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Did you know that each avatar of Vishnu arrived with a specific purpose? Time and again, Vishnu has manifested in different forms to fulfil his role as a ‘protector’ of the world. Among the long list of 24 avatars, ten avatars have captured our imagination for centuries together—matsya, Kurma, Varaha, Narasimha, Vamana, Parshuram, Rama, Krishna, Buddha, and Kalki. But how exactly did these avatars impact the society? And how do they link to the Charles Darwin theory of evolution? While each avatar has its own set of legends that extoll their characteristics and deeds, the stories behind them are just as interesting and informative. Presented in a contemporary and unbiased perspective, these stories of the ten avatars of Vishnu are an attempt to make mythology more believable and relevant to the world that we live in today.
In Puranic lore, Vishnu is the preserver of the universe and the cosmic order. The Dasha Avatar is the Puranic story of the ten incarnations of Vishnu who descends to the terrestrial world to establish stability and order, time and again. The avatars occur in a sequence – the first was matsya or fish representing life in water, followed by kurma or turtle signifying life in water and on land, then varaha or boar alluding to terrestrial life and so on. The sequence of the avatars could be taken to symbolise various stages in the evolution of life culminating in the advent of the perfect being.
Dashavtar is a large print book which talks about the ten principal Avatars. The most common interpretation of the word 'Avatar' refers to the 'descent' and the word 'Dasha' refers to 'ten' in number. The book talks about the ten most famous incarnations of Lord Vishnu.
Illustrated Ramayana for Children by Shubha Vilas Pdf
This is an authentic retelling of Valmiki' s great epic Ramayana that chronicles Lord Rama' s heroism, and Sita' s grit and devotion. Flying chariots, magical weapons and a raging battlefield are brought to life in this timeless retelling by Shubha Vilas that will take young readers on an enchanting adventure, and also impart important values. Filled with vibrant illustrations by award-winning illustrator Ishan, this book is a lucid narration of the triumph of good over evil.
Most of the poems in this collection are taken from several volumes published during the 1930s. The translator, Aurobindo Bose, has divided them into 'Poems of Hope and Defiance' and 'Poem of Wonder'. These poems dispel forever the false idea that Tagore was a poet of the 'Ivory Tower'.
Krishna Theatre in India by Manohar Laxman Varadpande Pdf
Narayanam Namaskritya I Bow Before Thee With Deep Reverence O Lord Krishna Says Great Indian Epic Mahabharata In Its Opening Benedictory Verse. The Impact Of Krishna Cult On Indian Art, Literature And Culture Is Stupendous. Krishna Worship Includes Music, Dance, Drama, Which Delights Him Most. Bhassa Describes Him As Sutradhar, String-Holder, Of The Drama Of Life That Is Being Enacted In All The Three Worlds. Bhagavata Purana Eulogise Him As Natavar, Supreme Actor, And Enjoins The Devotees To Offer Him Theatricals On Festive Occasions. Inscriptions Speak Of The Tradition Of Enacting Plays In The Krishna Temples. The Tradition Still Continues As River Yamuna, On Whose Bank Krishna Performed Ras Dance, Continues To Flow. All Over India Plays Based On Krishna Theme Are Enacted. Indian Classical Dance Forms Take Delight In Depicting Radha-Krishna Love Lore. The Ras Leela Of Vraj, Ankia Nat Of Assam, Kala Of Goa And Maharashtra, Krishna Attam Of Kerala, Ras Of Manipur, Odissi Of Orissa Kathak Of Uttar Pradesh Are Some Of The Traditional Drama And Dance Forms That Depict Krishna Lore? Many Krishna Plays Are There In The Repertory Of Kathakali, Yakshagana, Kuchipudi, Tamasha And Many Other Folk And Traditional Theatrical Forms Of India. In Fact Some Scholars Believe That Indian Theatre Itself Has Originated From The Cult Of Krishna That Flourished In Surasena Region. This Most Colourful Theatrical Saga Full Of Poetry, Dance And Music Is Narrated In The Book By Eminent Scholar Shri M.L. Varadpande In A Most Attractive Manner. In A Style Picturesque And Lucid The Author Tells Us How The Dark-Hued Krishna Danced With Milkmaids Fair As Champak Flower On The Bank Of Yamuna And How The Indian Traditional Theatre And Dance Forms Recreated This Romance On The Stage. The Spectacular Rainbow Of Delightful Romance Of Krishna S Eventful Life As Seen On Indian Stage Is Charmingly Revealed To The Readers Through The Pages Of This Profusely Illustrated Book Of Infinite Charm.
The Ten Incarnations of Lord Vishnu Isvarah paramah krisnah sachid-ananda-vigrahah Often in this fractured world, we are filled with self-doubt and apprehension. But the brief powerful moments of kindness and compassion are what carry us through. In a constant pursuit of positivity, Dada J.P. Vaswani writes this charming narrative of the ten incarnations of Lord Vishnu, the God of Protection and the Supreme Being. Radiating warmth, this exquisitely crafted collection of stories reveals the author’s boundless love for human beings. With endless enthusiasm, Dada’s narrative soothes and pleases the curious reader. He draws you in and captivates you as he introduces each magnificent avatar and reveals its core essence. His words are a breath of fresh air in the tedium of a fast-paced life. They invite you to look within and give you a freshperspective on this unpredictable world. J. P. Vaswani is one of India’s most loved and respected spiritual leaders. He is the living, moving life force at the helm of the renowned Sadhu Vaswani Mission, an international, non-profit, social welfare and service organization with its headquarters in Pune and active centres all over the world. A scientist-turned-philosopher, Vaswani is also a fluent, powerful and witty speaker, an inspired writer and is the youngest 99-year-old you will ever meet.
History of Indian Theatre by Manohar Laxman Varadpande Pdf
This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.
The Little Book of Hindu Deities by Sanjay Patel Pdf
Pixar animator and Academy Award–nominated director Sanjay Patel (Sanjay’s Super Team) brings to life Hinduism’s most important gods and goddesses—and one sacred stone—in fun, full-color illustrations, each accompanied by a short, lively profile. The Little Book of Hindu Deities is chock-full of monsters, demons, noble warriors, and divine divas. Find out why Ganesha has an elephant’s head (his father cut his off!); why Kali, the goddess of time, is known as the “Black One” (she’s a bit goth); and what “Hare Krishna” really means. “Throw another ingredient in the American spirituality blender. Pop culture is veering into Hinduism.”—USA Today
How Ganesh Got His Elephant Head by Harish Johari,Vatsala Sperling Pdf
The magical story of how Ganesh, the son of Shiva and Parvati, was brought back to life with the head of an elephant • The story of one of the most beloved characters in Indian lore, made accessible for Western children • Illustrated throughout with paintings from the classic Indian tradition Any Indian child can tell you how the beloved god Ganesh got his elephant’s head--now American children can know as well. For centuries Indian children have grown up hearing Ganesh’s story--how his mother, Parvati (an incarnation of the great mother goddess), created a small boy from sandalwood soap and commanded that he guard the palace against all intruders while she took her bath. How her husband, Shiva (the fearsome god of destruction), didn’t take kindly to being barred from his own home. How Shiva beheaded the boy during the cosmic war that followed, but then, when he realized that the balance of the entire universe was at stake, brought the boy back to life by grafting an elephant’s head onto his body and made him the people’s intercessor against the powers of destruction. Ganesh’s timeless story teaches children about the steadfast power of dedication to duty, the awe-inspiring power of a mother’s love for her child, and the gentle power of compassion, which holds the world together. Accompanied by rich, color illustrations prepared according to the traditional Hindu canon, How Ganesh Got His Elephant Head will transport children to a magical world filled with ancient wisdom.
The Last Avatar (Age of Kalki #1) by VISHWAS. MUDAGAL Pdf
In the not-so-distant future, India has fallen, and the world is on the brink of an apocalyptic war. An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme.
Mass Communication in India, Fifth Edition by Keval J. Kumar Pdf
Third Completely Revised and Updated EditionMass Communication in India is a result of the author s in-depth study and understanding of the media. The book deals with a general introduction to Communication Theory, Advertising, Television, Effects of Media and Development. In short, the book is designed to give the student of Mass Communication a general and comprehensive view of the modern and traditional media in India. It meets the objective of being a text book as well as a book that gives an overview of mass communication in India.
