of the 1970s, such as Luigi Cozzi, Francesco Barilli, Lamberto Bava and more. The directors reflect on their successes, failures and experiences directing films in the Italian westerns, sci-fi and horror genres. Following the anecdotes, gossip and controversies of the industry, the essays employ critical analyses to fully unveil the Italian genre cinema, as well as its impact on films across the world.
Darkening the Italian Screen II by Eugenio Ercolani Pdf
This work is a detailed portrait of one of the most important, bustling and absurd industries that cinema has ever known: colorful essays and nine career-spanning interviews with Italian genre directors of the 1970s, such as Luigi Cozzi, Francesco Barilli, Lamberto Bava and more. The directors reflect on their successes, failures and experiences directing films in the Italian westerns, sci-fi and horror genres. Following the anecdotes, gossip and controversies of the industry, the essays employ critical analyses to fully unveil the Italian genre cinema, as well as its impact on films across the world.
Darkening the Italian Screen by Eugenio Ercolani Pdf
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
"Follow her, watch her, track her every movement. But do not, under any circumstances, touch her." Those were my father's orders. I agreed to play his game, to be his pawn, Biding my time until I saw her. In that second, my plan to cripple his empire crumbled. How ironic that he led me to her, Tempting me with that sweet, forbidden fruit, Not knowing she would cause his demise. He's about to learn a deadly lesson... That you can't fight fate. Now she is mine. His life is mine. I finally have everything. Forever. COVETED is the second book in the Italian mafia series, MEN OF MAYHEM, by USA Today Bestselling author Kristen Luciani. Be prepared to lose yourself in the dark, dangerous, and deliciously deviant underworld starring the Marcone family. Pulse-pounding suspense with a guaranteed HEA and no cheating.
This fully revised and updated edition reviews over 3000 films and videos. As a companion to gay and lesbian cinema, it also covers homosexual directors, gay characters and plots, sympathetic film-makers and gay icons.
Horror and exploitation films have played a pioneering role in both American and world cinema, with a number of controversial and surreal movies produced by renegade filmmakers. This collection of interviews sheds light on the work of 23 directors from across the globe who defied the conventions of Hollywood and commercial cinema. They include Alfred Sole (Alice, Sweet, Alice), Romano Scavolini (Nightmares in a Damaged Brain), Stu Segall (Drive-in Massacre), Joseph Ellison (Don't Go in the House), David Paulsen (Savage Weekend, Schizoid), Jorg Buttgereit (Nekromantik, Schramm), Jack Sholder (Alone in the Dark, The Hidden), Marinao Baino (Dark Waters), Yoshihiko Matsui (Noisy Requiem) and Jamil Dehlavi (Born of Fire). More than 90 photographs are included, with many rare behind-the-scenes images.
Italian Film in the Light of Neorealism by Millicent Marcus Pdf
The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
“Elegant, propulsive, and utterly unputdownable… The work of one of our most talented thriller writers at the very top of her game.” —Lisa Unger, New York Times bestselling author of Confessions on the 7:45 Fast-paced and brilliantly unpredictable, J.T. Ellison’s breathtaking novel invites you to a wedding none will forget—and some won’t survive. Jutting from sparkling turquoise waters off the Italian coast, Isle Isola is an idyllic setting for a wedding. In the majestic cliff-top villa owned by the wealthy Compton family, up-and-coming artist Claire Hunter will marry handsome, charming Jack Compton, surrounded by close family, intimate friends…and a host of dark secrets. From the moment Claire sets foot on the island, something seems amiss. Skeletal remains have just been found. There are other, newer disturbances, too. Menacing texts. A ruined wedding dress. And one troubling shadow hanging over Claire’s otherwise blissful relationship—the strange mystery surrounding Jack’s first wife. Then a raging storm descends, the power goes out—and the real terror begins… Don't miss J.T. Ellison's next thriller, IT'S ONE OF US, coming February 2023!
Chiara is gliding through her senior year with ease, with a great babysitting job, a loyal best friend, a loving Indian-Italian immigrant family, and a shot at the summer ice-skating camp of her dreams. Then, out of nowhere, she starts having violent and unwanted thoughts and obsessions. The thoughts won’t leave Chiara alone, making her wonder if she’s a bad, violent person. Chiara decides to get help through therapy, but the idea of talking about her disturbing thoughts out loud is unthinkable. As Chiara opens up to therapy, she sees a glimmer of hope that she can have her life back. But her dark thoughts lie just beneath the surface, threatening to take it all away.
