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Undead Reb Down Under and Other Vampire Stories by Rod Marsden Pdf
What would things be like if there really were the unliving among us? It is suggested that you observe the following: Be an undead Confederate soldier in a British colony at the far end of the world. Meet the menace of the undead in the company of the Invisible Compass, an offshoot of Freemasonry or as a member of the Pinkerton Detective agency out of Chicago. Join the Rising Sun Group of modern day samurai and ninja as they strive to wipe out the walking cadaver. Delight in brutally eliminating a Big Aunty Twice Removed contestant show winner. Look into a demon's heart, find out what a treasure beyond price might happen to be and discover why someone wants to kill the Jocks. Be sure you have a candle to light the way and, if you can't play the game of empire, there's always cold comfort to be had.
With zombies taking over the cities, a group of humans escapes the carnage by taking a small Coast Guard ship out to sea, but there's no getting away—even in the wide ocean.
With the increased popularity of zombies in recent years, scholars have considered why the undead have so captured the public imagination. This book argues that the zombie can be viewed as an object of meditation on death, a memento mori that makes the fact of mortality more approachable from what has been described as America's "death-denying culture." The existential crisis in zombie apocalyptic fiction brings to the fore the problem of humanity's search for meaning in an increasingly global and secular world. Zombies are analyzed in the context of Buddhist thought, in contrast with social and religious critiques from other works. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} span.s1 {color: #212121}
Death was a constant, visible presence in medieval and renaissance Europe. Yet, the acknowledgement of death did not necessarily amount to an acceptance of its finality. Whether they were commoners, clergy, aristocrats, or kings, the dead continued to function literally as integrated members of their communities long after they were laid to rest in their graves. From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members. Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch
Stories about the walking dead searching for a meal of warm flesh have been around for thousands of years. Take readers on a trip through time to learn about ancient and medieval lore about zombies. Then explore how zombie stories have changed over time until these creatures became some of the most popular monsters seen in today's popular culture.
The Afterlife in Popular Culture by Kevin O'Neill Pdf
The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination gives students a fresh look at how Americans view the afterlife, helping readers understand how it's depicted in popular culture. What happens to us when we die? The book seeks to explore how that question has been answered in American popular culture. It begins with five framing essays that provide historical and intellectual background on ideas about the afterlife in Western culture. These essays are followed by more than 100 entries, each focusing on specific cultural products or authors that feature the afterlife front and center. Entry topics include novels, film, television shows, plays, works of nonfiction, graphic novels, and more, all of which address some aspect of what may await us after our passing. This book is unique in marrying a historical overview of the afterlife with detailed analyses of particular cultural products, such as films and novels. In addition, it covers these topics in nonspecialist language, written with a student audience in mind. The book provides historical context for contemporary depictions of the afterlife addressed in the entries, which deal specifically with work produced in the 20th and 21st centuries.
George Saunders by Philip Coleman,Steve Gronert Ellerhoff Pdf
This timely volume explores the signal contribution George Saunders has made to the development of the short story form in books ranging from CivilWarLand in Bad Decline (1996) to Tenth of December (2013). The book brings together a team of scholars from around the world to explore topics ranging from Saunders’s treatment of work and religion to biopolitics and the limits of the short story form. It also includes an interview with Saunders specially conducted for the volume, and a preliminary bibliography of his published works and critical responses to an expanding and always exciting creative œuvre. Coinciding with the release of the Saunders’ first novel, Lincoln in the Bardo (2017), George Saunders: Critical Essays is the first book-length consideration of a major contemporary author’s work. It is essential reading for anyone interested in twenty-first century fiction.
Author : David Michael Kleinberg-Levin Publisher : State University of New York Press Page : 386 pages File Size : 51,5 Mb Release : 2013-10-21 Category : Literary Criticism ISBN : 9781438447827
Redeeming Words by David Michael Kleinberg-Levin Pdf
In this probing look at Alfred Döblin's 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.
Death Comes for the Trophy Wife and Other Stories by Karen M. Vaughn Pdf
No one can strip down love to its primordial fertility and minerals like Karen M. Vaughn, and in this immersive follow-up to her debut collection, love is stripped so we can watch it haunt, seduce, whisper, rage, and slink. Good horror—and Vaughn’s is the best—looks lingeringly on what we’d rather only glance at over our shoulders. With Technicolor magical realism, Vaughn pulls and worries at every kind of love that humans feel (especially secretly feel) and how it might save us even as we let it consume us. As is so often the case with Vaughn's scary/witty/delicious stories, Death Comes for the Trophy Wife gloriously muralizes our most private fears until we feel more human than we did before we read it. PRAISE FOR KAREN M. VAUGHN "Each story is tightly crafted, with vivid and weird—yet oddly relatable—situations. Fans of writers like Karen Russell and George Saunders will especially enjoy A Kiss for a Dead Film Star, but there’s something here for everyone in this artfully written collection of uncanny and human tales." —Lawrence Public Library "The weight of these stories is much heavier than this slight volume should allow, and each of them packs an emotional punch. They are also compellingly readable. I tried to ration myself to one a day and failed; I had to go back and reread to make sure that each one got the attention it deserves. ... Highly recommended." —The Future Fire Reviews on A Kiss for a Dead Film Star "Months after reading, [the stories] still haunt me." —Stephanie Alford, 7Stillwell SF/F Feminism Reviews on A Kiss for a Dead Film Star
The Vampire Archives is the biggest, hungriest, undeadliest collection of vampire stories, as well as the most comprehensive bibliography of vampire fiction ever assembled. Dark, stormy, and delicious, once it sinks its teeth into you there’s no escape. Vampires! Whether imagined by Bram Stoker or Anne Rice, they are part of the human lexicon and as old as blood itself. They are your neighbors, your friends, and they are always lurking. Now Otto Penzler—editor of the bestselling Black Lizard Big Book of Pulps—has compiled the darkest, the scariest, and by far the most evil collection of vampire stories ever. With over eighty stories, including the works of Stephen King and D. H. Lawrence, alongside Lord Byron and Tanith Lee, not to mention Edgar Allan Poe and Harlan Ellison, The Vampire Archives will drive a stake through the heart of any other collection out there. Other contributors include: Arthur Conan Doyle • Ray Bradbury • Ambrose Bierce • H. P. Lovecraft • Harlan Ellison • Roger Zelazny • Robert Bloch • Clive Barker
The Girl in the Cornfield and Other Stories from the Wasteland by James Whitmer Pdf
Contained herein are accounts from the Wasteland, a curious realm teetering on the Edge of the Abyss between Heaven and Hell. It is in this oddity of mankind’s own making that choices between good and evil hold center stage and are at the very heart of determining if one, in fact, has a soul.
Beyond the Living Dead by Bruce Peabody,Gloria Pastorino Pdf
In 1968, George Romero's film Night of the Living Dead premiered, launching a growing preoccupation with zombies within mass and literary fiction, film, television, and video games. Romero's creativity and enduring influence make him a worthy object of inquiry in his own right, and his long career helps us take stock of the shifting interest in zombies since the 1960s. Examining his work promotes a better understanding of the current state of the zombie and where it is going amidst the political and social turmoil of the twenty-first century. These new essays document, interpret, and explain the meaning of the still-budding Romero legacy, drawing cross-disciplinary perspectives from such fields as literature, political science, philosophy, and comparative film studies. Essays consider some of the sources of Romero's inspiration (including comics, science fiction, and Westerns), chart his influence as a storyteller and a social critic, and consider the legacy he leaves for viewers, artists, and those studying the living dead.
The Sea Can Wash Away All Evils by Kimberley Christine Patton Pdf
Kimberley Patton examines the environmental crises facing the world's oceans from the perspective of religious history. Much as the ancient Greeks believed, and Euripides wrote, that "the sea can wash away all evils," a wide range of cultures have sacralized the sea, trusting in its power to wash away what is dangerous, dirty, and morally contaminating. The sea makes life on land possible by keeping it "pure." Patton sets out to learn whether the treatment of the world's oceans by industrialized nations arises from the same faith in their infinite and regenerative qualities. Indeed, the sea's natural characteristics, such as its vast size and depth, chronic motion and chaos, seeming biotic inexhaustibility, and unique composition of powerful purifiers-salt and water-support a view of the sea as a "no place" capable of swallowing limitless amounts of waste. And despite evidence to the contrary, the idea that the oceans could be harmed by wasteful and reckless practices has been slow to take hold. Patton believes that environmental scientists and ecological advocates ignore this relationship at great cost. She bases her argument on three influential stories: Euripides' tragedy Iphigenia in Tauris; an Inuit myth about the wild and angry sea spirit Sedna who lives on the ocean floor with hair dirtied by human transgression; and a disturbing medieval Hindu tale of a lethal underwater mare. She also studies narratives in which the sea spits back its contents-sins, corpses, evidence of guilt long sequestered-suggesting that there are limits to the ocean's vast, salty heart. In these stories, the sea is either an agent of destruction or a giver of life, yet it is also treated as a passive receptacle. Combining a history of this ambivalence toward the world's oceans with a serious scientific analysis of modern marine pollution, Patton writes a compelling, cross-disciplinary study that couldn't be more urgent or timely.