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"We weren't religious per se. The most frequent mention of God in our house was my mother yelling 'Goddammit!'" Elisa Bernick grew up "different" (i.e., Jewish) in the white, Christian suburb of New Hope, Minnesota during the 1960s and early 1970s. At the center of her world was her mother, Arlene, who was a foul-mouthed, red-headed, suburban Samson who ultimately shook the walls of their family until it collapsed. Poignant and provocative, Departure Stories peers through the broader lens of Minnesota's recent history to reveal an intergenerational journey through trauma that unraveled the Bernick family and many others. Deftly interweaving reporting, archival material, memoir, jokes, scrapbook fragments, personal commentary, and one very special Waikiki Meatballs recipe, Bernick explores how the invisible baggage of place and memory, Minnesota's uniquely antisemitic history, and the cultural shifts of feminism and changing marital expectations contributed to her family's eventual implosion. Departure Stories: Betty Crocker Made Matzoh Balls (and other lies) is a personal exploration of erasure, immigrants, and exiles that examines the ways departures—from places, families and memory—have far-reaching effects.
Departure Story is a coming-of-age novel about a young Guyanese girl named Celestine who wins a scholarship to study at a small liberal arts school in middle America, leaving her broken, dysfunctional family behind. In the midst of an awkward adjustment period, she receives news that her uncle, a notable Guyanese politician, has been shot dead in an act of political violence. Feeling lost in a state of grief, Celestine decides to join the Student Council Diversity Committee, hoping to learn more about the democratic values that her home country's government has been modeled after. She takes up the cause of trying to save an African dance group on campus that is soon to lose its instructor. Tired of going by the book and being ignored, Celestine takes matters into her own hands, ruffling the feathers of the powers that be on campus and alienating so-called friends in the process, all while dealing with her first love, her first heartbreak, and investigating a family secret that she might not actually want to know.
Winner of the Flannery O'Connor Award for Short Fiction. Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider's world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. Fully aware of the dangers that await us all — loneliness, commitment, heartbreak, love — the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
Departure Time is the amazing journey of a girl in two stories. The girl in the hotel with the fox and the rat, and the girl whose father travels a lot, who suggests they write a story together, a story about talking animals. She doesn't want to. She is angry with him, because he can't make it home in time for her birthday. Again. Still, the two stories start to intertwine and come together in a surprising ending.
" Twenty-six alphabets, twenty-six names, and twenty-six short stories. Each exploring one unique emotion, taking you into the dark recess of the mind. Some frothy and most of them dark. Most standing alone and some facing a mirror, where the same story comes alive in two different ways, through two different protagonist . Meet myriad characters - from the single-minded prostitute to the man on the railways station bereft of any memory; a woman desperate for a biological child to a dead man's trial. Meet a jealous lover with a twisted brain and a gay man's memory of a one-night encounter. Meet twenty-six such characters arrested and sentenced for life inside the pages of a book. Each one leaving an indelible mark on your soul.. "
Point of Departure offers a practical metacognitive and transformational learning strategy for human surviving and thriving. Using five foundational and interactive Indigenous worldview beliefs that contrast sharply with our dominant worldview ones, everyone can reclaim the original instructions for living on Earth. Without the resulting change in consciousness that can emerge from this learning approach, no modern technologies can save us. The five foundational Indigenous precepts relate to a radically different understanding about: (1) Trance?based learning (2) Courage and Fearlessness (3) Community Oriented Self?Authorship (4) Sacred Communications (5) Nature as Ultimate Teacher Praise for Point of Departure: Four Arrows provides a quintessential critique of how the collective human departure of modern society from “Indigenous Consciousness” has led to the current wholesale exploitation and destruction of “Indigenous Nature” ... while providing the impetus for the urgency of a return to the “Indigenous Mind” as one of the true pathways for our future survival. ~ Greg Cajete Director of Native American Studies, University of New Mexico. Author of Native Science and Look to the Mountain Recognizing the disastrous consequences of the dominant worldview pervading global society, Four Arrows teaches metacognitive strategies to help shift us back toward the Indigenous worldview—the only worldview that can restore balance amidst planetary crisis. With his characteristic insight, he reminds us that interconnectedness with all of creation is the basis of courage that will help each of us, Indigenous and non?Indigenous alike, rise to action in defense of Mother Earth. ~ Waziyatawin Dakota author and activist from Pezihutazizi K’api Makoce (Land Where They Dig for Yellow Medicine) in southwestern Minnesota Four Arrows continues to open our eyes to the possibility of a new society, one founded on the empirical data of thousands of years and within the paradigms of traditional wisdom and the people connected to all of life—theirs, ours, animal brethren and Mother Earth. Point of Departure is a MUST read for anyone who wants to be part of the solution. ~ Rebecca Adamson Founder/President First Peoples Worldwide Anyone who is even slightly Indigenous will nod in recognition all the way through Point of Departure. Using the four sacred directions as cognitive bridges into the circle of all, Four Arrows walks the reader through trance?based, Transformative learning; courage, Indian?style, as connection - not fear-based; and the Indigenous grammar of communication and truth-telling, with neither restricted to humans. Then, binding the hoop together for “all our relations,” Four Arrows recommends re-acquaintance with Nature. The handy “take?away” discussions and “how?to” manuals concluding each discussion draw the reader into the circle, if only the reader is willing. ~ Barbara Alice Mann Associate Professor of Humanities, University of Toledo. Author of Spirits of Blood, Spirits of Breath: The Twinned Cosmos of Indigenous America
Winner of the Philip K. Dick Award: Nineteen stories of power and humanity from a science fiction master with otherworldly talent In a small house in the desert, a chimp named Rachel watches Tarzan on TV. Although her body is an ape’s, her mind is something different—a hybrid between those of a chimpanzee and a young girl. When his wife and child died, the doctor who created Rachel implanted his daughter’s brain into that of the chimp. Rachel remembers the jungle; she remembers high school. And when her father passes away, she will embark on the adventure of a lifetime. The Nebula Award–winning novella “Rachel in Love” anchors this haunting collection of stories, along with nominees “Bones” and “Dead Men on TV.” Pat Murphy, whose electric imagination is a testament to how wonderful science fiction can be, writes characters who struggle with alien lovers, vegetative wives, and the burden of seeing into the future. And always, like Rachel, they search for something more: not just what it means to be human, but what it is to be alive.
The Sudden Departure of the Frasers by Louise Candlish Pdf
FROM THE AUTHOR OF ITV'S OUR HOUSE COMES ANOTHER ADDICTIVE PSYCHOLOGICAL SUSPENSE YOU SIMPLY CAN'T PUT DOWN 'The best book I have read all year . . . keeps you guessing until the end' 5***** READER REVIEW 'I was gripped by this book' 5***** READER REVIEW ________ My name is Amber Fraser. I've just moved in at Number 40, Lime Park Road. You'll think of me as a loving wife, a thoughtful neighbour and a trusted friend. But this is a lie. When Christy and Joe Davenport are handed the keys to Number 40 on picture-perfect Lime Park Road, it should be a dream come true. But it's strange that the house was on the market for such a low price. And that the previous owners, the Frasers, had renovated the entire property yet moved out within a year. And that none of the neighbours will talk to Christy. As her curiosity begins to give way to obsession, Christy finds herself drawn deeper into the mystery of the house's previous occupants - and the dark and shocking secret that tore the street apart . . . ________ 'Hints of Rear Window . . . addictive and fun . . . it will keep you guessing until the end' Stylist 'Brilliantly obsessive' Red 'Tense and intriguing' Woman & Home 'Pacy and claustrophobic' Fabulous 'Smart and perceptive' Good Housekeeping
In a world devoid of hope, is revenge the only way out? The Argus Space Station looks down on a nightmarish Earth. And from here, the Committee enforces its despotic rule. It governs a corrupt world, where the poor are starving – and are policed by mechanized overseers wielding identity-reader guns. There are also too many people and too few resources, so the Committee has decided twelve billion people must die. So they prepare to unleash the full power of their Station’s weaponry to make this happen. Alan Saul wakes to this world, confined in a crate bound for a Calais incinerator. He doesn’t know why he’s there; he only remembers pain and his tormentor’s face. And he has company: Janus, a rogue intelligence, who is inhabiting forbidden hardware in his skull. As Janus shows his host a damaged Earth, Saul resolves to discover who he was – and kill his interrogator. Next he will take on the Committee and topple their debased regime. The Departure is the first fast-paced book in the Owner trilogy by acclaimed science fiction author Neal Asher. 'Delivers plenty of thrills' – SFX 'Fast, dramatic stuff . . . rapid pace, great action, messy consequences' – SFFWorld 'I had an absolute blast with this book . . . his work really does get better and better' – FalcataTimes
"We weren't religious per se. The most frequent mention of God in our house was my mother yelling 'Goddammit!'" Elisa Bernick grew up "different" (i.e., Jewish) in the white, Christian suburb of New Hope, Minnesota during the 1960s and early 1970s. At the center of her world was her mother, Arlene, who was a foul-mouthed, red-headed, suburban Samson who ultimately shook the walls of their family until it collapsed. Poignant and provocative, Departure Stories peers through the broader lens of Minnesota's recent history to reveal an intergenerational journey through trauma that unraveled the Bernick family and many others. Deftly interweaving reporting, archival material, memoir, jokes, scrapbook fragments, personal commentary, and one very special Waikiki Meatballs recipe, Bernick explores how the invisible baggage of place and memory, Minnesota's uniquely antisemitic history, and the cultural shifts of feminism and changing marital expectations contributed to her family's eventual implosion. Departure Stories: Betty Crocker Made Matzoh Balls (and other lies) is a personal exploration of erasure, immigrants, and exiles that examines the ways departures—from places, families and memory—have far-reaching effects.
Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider’s world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. In “Hurley,” the title character is a would-be revolutionary who unsuccessfully tries to explain “the difference between erotica and violence against women” to a clerk at a pornography shop called The Fifth Wheel. “Florence Wearnse” centers on a spinster of the World War I generation who goes deaf “to escape the listening, so tired had she grown of stocks and bonds, whooping cough, motor cars, weddings, the Kentucky Derby.” A bizarre friendship between a former psychiatric war orderly with an interest in sadism and an obese mental patient who sublimates his needs by eating lemon meringue pie is featured in “Ralph and Larry.” As the title of the collection suggests, many of the stories deal with loss or failed relationships. In “Voici! Henri!,” a story set in Paris, an aging Englishman contemplates life without his young lover, Henri, who has left Switzerland with a wealthy baron. “Let Me Tell You How I Met My First Husband, the Clown!” is a bittersweet rememberance of a Jewish woman’s first marriage to “Daniel Muldoon: One-Man Flying Circus,” a man she believes was “a sort of Ba’al Shem Tov with laughing children on his shoulders, a man whom God has put on this earth to show us the study of Talmud was not the only path.” “At Home with the Pelletiers” chronicles the disintegration of a St. Louis family after the oldest son, Walter, returns home from Marine Corps boot camp during the Vietnam War. Younger brother Howard prefers the Jane Fonda he sees on the nightly news to the actress who played Barbarella and feels uncomfortably at odds with the militaristic Walter, whose stories about war atrocities and sex Howard finds frighteningly similar. Fully aware of the dangers that await us all-loneliness, commitment, heartbreak, love-the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
From the author of the #1 bestselling The Atlantis Gene comes a new novel in which the world’s past and future rests in the hands of five unwitting strangers in this definitive edition of A. G. Riddle's time-traveling, mind-bending speculative thriller. En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind. Struggling to stay alive, the survivors soon realize that the world they’ve crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home? Five passengers seem to hold clues about what’s really going on: writer Harper Lane, venture capitalist Nick Stone, German genetic researcher Sabrina Schröder, computer scientist Yul Tan, and Grayson Shaw, the son of a billionaire philanthropist. As more facts about the crash emerge, it becomes clear that some in this group know more than they’re letting on—answers that will lead Harper and Nick to uncover a far-reaching conspiracy involving their own lives. As they begin to piece together the truth, they discover they have the power to change the future and the past—to save our world . . . or end it. A wildly inventive and propulsive adventure full of hairpin twists, Departure is a thrilling tale that weaves together power, ambition, fate, memory, and love, from a bold and visionary talent.
The Great Departure: Mass Migration from Eastern Europe and the Making of the Free World by Tara Zahra Pdf
"Zahra handles this immensely complicated and multidimensional history with remarkable clarity and feeling." —Robert Levgold, Foreign Affairs Between 1846 and 1940, more than 50 million Europeans moved to the Americas in one of the largest migrations of human history, emptying out villages and irrevocably changing both their new homes and the ones they left behind. With a keen historical perspective on the most consequential social phenomenon of the twentieth century, Tara Zahra shows how the policies that gave shape to this migration provided the precedent for future events such as the Holocaust, the closing of the Iron Curtain, and the tragedies of ethnic cleansing. In the epilogue, she places the current refugee crisis within the longer history of migration.
The Complete Owner Trilogy by Neal Asher, including The Departure, Zero Point, and Jupiter War. The Departure: Visible in the night sky the Argus Station, its twin smelting plants like glowing eyes, looks down on nightmare Earth. From Argus the Committee keep an oppressive control: citizens are watched by cams systems and political officers, it's a world inhabited by shepherds, reader guns, razor birds and the brutal Inspectorate with its white tiled cells and pain inducers. Soon the Committee will have the power to edit human minds, but not yet, twelve billion human being need to die before Earth can be stabilized, but by turning large portions of Earth into concentration camps this is achievable, especially when the Argus satellite laser network comes fully online . . . This is the world Alan Saul wakes to in his crate on the conveyor to the Calais incinerator. How he got there he does not know, but he does remember the pain and the face of his interrogator. Informed by Janus, through the hardware implanted in his skull, about the world as it is now Saul is determined to destroy it, just as soon as he has found out who he was, and killed his interrogator . . . Zero Point: Earth’s Zero Asset citizens no longer face extermination from orbit. Thanks to Alan Saul, the Committee’s network of control is a smoking ruin and its robotic enforcers lie dormant. But power abhors a vacuum and, scrambling from the wreckage, comes the ruthless Serene Galahad. She must act while the last vestiges of Committee infrastructure remain intact – and she has the means to ensure command is hers. On Mars, Var Delex fights for the survival of Antares Base, while the Argus Space Station hurls towards the red planet. And she knows whomever, or whatever, trashed Earth is still aboard. Var must save the base, while also dealing with the first signs of rebellion. And aboard Argus Station, Alan Saul’s mind has expanded into the local computer network. In the process, he uncovers the ghastly experiments of the Humanoid Unit Development, the possibility of eternal life, and a madman who may hold the keys to interstellar flight. But Earth’s agents are closer than Saul thinks, and the killing will soon begin. Jupiter War: Alan Saul is now part-human and part-machine, and our solar system isn't big enough to hold him. He craves the stars, but can't leave yet. His sister Var is trapped on Mars, on the wrong side of a rebellion, and Saul's human side won't let her die. He must leave Argus Station to stage a dangerous rescue -- but mutiny is brewing onboard, as Saul's robots make his crew feel increasingly redundant. Serene Galahad will do anything to prevent Saul's escape. Earth’s ruthless dictator hides her crimes from a cowed populace as she readies new warships for pursuit. She aims to crush her enemy in a terrifying display of interstellar violence. Meanwhile, The Scourge limps back to earth, its crew slaughtered, its mission to annihilate Saul a disaster. There are survivors, but while one seeks Galahad's death, Clay Ruger will negotiate for his life. Events build to a climax as Ruger holds humanity’s greatest prize -- seeds to rebuild a dying Earth. This stolen gene-bank data will come at a price, but what will Galahad pay for humanity’s future?
