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Author : Anne-Marie Claessens-Peré
Publisher : Unknown
Page : 244 pages
File Size : 48,6 Mb
Release : 2003
Category : Decorative arts
ISBN : UIUC:30112076884920
Author : Anonim
Publisher : Unknown
Page : 224 pages
File Size : 45,9 Mb
Release : 2008
Category : Art
ISBN : UCSD:31822036074151
Author : Bert De Munck
Publisher : Brepols
Page : 358 pages
File Size : 51,5 Mb
Release : 2007
Category : Business & Economics
ISBN : UOM:39015077123324
The importance of training and education is on the increase. While the production of 'human capital' is seen as a motor for a competitive economy, skills and expertise proof to be necessary for social mobility. Remarkably, in conceiving modern forms of 'apprenticeship', several mechanisms from the acien regime, seem to return. The difference between public and private initiative is disappearing, education and training is being confused, and in order to acquire generic skills as flexibility, communicability, self-rule, creativity and so on, youngsters have to learn 'in context'. Even for maths, scholars now talk of 'situated learning'.Before the advent of a formal schooling system, training took place on the shop floor, under the roof of a master. The apprentice not only worked but also lived in his master's house and was thus trained and educated at the same time. In cities, this system was formally complemented by an official apprenticeship system, prescribing a minimum term to serve and an obligatory masterpiece for those who wanted to become masters themselves. Traditionally, historians see this as an archaic and backward way of training, yet this book's aim is to show that is was instead a very flexible and dynamic system, perfectly in tune with the demands of an early modern economy.In order to understand it fully, however, we should differentiate the informal training system organised via a 'free market' of indentures on the one hand and the institutionalised system of craft guilds on the other. In Antwerp, early modern guilds had a project of 'emancipating' their members. They didn't simply produce certain skills, but through a system of quality marks defended the honour of craftsmen. This is the difference with current practices. By representing hands-on skills as superior, guilds supplied a sort of symbolic capital for workers.
Author : Koenraad Jonckheere
Publisher : Brepols Publishers
Page : 392 pages
File Size : 48,9 Mb
Release : 2007
Category : Art, Renaissance
ISBN : UOM:39015074279657
This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz Key's art will be an eye opener to all scholars interested in the Netherlandish Renaissance.
Author : Sophie Raux
Publisher : BRILL
Page : 389 pages
File Size : 52,7 Mb
Release : 2018-02-19
Category : Art
ISBN : 9789004358812
Lotteries, Art Markets, and Visual Culture investigates lotteries as an atypical and popular form of the art trade, and as devices for distributing images and art objects, and constructing their value in the former Low Countries (15th-17th centuries).
Author : Anonim
Publisher : Unknown
Page : 634 pages
File Size : 47,7 Mb
Release : 2002
Category : Canada
ISBN : MINN:31951P009141094
Author : Anonim
Publisher : Unknown
Page : 622 pages
File Size : 54,7 Mb
Release : 1971
Category : Photography
ISBN : UOM:39015073144506
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Author : Christopher White
Publisher : Royal Collection Trust
Page : 440 pages
File Size : 44,8 Mb
Release : 2007
Category : Art
ISBN : STANFORD:36105123399524
The catalog opens with a detailed account of the growth of the collection from the early Stuarts to the reign of Queen Victoria. Particular attention is given to Charles I's close relations with Rubens, and since later members of the royal family also made important acquisitions, the full range of Rubens' practice is covered by the catalog: there are works entirely by his hand as well as works carried out with known collaborators or with the help of his studio. An outstanding group of genre paintings by David Teniers the Younger is examined and illustrated, and paintings by Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens round out the collection.
Author : Modemuseum Provincie Antwerpen
Publisher : Unknown
Page : 196 pages
File Size : 44,9 Mb
Release : 2002
Category : Costume design
ISBN : MINN:31951D02264027L
Zowel de bestaande textielcollectie van de provincie Antwerpen als het werk van hedendaagse modeontwerpers wordt getoond.
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher : Unknown
Page : 628 pages
File Size : 46,9 Mb
Release : 1985
Category : Art
ISBN : STANFORD:36105003681900
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher : Unknown
Page : 682 pages
File Size : 40,6 Mb
Release : 1987
Category : Art
ISBN : UOM:39015016666474
Author : Anonim
Publisher : Unknown
Page : 420 pages
File Size : 43,7 Mb
Release : 1981
Category : Numismatics
ISBN : IND:32000009609605
Author : Anonim
Publisher : Unknown
Page : 618 pages
File Size : 51,8 Mb
Release : 1985
Category : Photography
ISBN : MINN:31951001415668O
Author : Anonim
Publisher : Unknown
Page : 550 pages
File Size : 41,5 Mb
Release : 1981
Category : Photography
ISBN : UOM:39015081486626
Author : Wolfram Koeppe,Anna Maria Giusti,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 422 pages
File Size : 48,5 Mb
Release : 2008
Category : Incrustation (Stone carving)
ISBN : 9781588392886
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.
