Dear God Dear Bones Dear Yellow Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Dear God Dear Bones Dear Yellow book. This book definitely worth reading, it is an incredibly well-written.
DEAR GOD. DEAR BONES. DEAR YELLOW. by Noor Hindi Pdf
What is political poetry? How does history become lived experience? What does it mean to bear witness through writing? Noor Hindi’s poems explore colonialism, religion, patriarchy and everything in between with sharp wit and innovative precision. Layered to reflect the intersections of her identity, while constantly interrogating this identity itself, her writing combines lyrical beauty with political urgency. This collection is ultimately a provocation―on trauma, on art, on what it takes to change the world.
Quiet night, under the stars i lay,..wondering . . . . where are you now . . . . where are you babe . . . . we went our seperate ways . . . . i acted like i was ok . . . on the inside i was on my knees . . . begging heaven please . . . . begging heaven please . . . . i held back my tears . . . acted like i was ok . . . . i should have stopped you right there . . . . i should have told you how i feel . . . . i need you here . . . . my heart was crying even though my eyes never shed a tear
antes que isla es volcán / before island is volcano by Raquel Salas Rivera Pdf
Gold Medal Winner of the Juan Felipe Herrera Award for Bilingual Poetry From the National Book Award-nominated, Lambda Award-winning poet: a powerful, inventive new collection that looks to the future of Puerto Rico with love, rage, beauty, and hope Raquel Salas Rivera’s star has risen swiftly in the poetry world, and this, his 6th book, promises to cement his status as one of the most important poets working today. In sharp, crystalline verses, written in both Spanish and English versions, antes que isla es volcán daringly imagines a decolonial Puerto Rico. Salas Rivera unfurls series after series of poems that build in intensity: one that casts Puerto Rico as the island of Caliban in Shakespeare’s The Tempest, another that imagines a multiverse of possibilities for Puerto Rico’s fate, a 3rd in which the poet demands his right to a future and its immediate distribution. The verses are rigorous and sophisticated, engaging with literary and political theory, yet are also hard-hitting, charismatic, and quotable (“won’t you be sorry? / won’t you wish you had a boss? / won’t you get restless / with all that freedom?”). These poems tap unflinchingly into the explosive energy of the island, transforming it into protest, into spirit, into art.
A rigorous and defiant collection that subverts contemporary discourse and representations of incarceration, of hip-hop, and of Asian American culture and literature. Justin Rovillos Monson’s poetic voice is sharp and irreverent—improvisational yet thoughtful, musical, and tender, achieving a range of lyrical registers woven seamlessly throughout the book from the first to last poem. Monson’s work challenges his readers with uncomfortable but essential, urgent, and necessary questions: What does it mean to be in the world and yet live apart from it? What happens to the minds and bodies of those locked away? What happens to the minds and bodies of their loved ones? How can America get free? Braiding personal narrative with contemporary rap lyrics and institutional language, Monson deepens the nuances and dimensions of and within Asian American poetics, prison poetics, and hip-hop poetics with his deft and experimental writing style. American Inmate speaks through cages, bars, walls, and borders, collapsing widespread misconceptions and stereotypes regarding incarceration, and shrinking the distance between readers on the outside and the complex interiority of an incarcerated human being. Sometimes slipping, sometimes soaring, sometimes laughing, sometimes dying, Monson’s fiery debut is a fresh, moving, elucidative work that will challenge readers to think more critically about the systems that govern our lives, to imagine with compassion and inclusivity, and to settle for nothing less than a truly free future that is liberatory for all.
Usman Hameedi’s debut collection, Staying Right Here, is a journey in finding home. Hameedi invites readers to bear witness to vignettes of joy and hardship as he navigates finding his place in America. From an ode to Bodegas, an autobiography of his eyebrows, and elegies for lost friends, Hameedi’s thematic metaphors for family, wellness, and American biases weave a literary tapestry. Reading Usman’s work is like drinking a warm chai while watching the sunset in Brooklyn, or coming home to an aromatic Biryani. In his first poetry collection, Hameedi writes with an unmistakably unique voice that is not afraid of who he is. Staying Right Here is for those who have looked for themselves in the media and only seen a one-dimensional character staring back at them.
This visceral and revelatory poetry collection tells the story of a family’s journey to flee the murderous reign of Uganda’s Idi Amin only to land in a racist American landscape. Wabuke digs deeply into a personal and ancestral history to bring these poems to life, articulating what it means to live in a Black female body navigating a diaspora haunted by British colonization and American enslavement.
Derra Sabo shares a bit of her world with you in this delightful memoir filled with "letters" to family and friends. Overcoming challenges by simply living life; Derra shares her experiences here in hopes of helping the reader gain an appreciation for life as it happens.
2019 National Book Award Longlist: “Centering on black, female identity, [this is] an exquisite and thoughtful collection.” —Bustle This is about what grows through the wreckage. This is an anthem of survival and a look at what might come after. A view of what floats and what, ultimately, sustains. A finalist for the PEN Open Book Award, Build Yourself a Boat redefines the language of collective and individual trauma through lyric and memory. “With Build Yourself a Boat, Camonghne Felix heralds a thrillingly new form of storytelling.” —Morgan Parker, author of Magical Negro
You will follow a portion of my life's journey as I traveled to reach the full potential God had for me because of being a fatherless daughter. I have allowed myself to be transparent through my circumstances and decisions so that others can see that no matter what life dishes out to you, anyone can overcome obstacles. God has shown a tremendous amount of grace and mercy towards me, and I am appreciative of where He has brought me from and absolutely excited about where He is taking me. I am no longer a victim of my circumstances but one who has overcame by the words of my testimony. I know that as long as I allow God to continue to lead me down the path He would have me go, I can't go wrong. Markeida L. Johnson has successfully been married for 21 years and have raised three sons. She has been in ministry for over 20 years and co-pastor a church with her husband since 2002. She and her husband, Gary Johnson, have a marriage ministry, 'No Air Between Us', as well as council couples for marriage preparedness and family values. She is currently attending college to obtain a degree in Psychology. She is the founder of a women's group called S.H.I.C. (SisterHood In Christ), under the umbrella of God's Women of Power-PMU. S.H.I.C. is inspired by her life experiences and spiritual wisdom to motivate others to overcome struggles. She is nicknamed 'the fire starter' by her fellow worshippers because she knows how to ignite the word of God in your life."
All the Blood Involved in Love by Maya Marshall Pdf
Marshall’s poems traverse familial mythography to investigate contemporary politics, Blackness, reproductive justice, and the stakes of race and interracial partnership, queerness, and love. With an unflinching seriousness she interrogates womanhood, meditates on race and queerness, and considers the monetary, mental, and physical costs of adopting or birthing a Black child.
Based on original reporting from West Africa and the United States, and the poet 's experiences as a doctor and journalist, If God Is A Virus charts the course of the largest and deadliest Ebola epidemic in history, telling the stories of Ebola survivors, outbreak responders, journalists and the virus itself. Documentary poems explore which human lives are valued, how editorial decisions are weighed, what role the aid industrial complex plays in crises, and how medical myths and rumor can travel faster than microbes. These poems also give voice to the virus. Eight percent of the human genome is inherited from viruses and the human placenta would not exist without a gene descended from a virus. If God Is A Virus reimagines viruses as givers of life and even authors of a viral-human self-help book.
Just when you might need it most, the universe has sent you a love letter disguised as your life. In it, you will find the answer to every pressing question you may have about who you are and why you are here. This letter has been adoringly penned to help you know, accept, and love yourself more deeply than you ever thought possible. All you have to do is hold it in your trembling hands and read it. Dear Human is a companion volume to a lesson-filled life that can only lead to the invincible truth of your radiant light. Immerse yourself in the mystery and depth of your gorgeous life like a letter you can't wait to tear open. Let your ears, mind, and heart be filled with its compelling poetry. -Kay Eck None of us navigates the human journey without dancing with both ghosts and angels. With Dear Human, Kay Eck delivers a travel guide for the road ahead filled with pragmatic doses of sacred encouragement, clear-eyed reminders, and gentle but potent medicine. It encourages the reader to view life as a love letter penned to accompany them through the labyrinth of unique lessons we each came to learn. Infused with the author's poetry, reflections, and prayers, Dear Human invites us into the confluence of miracles that is the human path, celebrating both the mundane and the magnificent. We are neither alone nor without guidance as every step takes us closer the mastery that eases the weary heart and excites the inner spark so that eventually, everything we meet feels like buried treasure.
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us “In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker “[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)
Full of "can't look away" moments, Dear Killer is a psychological thriller perfect for fans of gritty realistic fiction such as Dan Wells's I Am Not a Serial Killer and Jay Asher's Thirteen Reasons Why, as well as television's Dexter. Rule One—Nothing is right, nothing is wrong. Kit looks like your average seventeen-year-old high school student, but she has a secret—she's London's notorious "Perfect Killer." She chooses who to murder based on letters left in a secret mailbox, and she's good—no, perfect—at what she does. Her moral nihilism—the fact that she doesn't believe in right and wrong—makes being a serial killer a whole lot easier . . . until she breaks her own rules by befriending someone she's supposed to murder, as well as the detective in charge of the Perfect Killer case. As New York Times bestselling author of the Gone series Michael Grant says, Dear Killer is "shocking, mesmerizing, and very smart."