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Cassandra Hall meets her new lover at a Greenwich Village poetry reading and learns that he's a vampire. Soon Cassandra descends into a deeper realm of exotic thirst and unspeakable passion, where she must confront the dark side of her own sexuality . . . and a beautiful rival who threatens her earthly soul.
From the Conquest of the Desert to Sustainable Development by Ilanit Ben-Dor Derimian Pdf
The Negev desert occupies most of the territory of Israel. It has a strategic importance for the existence of the center of the country and at the same time is considered as a natural wild periphery. Since the 1920s, there was a tendency to conquer and flourish the desert, while since the 1980s, the ecological values gained importance. This manuscript reveals the relationship between man and his environment, employing texts analysis according to the ecocriticism approach. The study shows how as part of globalization processes, the status of collectivism in Israeli society was declined whereas the ability of social groups to influence the spatial identity construction has increased. Dr. Ilanit Ben-Dor Derimian, lecturer specialized in Israel and Jewish culture and history studies, member of the Research Center of Foreign Cultures, Languages and Literatures (CECILLE), University of Lille, France.
The story of Alamein - one of the pivotal battles of the Second World War, but also one of the most hotly debated in the years since: how it was fought, how it has been remembered, and what it means for us today
Thirst: The Desert Trilogy by Shulamith Hareven Pdf
Thirst: The Desert Trilogy contains three of Shulamith Hareven’s greatest works: The Miracle Hater, Prophet, and After Childhood. Each of these novellas explores the relationship of the individual to God and society. Hareven writes with great sympathy for the outsider and the rebel, as she explores with subtlety and depth how individuals relate to nature, to society, and especially to the divine. While the three novellas are set in the Biblical period, the author’s authority and conviction render them both timeless and timely. In Thirst, Hareven achieves her greatest work, bringing vivid drama, characterization, and emotion into high relief against an unforgettable desert backdrop. Reviews “The success of Thirst rests entirely on the author's evocative and lush prose.” —The New York Times “These are apocryphal tales that, at their best, possess a shimmering, timeless quality.” —Publishers Weekly Shulamith Hareven was born in Warsaw, Poland but grew up in Jerusalem, where she lived until her passing in 2003. A writer, translator, and activist, Hareven served as a writer-in-residence at the Hebrew University in Jerusalem and was the first female member of the Academy of the Hebrew language. In 1962, she published her first book, a poetry volume titled Predatory Jerusalem. After that, she wrote and translated prose books and plays. She published essays and articles about Israeli society and culture in literary journals Masa, Orlogin, and Keshet, and in newspapers Al Ha-Mishmar, Maariv, and Yedioth Ahronoth. Her books have been translated into twenty-one languages. Hareven was an activist for Peace Now, and in 1995, the French weekly L'Express listed her among the 100 women "who move the world.” Hillel Halkin is an American-born Israeli translator, biographer, literary critic, and novelist, who has lived in Israel since 1970. Halkin translates from Hebrew and Yiddish literature into English. He has translated Sholem Aleichem's Tevye the Dairyman, and major Hebrew and Israeli novelists, among them Yosef Haim Brenner, S. Y. Agnon, Shulamith Hareven, A. B. Yehoshua, Amos Oz, and Meir Shalev.
Historical Dictionary of Middle Eastern Cinema by Terri Ginsberg,Chris Lippard Pdf
The Historical Dictionary of Middle Eastern Cinema covers the production and exhibition of cinema in the Middle East and in other communities whose heritage is from the region and whose films commonly reflect this background. It covers the cinemas of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabia, and Yemen. In addition, it includes the non-Arab states of Turkey and Iran, as well as the Jewish state of Israel.
The bestselling author’s “signature tender but sexy lovemaking scenes make this an all-around winner” in the trilogy that began with Midnight Sun (Booklist). It takes a certain kind of rough and tumble man to show a Sinclair girl how to ask for everything she wants . . . For Patience Sinclair, leaving the ivy-covered halls of Boston for the wide, open spaces of Texas means a chance to stop looking over her shoulder at every turn. Traveling incognito with the Triple C Rodeo is just what she needs to free her from a past that continues to haunt her. But she can’t avoid the undeniable presence of Dallas Kingman. The champion rider has a way of letting her know he’s watching her every move that makes her feel wild and reckless. As they make their way through the heart of the southwest, a series of mysterious accidents darkens the promise of the unknown into a vortex of fear and obsession, and Patience finds herself closer to danger than she could have ever imagined . . . Praise for Kat Martin “Kat Martin is a fast gun when it comes to storytelling, and I love her books.” —Linda Lael Miller, #1 New York Times bestselling author “A terrific storyteller.” —Booklist “It doesn’t matter what Martin’s characters are up against—she dishes up romantic suspense, sizzling sex and international intrigue.” —RT Book Reviews “[A] master of suspenseful romance.” —Publishers Weekly
In Princess, readers were shocked by Sultana's revelations about life in Saudi Arabia's royal family. Royal women live as virtual prisoners, surrounded by unimaginable wealth and luxury, privileged beyond belief, and yet subject to every whim of their husbands, fathers, and even their sons. Daughters of Arabia featured Sultana's teenage daughters, determined to rebel but in very different ways. And now, in Desert Royal, Sultana's fight for women's rights in a repressive, fundamentalist Islamic society, has an extra sense of urgency. The threat of world terrorism, the gathering strength of religious leaders and the discontent of impoverished Saudis are threatening to topple the comfortable world Sultana has known. But an extended family 'camping' trip in the desert brings Sultana and her relatives face to face with their nomadic roots, and nourishes her will to carry on the fight for women's rights in all Muslim countries. This updated edition contains an all-new chapter as well as a letter from Sultana herself, encouraging all women to take up the struggle for freedom for their abused sisters throughout the world.
On leave from the war, nurse Allison Wescott and British Intelligence Office Bret Holden finds themselves in Cairo, Egypt, in 1915, investigating a murder and searching for treasure.
The Routledge Companion to World Cinema by Rob Stone,Paul Cooke,Stephanie Dennison,Alex Marlow-Mann Pdf
The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.
In the first book of a visionary fantasy trilogy with its roots in the mythology of Africa and Arabia that “sings of rebellion, love, and the courage it takes to stand up to tyranny” (Samantha Shannon, author of The Priory of the Orange Tree), three women band together against a cruel empire that divides people by blood. “A game-changing new voice in epic fantasy . . . There are no Chosen Ones here, only bad choices and blood.”—Tasha Suri, author of The Jasmine Throne ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, Autostraddle Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible. Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes. Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdom—and their hearts. Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution. And when she joins forces with Sylah and Anoor, together these grains of sand will become a storm. As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn. Book One of The Ending Fire Trilogy
Torn Loyalties begins with the Lady Kiah's marriage into the House of Nasor. On her wedding day she learns that her cousin Zenobia will be marrying soon as well, to her husband's father, and will be following Kiah to her new home. The surprising marriage takes place, Zenobia moves in, and the new First Wives take over the reins of their respective households. The cousins create quite a stir, but special notice by the gods during the Spring Rites makes everyone uneasy. It is during this time that Kiah is reunited with someone she thought never to see again -- Atticus Lucius Aurelius, the Roman soldier who saved her from her own foolishness and impetuosity on a never to be forgotten day years earlier. The rise of a Persian king plunges the region into war; the downfall of Rome's Eastern Empire becomes a distinct possibility. Facing an enemy that attacks from within and without, rocked by personal pain and terrible tragedy, Kiah fights for the lives of her friends and family, for the people of Palmyra, and the shining city she has grown to love, known throughout the world as the 'Bride of the Desert'. Katrina Covington Whitmore has indulged her passion for writing throughout what she considers her four careers: as a reporter/producer at three commercial television stations; as a communications professor at three major universities; as the manager of a city cable channel; and as an author. Katrina resides in Phoenix, Arizona, with her husband Percy and her black cockapoo, Diamond. Publisher's website: http: //SBPRA.com/KatrinaCovingtonWhitmore
A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
