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“The richest mystery here, however, is Florence itself, whose intricate politics and class structure Nabb parses with precision and wit." —Washington Post Book World Summoned by an aged woman to investigate mysterious noises in the vacant flat next to hers, Marshal Guarnaccia discovers a dying Dutch jeweler. The old lady had known him when he was a boy growing up in Florence. Could he have returned to the family home just to commit suicide? Or could the man be the victim of a cunning murderer?
It is just before Christmas and the marshal wants to go South to spend the holiday with his wife and family, but first he must recover from the flu (which has left the Florentine caribinieri short-handed) and also solve a murder. A seemingly respectable retired Englishman, living in a flat on the Via Maggio near the Santa Trinita bridge, was shot in the back during the night. He was well-connected and Scotland Yard has despatched two officers to "assist" the Italians in solving the crime. But it is the marshal, a quiet observer, not an intellectual, who manages to figure out what happened, and why.
Italian law forbids paying ransom to criminals, and Marshal Guarnaccia must find the missing girl before her kidnappers decide to end her life. Two foreign girls are abducted from a Florence piazza in broad daylight. The unusual March snowfall has distracted everyone, even the marshal, who is unsure of what he has actually witnessed. One of the girls turns up in a village in the Chianti, claiming the kidnappers have released her to propose a ransom for the other victim. But the marshal thinks she’s lying.
How does a de-railed journalist become the number one enemy of the invisible powers that run one of Asia's hippest cities? Tom Terrence lives inside the expat bubble of losers, dreamers and pensioners. He combats the ghosts of his past with drugs, alcohol and his nemesis: an unfinished manuscript. His life is going downhill nicely until he gets an unexpected promotion to editor-in-chief of an online newspaper which throws his life into further chaos as he tumbles into his first major story. When local police blame the death of three tourists on poisoned drugs taken during a strange sexual ritual, the BBC joins local news crews in covering the story. Tom is quickly recruited as their local expert and interpreter as they link the death of a high ranking police officer to the deceased tourists. The crew's dogged search for the connections and the source of the poisoned drugs ignites a cat and mouse game between the BBC and the overlords of the Asian drug trafficking underworld, with Tom caught dangerously between them. A perilous roller coaster ride of murder and deception takes Tom through Northern Thailand into the Burmese jungle, forcing him to make some life and death decisions.
Death, Sleep & The Traveler is about a middle-aged Dutchman, his dissolving marriage, his involvement in two sexual triangles, his obsession with the murder he is accused of having committed on a pleasure cruise.
Some time in the 1970s, Konstantin Alpheyev, a well-known Russian musicologist, finds himself in trouble with the KGB, the Russian secret police, after the death of his girlfriend, for which one of their officers may have been responsible. He has to flee from the city and to go into hiding. He rents an old house located on the bank of a big Russian river, and lives there like a recluse observing nature and working on his new book about Wagner. The house, a part of an old barge, undergoes strange metamorphoses rebuilding itself as a medieval schooner, and Alpheyev begins to identify himself with the Flying Dutchman. Meanwhile, the police locate his new whereabouts and put him under surveillance. A chain of strange events in the nearby village makes the police officer contact the KGB, and the latter figure out who the new tenant of the old house actually is.
A comprehensive guide to Wagner's THE FLYING DUTCHMAN (Der Fliegende Hollnnder), featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer."
Sudden Death in Opera by Michael Trimble,Robert Ignatius Letellier,Dale Hesdorffer Pdf
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end of the operas, often in the context of tragedy. It charts the growing awareness in the medical sciences of the unconscious forces driving human behaviour, including liminal mental states and trances, which influenced these operas and continue to affect human behaviour to the present day. In addition, the changing philosophies that are intertwined with operatic narratives, in particular stemming from Kant, Hegel, Schopenhauer and Nietzsche, are important in the book’s exegesis, as is the special role of Wagner’s compositions. This leads to the exploration of recurrent concepts such as the Liebestod, the ewig Weibliche and redemption itself.
The Bible on the Lost Dutchman Gold Mine and Jacob Waltz by Helen Corbin Pdf
The first book in history that documents Waltz from birth to the grave. This landmark text offers historical proof, such as ship manifests and German translations of his infamous directions to the mine, and all major speculations that have occurred in the hundreds of books published in the 111 years following Waltz's death.
Beginning in the 1920s, an all-star team of goons, gunmen and garrotters transformed America's criminal landscape. Its membership was diverse; the mob recruited men from all ethnicities and religious backgrounds. Most were natives of the Big Apple, handpicked from the city's toughest neighborhoods: Brownsville, Ocean Hill, Flushing. So prolific were their exploits that the media soon dubbed this bevy of hired hands Murder, Incorporated. The brainchild of aging mob bosses, including Meyer Lansky and Bugsy Siegel, this ruthless hit squad quickly captured America's attention, making headlines coast to coast for over two decades. As for who these men were and how their partnership came to be, join author Graham Bell as he sheds light on this dark history of the Mafia's most notorious crime syndicate.
Author : James Martin Harding Publisher : State University of New York Press Page : 216 pages File Size : 47,5 Mb Release : 1997-02-20 Category : Biography & Autobiography ISBN : 9781438405773
Adorno and "A Writing of the Ruins" by James Martin Harding Pdf
Arguing that postmodernism has so shifted current critical paradigms that Adorno's work can best be assessed in terms of its relevance in specific localized contexts, this book pursues a course that preserves Adorno's opposition to hegemonic programs but that is also wary of Adorno's own (negative) penchant for totalizing concepts. Unlike recent works which attempt to synthesize Adorno's writings into a comprehensive system that then becomes either the focus of an overriding critique or an object of appropriation, Harding orders his book as a collection of essays whose loose association questions the structural totality of Adorno's thought. Though together the essays cover all the major issues of Adorno's thought and offer a wide critical survey of his writings, the diversity of their focus avoids a systematic reduction of Adorno's work into a reproducible technique or method. The result of this strategy is a far more dynamic analysis of Adorno than a mere critical reconstruction of his ideas. By applying Adorno's theories to works by Samuel Beckett, T.S. Eliot, Ralph Ellison, and Amiri Baraka, the book pushes critical discussion of Adorno into cultural contexts that, while perhaps new for Adorno scholars, reach out to those whose knowledge of Adorno is limited. This book is a fine introduction to the subtleties of Adorno's writing and a genuine contribution to Adorno scholarship.
An enormously exciting, beautifully written and very moving work. The Paper Canoe comprises a fascinating dialogue with such masters of theatre as Stanislavski, Meyerhold, Craig, Copeau, Brecht, Artand and Decroux.