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Devotion to St. Anne in Texts and Images by Elena Ene D-Vasilescu Pdf
St. Anne was popular with representatives of various segments of society – from monks, nuns, members of the clergy, royal patrons, to church-goers of every rank. This book looks into both the public and private worship of this holy woman and brings to the surface some under-exposed aspects of it. It does so through the examination of manuscripts, monumental art, relics, sculpture, and texts of various genres. The contributors employ a historical as well as a theological perspective on how the cult of St. Anne (sometimes also with glimpses concerning that of Joachim) established itself, referring to areas in Europe which are not frequently discussed in English-language scholarship. This new contribution to the field of hagiography will be of interest to academics from a variety of research fields, including theologians, Byzantinists, art and church historians, and historians of a larger scope.
Author : Kathryn Ann Smith Publisher : University of Toronto Press Page : 396 pages File Size : 55,9 Mb Release : 2003-01-01 Category : Art ISBN : 0802086918
Art, Identity and Devotion in Fourteenth-century England by Kathryn Ann Smith Pdf
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
Saint Anne, the mother of Mary, is not a biblical figure. She first appears in a 2nd century apocryphal infancy gospel as part of the story of the saviour's birth and maternal ancestry. Mary's Mother is about the remarkable rise of Anne as a figure of devotion among medieval Christians who found solace in her closeness to Jesus and Mary.
Author : Michael Alan Anderson Publisher : Cambridge University Press Page : 365 pages File Size : 53,6 Mb Release : 2014-05-12 Category : Music ISBN : 9781107056244
From the cult of Saint Anne to the devotees of the Virgin of Guadalupe, from Saint Anthony who competed with Christ for popularity in Brazil, to Jesuits who mixed freely with shamans that talked with the gods, this exciting new anthology examines the conversion of the colonized. The essays examine how New World spirits transformed into Old World saints - for example, the spirit of love transfigured into the Virgin Mary - as well as the implications of the canonization of the first American saint. Colonial Saints illustrates the complex and intimate connections among confessional life writing, canonization, and the practices of the Inquisition. There was a dynamic exchange involving local agendas, the courts in Spain and France, and, of course, Rome. This bold collection clearly shows the interplay between slavery and spirituality, conversion and control, and the links between the sacred and the political.
The Cult of St. Anne in Medieval and Early Modern Europe by Jennifer Welsh Pdf
Dr Jennifer Welsh received her M.A. in Medieval Studies from Cornell University in 2000, and her M.A. and PhD in History from Duke University in 2004 and 2009. Her dissertation dealt with the cult of St. Anne in late medieval and early modern Europe. After four years as a Visiting Assistant Professor at the College of Charleston in Charleston, SC, she started working as an Assistant Professor in the Department of History at Lindenwood-University Belleville in Belleville, IL in August of 2014. This is her first book.
Migrations by Alexandra Barratt,Stephanie Hollis Pdf
Over two hundred items are catalogued in Medieval and Renaissance Manuscripts in New Zealand Collections (1989). Most are in institutional collections and were donated by late nineteenth- and early twentieth-century book collectors, notably Sir George Grey (1812–98), Governor and later Premier of New Zealand. Having been transported across the globe, the manuscripts have remained, for the most part, beyond the purview of northern hemisphere scholars. The contributors to this interdisciplinary collection of essays include international experts such as Christopher de Hamel, Richard Gameson, Margaret Manion and Michael Orr, curators of New Zealand manuscript collections, New Zealand academics, and a PhD student. Migrations has two main aims: to lodge the Early European manuscripts in New Zealand within the international discourse of postcolonial heritage; and to place them within the mainstream of manuscript studies by drawing attention to their intrinsic significance and their relationship with manuscripts held in overseas collections. Part One focuses on the motives and historical circumstances underlying the formation of the principal collections and the subsequent changes in the ways that this heritage has been regarded. Three of the essays centre upon the bibliophiles who donated their manuscripts to public libraries. Others consider specific manuscripts as indices of changing attitudes to European, particulary British, cultural heritage. National identity, pedagogy, and curatorial practices are among the issues canvassed. Part Two consists of new scholarly studies of particular manuscripts, which examine them in relation to the cultural and documentary context in which they were produced or transmitted. Manuscripts studied include: a twelfth-century copy of music treatises by Boethius and Guido of Arezzo, probably from Christ Church, Canterbury; a Perugian breviary owned by an Augustinian friar, Antonio da Macerata; a book of hours adapted for Scottish use (the Rossdhu Hours); and a fragment of an early fifteenth-century book of hours produced by a London workshop and added to the Hours of Margery Fitzherbert. “Migrations is an imaginative and ambitious contribution to twenty-first-century manuscript studies. Most notably, the editors have invited manuscript scholars to address the issues raised by the manuscripts' location: New Zealand itself and its colonial history become tools for thinking with - about dispersal, about cultural memory, about access, about the meanings ascribed to artefacts. The editors have assembled a distinguished group of scholars in order to produce a collection of essays that is a coherent whole and at the same time individually driven by the intellectual curiosity that is the true sign of distinction. The book is a triumph.” Professor Felicity Riddy, Deputy Vice-Chancellor and Professor of English, University of York “This excellent book makes a major contribution to the study of medieval manuscript collections in New Zealand, and will open up a little known area of extremely important material to an international audience. The quality of the scholarship throughout the book is very high, and the essays on the individual manuscripts present the material in the context of recent new approaches in the study of medieval and Early Modern manuscripts.” Nigel Morgan, Hon. Professor of Art History, University of Cambridge, Head of Research, Parker Library MSS Project, Corpus Christi College
Medieval and Renaissance viewers demanded art and architecture that provoked emotional and/or performative interactivity. The authors of these essays explore the history of this call and response from the view of both artists and devotees.
Vision, Devotion, and Self-Representation in Late Medieval Art by Alexa Sand Pdf
This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book. Beguiling because they appear to offer a direct view into the lives of medieval individuals - especially women - these are in fact religiously loaded images. They concern themselves with the relationship between visible images, visionary experience, and God's omnipresent vision, and thus strike at the very core of medieval Christian concerns about salvation and the efficacy of prayer.
St. Anne, the beloved Mother of Our Lady and Grandmother of Our Lord, has proved herself a heavenly helper for every need. She is especially invoked as Patroness of Mothers, Comfort of the Sorrowing, Mother of the Poor, Health of the Sick, Patroness of the Childless, Help of the Pregnant, Model of Married Women and Mothers, Protectress of Widows and Patroness of Laborers. 73 pgs, PB
"Women, Manuscripts and Identity in Northern Europe, 1350?550 " by JoniM. Hand Pdf
Author Joni M. Hand sheds light on the reasons women of the Valois courts from the mid-fourteenth to the mid-sixteenth century commissioned devotional manuscripts. Visually interpreting the non-text elements-portraits, coats of arms, and marginalia-as well as the texts, Hand explores how the manuscripts were used to express the women?s religious, political, and/or genealogical concerns. This study is arranged thematically according to the method in which the owner is represented. Recognizing the considerable influence these women had on the appearance of their books, Hand interrogates how the manuscripts became a means of self-expression beyond the realm of devotional practice. She reveals how noblewomen used their private devotional manuscripts as vehicles for self-definition, to reflect familial, political, and social concerns, and to preserve the devotional and cultural traditions of their families. Drawing on documentation of women?s book collections that has been buried within the inventories of their fathers, husbands, or sons, Hand explores how these women contributed to the cultural and spiritual character of the courts, and played an integral role in the formation and evolution of the royal libraries in Northern Europe.
In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting by Ingrid Falque Pdf
an interpretation of early Netherlandish paintings with devotional portraits according to which many of these images act as visualisation of the spiritual process of the sitters.
Handbook of Research on Issues, Challenges, and Opportunities in Sustainable Architecture by Ng, Veronica Foong Peng,Srirangam, Sucharita,Zainal Abidin, Siti Norzaini Pdf
Ensuring current and future architecture is both successfully and sustainably produced is critical for cities and communities to not only survive but thrive. Additionally, improving built environment practices is necessary to protect the world as well as its various populations. Further study on the current challenges and future directions of sustainable architecture is required in order to create a stronger, healthier society. The Handbook of Research on Issues, Challenges, and Opportunities in Sustainable Architecture discusses the role of architecture and the built environment on communities, ecology, and society; relevant issues related to the production of sustainable built environments; and the socio-cultural integration aspects of innovative architectural designs in urban settings. The book also addresses heritage practices, responses to climate action, and technology applications. Covering key topics such as energy efficiency, urban green spaces, and sustainable solutions, this reference work is ideal for policymakers, architects, industry professionals, researchers, scholars, academicians, practitioners, instructors, and students.
Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print by Kathryn M. Rudy Pdf
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.