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A prominent judge is murdered on the opening day of the new Runnymede Crown Court, and Rosa Epton become doubly involved, both as a witness to the murder and the solicitor in a drugs trial over which Judge Ambrose was to have presided. His replacement, Judge Holtby, seems unduly upset by the death of his colleague - and then two more deaths occur. But was Judge Ambrose the real target in the first place? And what involvement does Rosa's client in the drugs case have in the whole business? Eventually Rosa is able to deduce the likely sequence of events, but there is still a final secret to be revealed ...
Barthes investigation into the meaning of photographs is a seminal work of twentieth-century critical theory. This is a special Vintage Design Edition, with fold-out cover and stunning photography throughout. Examining themes of presence and absence, these reflections on photography begin as an investigation into the nature of photographs - their content, their pull on the viewer, their intimacy. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind. He was grieving for his mother at the time of writing. Strikingly personal, yet one of the most important early academic works on photography, Camera Lucida remains essential reading for anyone interested in the power of images. 'Effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader' Guardian
Driven detective Casey Clement and her hotshot team of misfits are called to the murder of a gorgeous woman, left overdosed, beaten and shot in a Manhattan park. Famous, sexy photographer Jamie Carval, obsessively shooting the team for his next blockbuster exhibition, with Casey at the stunning heart of his concept, identifies the victim as a model.When a second similar corpse turns up only a few weeks later, and then a third emerges, the team have to delve into the ugly underbelly of the modelling world, uncovering sleaze, sexual abuse and serial killing. As the dirty, degraded details of the case rake up traumatic memories for the cops, the tensions threaten to destroy Carval's relationship with Casey and the team. When the only way to stop the murders is to set up a sting, will Carval's glamour-photography past help to find the killers - but lose him both his exhibition and Casey?
Photographer M.C. Roman photographed the people, places and things associated with the Kennedy assassination using a Holga film camera. Death by Holga: 11.22.63 includes President John F. Kennedy, Lee Harvey Oswald, Air Force One and the Texas School Book Depository.
Acknowledgments -- Introduction -- Death concealed: the picture problem -- "Cold bodies are hot stuff"--Alternative images -- The industry's ample access -- Intentionally ambiguous images -- Layers of resistance -- Word versus image -- Death revealed: exceptions to the rule -- Pictures in the popular and patrician press -- Nationality and the "newsworthy" image -- Innocence and the "newsworthy" victim -- Mass tragedy and the biggest disasters -- The fantastic feats of some photos -- Victims seeking visibility -- In the end -- Appendix: defining a postmortem picture -- Notes -- Index -- About the author
Something funny is going on in the East African nation of Luzuland...and it’s more than just the usual civil unrest or military coup. Organised crime lords are converging for what looks like an underworld summit, and Dr. Harold Smith dispatches Remo for a look-see and quiet, effective neutralisation! Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Examining a spectrum of post-mortem images, this volume considers what death photography communicates about attitudes related to dying, mourning and the afterlife. Focusing on American examples, topics are discussed alongside contemporary representations of death, as seen in celebrity death images and forensic photography.
This book examines the treatment of space and narrative in a selection of classic films including My Darling Clementine, It's a Wonderful Life, and Vertigo. Deborah Thomas employs a variety of arguments in exploring the reading of space and its meaning in Hollywood cinema and film generally. Topics covered include the importance of space in defining genre (such as the necessity of an urban landscape for a gangster film to be a gangster film); the ambiguity of offscreen space and spectatorship (how an audience reads an unseen but inferred setting), and the use of spatially disruptive cinematic techniques such as flashback to construct meaning.
The Camera-Eye Metaphor in Cinema by Christian Quendler Pdf
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
In the start of an all-new mystery series set in pre–World War II Europe, an intrepid young photographer carries her dead lover’s final, world-shattering message into the heart of Berlin as Hitler ascends to power. “Thrilling . . . reminiscent of works by Eric Ambler and Graham Greene.”—The Wall Street Journal On vacation from London on the beautiful Italian coast, twenty-eight-year-old Elena Standish and her older sister, Margot, have finally been able to move on from the lasting trauma of the Great War, in which the newly married Margot lost her husband and the sisters their beloved brother. Touring with her camera in hand, Elena has found new inspiration in the striking Italian landscape, and she’s met an equally striking man named Ian. When Ian has to leave unexpectedly, Elena—usually the more practical of the sisters—finds she’s not ready to part from him, and the two share a spontaneous train trip home to England. But a shocking sequence of events disrupts their itinerary, forcing Elena to personally deliver a message to Berlin on Ian’s behalf, one that could change the fate of Europe. Back home, Elena’s diplomat father and her secretive grandfather—once head of MI6, unbeknownst to his family—are involved in their own international machinations. Worried when Elena still hasn’t returned from Italy, her grandfather starts to connect the dots between her change in plans and an incident in Berlin, where Adolf Hitler and the Third Reich are on the rise. It seems the message Elena delivered has forced her into a dangerous predicament, and her grandfather’s old contacts from MI6 may be the only people who can get her out alive—if Elena can tell the difference between her allies and her enemies. New York Times bestselling author Anne Perry merges family secrets with suspense on the world stage, as darkness bubbles under the surface of a Europe on the brink of change. In these complicated times, Elena emerges as a strong new heroine who learns quickly that when nothing is certain, she can rely only on herself. Praise for Death in Focus “Masterful! It’s exceedingly rare for an author to have the talent to blend classic elements of a thriller with compelling family dynamics and geopolitical intrigue, but Anne Perry pulls it off like the consummate pro that she is. And, on top of all that, Death in Focus is written in her unique literary voice. I guarantee you’ll love Elena Standish. Brava!” —Jeffery Deaver, author of The Never Game
In The Cruel Radiance, Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images—and learning to see the people in them—is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns—and analyzing photographs from such events as the Holocaust, China’s Cultural Revolution, and recent terrorist acts—Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book’s concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare.A bracing and unsettling book, The Cruel Radiance convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it—and to do that, we must begin to look.
Jeff Wall and the Concept of the Picture by Naomi Merritt Pdf
This book grapples with fundamental questions about the evolving nature of pictorial representation, and the role photography has played in this ongoing process. These issues are explored through a close analysis of key themes that underpin the photography practice of Canadian artist Jeff Wall and through examining important works that have defined his oeuvre. Wall’s strategic revival of ‘the picture’ has had a resounding influence on the development of contemporary art photography, by expanding the conceptual and technical frameworks of the medium and introducing a self-reflexive criticality. Naomi Merritt brings a new and original contribution to the scholarship on one of the most significant figures to have shaped the course of contemporary art photography since the 1970s and shines a light on the multilayered connections between photography and art. This book will be of interest to scholars in the history of photography, art and visual culture, and contemporary art history.
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
