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Debating Orientalization by Corinna Riva,Nicholas C. Vella Pdf
Debating Orientalization brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization.
Etruscan Orientalization outlines the modern influences of orientalism, nationalism, and colonialism in the terms ‘orientalizing’ and ‘orientalization’ to reconsider their use in describing Mediterranean connectivity in the eighth and seventh centuries BCE.
Author : Jonathan M. Hall,James F. Osborne Publisher : University of Chicago Press Page : 274 pages File Size : 46,9 Mb Release : 2022-12-09 Category : History ISBN : 9780226819051
The Connected Iron Age by Jonathan M. Hall,James F. Osborne Pdf
An interdisciplinary consideration of how eastern Mediterranean cultures in the first millennium BCE were meaningfully connected. The early first millennium BCE marks one of the most culturally diverse periods in the history of the eastern Mediterranean. Surveying the region from Greece to Iraq, one finds a host of cultures and political formations, all distinct, yet all visibly connected in meaningful ways. These include the early polities of Geometric period Greece, the Phrygian kingdom of central Anatolia, the Syro-Anatolian city-states, the seafaring Phoenicians and the biblical Israelites of the southern Levant, Egypt’s Twenty-first through Twenty-fifth Dynasties, the Urartian kingdom of the eastern Anatolian highlands, and the expansionary Neo-Assyrian Empire of northern Mesopotamia. This volume adopts an interdisciplinary approach to understanding the social and political significance of how interregional networks operated within and between Mediterranean cultures during that era.
Etruria and Anatolia by Elizabeth P. Baughan,Lisa C. Pieraccini Pdf
Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800 – 300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.
Continuity and Change in Etruscan Domestic Architecture by Paul M. Miller Pdf
Etruscan architecture underwent various changes between the later Iron Age and the Archaic period. This book reconsiders these changes by focusing on the building materials and techniques used in the construction of domestic structures.
Mesopotamia in the Ancient World by Robert Rollinger,Erik van Dongen Pdf
The Melammu Project, founded in 1998, organized five successive conferences and a sixth in 2008. Melammu Symposia 7 now represents a new dawn for the project publishing the contributions of the meeting in Obergurgl in November 2013. This time it will not be an isolated event: Further conferences have already taken place and been planned (Kiel 2014, Helsinki and Tartu 2015, Kassel 2016, and Beirut 2017), the project board has been renewed, reinvigorated and rejuvenated, and plans are underway for a thorough reworking and updating of the project database. Its focus (now slightly reworded to be somewhat wider) is to investigate "the continuity, transformation and diffusion of Mesopotamian and Ancient Near Eastern culture from the third millennium BCE through the ancient world until Islamic times" (quoted from the Melammu Project website). Of course, Mesopotamia was not the source of all culture; but it was an important area in ancient history, that without doubt deserves such a project, dedicated to the study of its cultural impact and heritage. This volume assembles 42 contributions devoted to the topics "Prayers and Incantations", "Foreign Reception of Mesopotamian Objects", "The Use of Literary Figures of Speech", "Mesopotamia and the World", "The World of Politics", "Iran and Early Islam", and "Representations of Power".
Author : Brian A. Brown,Marian H. Feldman Publisher : Walter de Gruyter Page : 842 pages File Size : 54,5 Mb Release : 2013-12-13 Category : Art ISBN : 9781614510352
Critical Approaches to Ancient Near Eastern Art by Brian A. Brown,Marian H. Feldman Pdf
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
A Short History of the Etruscans by Corinna Riva Pdf
Of all civilizations of the ancient Mediterranean, it is perhaps the Etruscans who hold the greatest allure. This is fundamentally because, unlike their Greek and Latin neighbours, the Etruscans left no textual sources to posterity. The only direct evidence for studying them and for understanding their culture is the archaeological, and to a much lesser extent, epigraphic record. The Etruscans must therefore be approached as if they were a prehistoric people; and the enormous wealth of Etruscan visual and material culture must speak for them. Yet they offer glimpses, in the record left by Greek and Roman authors, that they were literate and far from primordial: indeed, that their written histories were greatly admired by the Romans themselves. Applying fresh archaeological discoveries and new insights, A Short History of the Etruscans engagingly conducts the reader through the birth, growth and demise of this fascinating and enigmatic ancient people, whose nemesis was the growing power of Rome. Exploring the 'discovery' of the Etruscans from the Renaissance onwards, Corinna Riva discusses the mysterious Etruscan language, which long remained wholly indecipherable; the Etruscan landscape; the 6th-century growth of Etruscan cities and Mediterranean trade. Close attention is also paid to religion and ritual; sanctuaries and monumental grave sites; and the fatal incorporation of Etruria into Rome's political orbit.
The Oxford Handbook of the Phoenician and Punic Mediterranean by Carolina López-Ruiz,Brian R. Doak Pdf
The Phoenicians created the Mediterranean world as we know it--yet they remain a poorly understood group. In this Handbook, the first of its kind in English, readers will find expert essays covering the history, culture, and areas of settlement throughout the Phoenician and Punic world.
Phoenicians and the Making of the Mediterranean by Carolina López-Ruiz Pdf
“An important new book...offers a powerful call for historians of the ancient Mediterranean to consider their implicit biases in writing ancient history and it provides an example of how more inclusive histories may be written.” —Denise Demetriou, New England Classical Journal “With a light touch and a masterful command of the literature, López-Ruiz replaces old ideas with a subtle and more accurate account of the extensive cross-cultural exchange patterns and economy driven by the Phoenician trade networks that ‘re-wired’ the Mediterranean world. A must read.” —J. G. Manning, author of The Open Sea “[A] substantial and important contribution...to the ancient history of the Mediterranean. López-Ruiz’s work does justice to the Phoenicians’ role in shaping Mediterranean culture by providing rational and factual argumentation and by setting the record straight.” —Hélène Sader, Bryn Mawr Classical Review Imagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography. Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
Tartessos and the Phoenicians in Iberia by Sebastián Celestino,Carolina López-Ruiz Pdf
This is the first book in English about the earliest historical civilization in the western Mediterranean, known as "Tartessos." Endowed with extraordinary wealth in metals and strategically positioned between the Atlantic and Mediterranean trading routes at the time of Greek and Phoenician colonial expansion, Tartessos flourished in the eight-seventh centuries BCE. Tartessos became a literate, sophisticated, urban culture in southwestern Iberia (today's Spain and Portugal), enriched by commercial contacts with the Aegean and the Levant since at least the ninth century. In its material culture (architecture, grave goods, sanctuaries, plastic arts), we see how native elements combined with imported "orientalizing" innovations introduced by the Phoenicians. Historians of the rank of Herodotos and Livy, geographers such as Strabo and Pliny, Greek and Punic periploi and perhaps even Phoenician and Hebrew texts, testify to the power, wealth, and prominence of this westernmost Mediterranean civilization. Archaeologists, in turn, have demonstrated the existence of a fascinating complex society with both strong local roots and international flare. Yet for still-mysterious reasons, Tartessos did not attain a "Classical" period like its peer emerging cultures did at the same time (Etruscans, Romans, Greeks). This book combines the expertise of its two authors in archaeology, philology, and cultural history to present a comprehensive, coherent, theoretically up-to-date, and informative overview of the discovery, sources, and debates surrounding this puzzling culture of ancient Iberia and its complex hybrid identity vis-à-vis the western Phoenicians. This book will be of great interest to students of the classics, archaeology and ancient history, Phoenician-Punic studies, colonization and cultural contact.
Author : S. Rebecca Martin Publisher : University of Pennsylvania Press Page : 320 pages File Size : 44,9 Mb Release : 2017-04-21 Category : Art ISBN : 9780812293944
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history.
Ancient Samnium focuses on the region of Samnium in Italy, where a rich blend of historical, literary, epigraphic, numismatic, and archaeological evidence supports a fresh perspective on the complexity and dynamism of a part of the ancient Mediterranean that is normally regarded as marginal. This volume presents new ways of looking at ancient Italian communities that did not leave written accounts about themselves but played a key role in the early development of Rome, first as staunch opponents and later as key allies. It combines written and archaeological evidence to form a new understanding of the ancient inhabitants of Samnium during the last six centuries BC, how they identified themselves, how they developed unique forms of social and political organisation, and how they became entangled with Rome's expanding power and the impact that this had on their daily lives.
