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Author : Matthew Brown
Publisher : Oxford University Press, USA
Page : 208 pages
File Size : 55,9 Mb
Release : 2003
Category : Language Arts & Disciplines
ISBN : 0198161999
This text offers a study of Debussy's Iberia.
Author : Anonim
Publisher : Nieweg Performance Editions
Page : 0 pages
File Size : 46,6 Mb
Release : 2023-08
Category : Music
ISBN : 9798888526491
Claude Debussy (1862-1918) had originally intended for Images pour orchestre to be a sequel to the first set if Images for solo piano. However, around 1905, he had decided to orchestrate the compositions rather than set them for two pianos working on them between 1905-1912. The work is written in three movements: I. Gigues, II. Ibéria, and III. Rondes de printemps (Round dances of spring). But each of the three movements are customarily performed individually much as they were published. The most popular is the Spain-inspired second movement, Ibéria, which itself is broken into three movements written between 1905 and 1908. Premiering February 20, 1910 at the Théâtre du Châtelet in Paris by the Orchestre de Concerts Colonne under Gabriel Pierné, Ibéria was praised by Manuel de Falla for its authentic Spanish flavor and spirit, though Debussy had only spend a few hours in the country. Instrumentation: 3(3rd dPicc)+Picc.2+EH.3.3+CtrBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Clst: Str (9-8-7-6-5 in set).
Author : Mark DeVoto
Publisher : Pendragon Press
Page : 244 pages
File Size : 51,7 Mb
Release : 2004
Category : Juvenile Nonfiction
ISBN : 1576470903
This new book on Debussy's music comprises analytical studies of individual works not widely examined previously, including the Fantaisie for piano and orchestra, La demoiselle élue, Nuages, and Gigues. A discussion of the tonal structure of the first movement of La mer finds new relevance in the overused term symphonic in relation to Debussy's position in the history of French orchestral music. An extensive essay documents Debussy's aural images in his propensity for recycling his own musical ideas and quoting the music of other composers. A final lighthearted chapter, Debussy and Ravel: How to Tell Them Apart, systematically addresses this century-old critics' conundrum.
Author : Anonim
Publisher : Unknown
Page : 900 pages
File Size : 43,8 Mb
Release : 1969
Category : Music
ISBN : UVA:X002164474
Author : Matthew Brown
Publisher : Indiana University Press
Page : 238 pages
File Size : 42,7 Mb
Release : 2012-04-09
Category : Biography & Autobiography
ISBN : 9780253357168
"In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.
Author : KathrynBailey Puffett
Publisher : Routledge
Page : 830 pages
File Size : 55,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351569743
'I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my mind working, what sets off my imagination.' Derrick Puffett's description to a group of Cambridge graduate students of his approach to listening and writing about music is clearly evident in the articles reprinted in this collection. For the first time, the book makes available in one place writings previously widely dispersed amongst many journals and symposia. Resonances emerge that cross from essay to essay, with the result that a larger, coherent project is revealed. Insistent on the need of music analysis to be accompanied by a wider historical knowledge, Puffett believed strongly that the methods to be adopted on each occasion must be dictated by the music at hand. His work on Bruckner, Strauss, Webern, Zemlinsky, Delius and Debussy is of enduring importance to the study of music. With a prose style distinguished for its elegance and clarity, Puffett's writings will enhance the understanding and enjoyment of the music that he discusses amongst students and teachers alike.
Author : Julian Johnson
Publisher : Oxford University Press
Page : 384 pages
File Size : 43,7 Mb
Release : 2020-01-10
Category : Music
ISBN : 9780190066833
Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought--the gap between language and our embodied relation to the world--but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them.
Author : Edward Lockspeiser
Publisher : Unknown
Page : 384 pages
File Size : 49,7 Mb
Release : 1962
Category : Composers
ISBN : UCSC:32106006129412
Author : James R. Briscoe
Publisher : Yale University Press
Page : 316 pages
File Size : 40,6 Mb
Release : 1999-01-01
Category : Music
ISBN : 9780300076264
Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.
Author : Gillian Opstad
Publisher : Boydell & Brewer
Page : 403 pages
File Size : 54,8 Mb
Release : 2022
Category : Biography & Autobiography
ISBN : 9781783276585
Emma Bardac and her relationship with Claude Debussy take centre stage in this insightful exploration of their lives together. The singer Emma Bardac (1862-1934) has often been presented as a woman who ensnared Claude Debussy (1862-1918) because she wanted to be associated with his fame and to live a life of luxury. Indeed, in many biographies and composer-related studies of Debussy, the only mentions that she receives are brief and derogatory. Here Emma Bardac and her relationship with the composer take centre stage. The book traces Emma's Jewish ancestry and her background, the significant role of her wealthy uncle Osiris, her marriage at seventeen to the wealthy Jewish banker Sigismond Bardac, her affair with Gabriel Fauré and her liaison with and subsequent marriage to Debussy. As Gillian Opstad shows, the pressure and stifling effects of domestic life on Debussy's attitude to his composing were considerable. The financial consequences of their partnership were disastrous, and their circle of close friends was small. Emma suffered physically and mentally from the tensions of the marriage, particularly money worries, and the possibility that Debussy was attracted to her older daughter. She considered divorce but supported him through his deepest depression and during the First World War until he succumbed to cancer in 1918. After Debussy's death, Emma felt driven both on his behalf and for financial reasons to further performances of the composer's works and provoked the annoyance of other musicians by having early compositions resurrected, completed and performed. In this engagingly written biography, Gillian Opstad brings to light little-known facts about Emma's background and family, advances new insights into her relationship with Debussy, and provides a glimpse of an early twentieth-century Parisian milieu that experienced wide-spread antisemitism.
Author : Deborah Priest
Publisher : Routledge
Page : 342 pages
File Size : 53,6 Mb
Release : 2019-05-23
Category : Music
ISBN : 9780429787881
First published in 1999, this is the first study of the noted French music critic and scholar Louis Laloy, and the first collection of his writings. His writings were unique in their time and have never previously been translated. Laloy’s ideas on Debussy, Ravel and Stravinsky are presented here with an introduction by Deborah Priest to each extract, placing it in the context of the period and the composer’s work. Detailed annotations explain technical and cultural references. As a friend of all three composers, but especially of Debussy, Laloy wrote with great authority and influence: his work provides recollections, analytical insights, and insights into reception and performance practice. His erudition and wide range of reference make for fascinating and enlightening reading about the period. Deborah Priest provides a detailed introduction which sets Laloy’s work against the background of the Paris music scene from 1900- 1940.
Author : Library of Congress
Publisher : Unknown
Page : 890 pages
File Size : 45,9 Mb
Release : 1963
Category : Audio-visual materials
ISBN : UOM:39015024177274
A cumulative list of works represented by Library of Congress printed cards.
Author : Kerry Murphy
Publisher : Routledge
Page : 323 pages
File Size : 50,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574174
This collection of essays by scholars of nineteenth- and early twentieth-century French music has been assembled in homage to the influential and inspirational French musicologist Fran?s Lesure who died in 2001. Lesure's immense erudition was legendary and spanned music from the sixteenth to the twentieth century. Two French composers who were particular foci in his scholarship were Berlioz and Debussy and this collection is based on scholarship around these two composers and the sources, contexts and legacies relating to their work.
Author : Simon Trezise
Publisher : Cambridge University Press
Page : 356 pages
File Size : 51,6 Mb
Release : 2003-06-19
Category : Biography & Autobiography
ISBN : 0521654785
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Author : Richard Langham Smith
Publisher : Cambridge University Press
Page : 256 pages
File Size : 48,7 Mb
Release : 1997-04-10
Category : Music
ISBN : 0521460905
A collection of essays on Debussy exploring his working methods, visual tastes and his performance practice.
