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Designing and Making Stage Costumes by Motley,Motley (pseud.),Michael Mullin Pdf
Written for the use of students and practitioners in the amateur and professional worlds of today's theatre, this handbook covers every aspect of a costume designer's work from preliminary sketches and discussions with a producer to cutting and trying on for Shakespeare and modern plays.
Written by a well-known costume designer, this book is for anyone who would like to create costumes for the theater, whatever their experience or their budget. Topics include understanding the structure and work of a theater company; making the best use of production meetings; coping with budgets; decoding the costume clues in a script; setting up and equipping a workroom; finding costumes at thrift shops and flea markets; altering modern clothes for period productions; using and adapting commercial patterns; and developing simple sewing skills. Tina Bicât has worked as a costume designer for The Royal National Theatre, The New York City Ballet, The English National Opera, as well as for fringe theater groups, television, and film.
This is an invaluable guide for anyone who designs, or aspires to design, costumes for stage productions. It explains the role of the costume designer, from understanding the script to realizing ideas on paper and in fabric. Among the topics covered are art and design materials; exercises for developing drawing skills; script and character analysis; the theater production process; and approaches to historical and modern dress productions. This excellent guide is complete with a fabric dictionary of textiles and their terms. Gary Thorne designs for repertory theater in Canada, England, and France. He is also the author of Stage Design: A Practical Guide.
The "New Stagecraft," which Motley helped to shape, replaced the painted, three-dimensional sets and realistic costumes of the nineteenth-century stage with fluid, representational scenery and evocative costumes. Together, the elements of the design formed a unified interpretation of the play. Motley's accomplishments were especially significant because they spanned both New York and London and set a standard for beauty and excellence in theatre design that lives on today in the work of their many students.
The Art and Practice of Costume Design by Melissa Merz Pdf
In The Art and Practice of Costume Design, a panel of seven designers offer a new multi-sided look at the current state and practice of theatrical costume design. Beginning with an exploration of the role of a Costume Designer, the subsequent chapters analyse and explore the psychology of dress, the principles and elements of design, how to create costume renderings, and collaboration within the production. The book also takes a look at the costume shop and the role of the designer within it, and costume design careers within theatrical and fashion industries.
Performance Costume by Sofia Pantouvaki,Peter McNeil Pdf
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance. This anthology draws on the experience of a global group of established researchers as well as emerging voices. Below is a list of just some of the things it achieves: 1. Introduces diverse perspectives, innovative new research methods and approaches for researching design and the costumed body in performance. 2. Contributes towards a new understanding of how costume actually 'performs' in time and space. 3. Offers new insights into existing practices, as well as creating a space of connection between practitioners and researchers from design, the humanities and social sciences.
COSTUME and DESIGN FOR DEVISED and PHYSICAL THEATRE by Tina Bicat Pdf
Costumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced for naturalistic performance. For those working in the field - whether professional or student - these differences present challenges that this book seeks to highlight and explain while offering effective solutions to overcome them. Includes: the differences between designing for scripted and for devised work; the specialized designing, cutting and making, and fitting of costumes for dance, circus and other physical work; the role of the designer/maker in the devising company; design invention in the rehearsal room; the management of both time and budget with the late changes that happen with devised work; the breadth of different skills used in the work for performance.
Comprehensive guide to designing, making, finding and using costumes for the stage. Includes information on working within budgets, creating costume design sets, managing wardrobes, research, and more.
Costume Design: The Basics provides an overview of the fundamental principles of theatrical costume design, from pre-production through opening night. Beginning with a discussion of what is costume design, why do people wear clothes, and what is the role of the costume designer, this book makes accessible the art and practice of costume design. Peppered with interviews with working costume designers, it provides an understanding of what it means to be a costume designer and offers a strong foundation for additional study. Readers will learn: How to use clues from the script to decipher a character’s wardrobe Methods used to sketch ideas using traditional or digital media How to discuss a concept with a team of directors, producers, and designers Strategies to use when collaborating with a professional costume shop How to maintain a healthy work/life balance Courses of action when working under a limited money and labor budget. Costume Design: The Basics is an ideal starting point for aspiring designers looking for ways to achieve the best costumes on stage and realize their vision into a visual story told through clothing.
Costume Design for Performance by Bettina John Pdf
Costume Design for Performance offers a detailed insight into the creative process behind designing costumes for the performing arts, including theatre, opera, dance and film. Guiding the reader through the essential steps of the designing process, Bettina John combines extensive knowledge of the industry with insights gleaned from leading experts in the performing arts. Featuring over 200 original artworks by more than thirty designers, this book gives a rare insight into this highly individual and creative process. Topics covered include script analysis; in-depth research techniques; practical techniques to explore design; basic drawing techniques; character development; the role of the costume designer and wider team and finally, advice on portfolio presentation.
