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Digitizing the European Emblem by Peter Maurice Daly Pdf
This work addresses the issues and problems of rendering emblem books more accessible with modern technology. The most recent open sesame that has been heard is digitization, but it - like its predecessors - may open as many problems as it purports to solve.
The Emblem in Early Modern Europe by Peter M. Daly Pdf
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems following years of relative neglect. Beginning by considering some of the seldom asked, but important, questions that the study of emblems raises, including the importance of the emblem, the truth value of emblems, and the transmission of knowledge through emblems, the book then moves on to investigate more closely-focussed aspects such as the role of mnemonics, mottoes and visual rhetoric. The volume concludes with a review of some perhaps inadequately considered issues such as the role of Jesuits (who had a role in the publication of about a quarter of all known emblem books), and questions such as how these hybrid constructs were actually read and interpreted. Drawing upon a database containing records of 6,514 books of emblems and imprese, this study suggests new ways for scholars to approach important questions that have not yet been satisfactorily broached in the standard works on emblems.
The emblem, a Renaissance literary genre which combined text and image, conveyed erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century and quickly became established as a staple tool in religious, political, and social discourses across the major European languages. In recent years the emblem has come to be regarded by scholars working in all areas of the humanities and cultural studies as an interdisciplinary matrix of extraordinary utility in gaining insights into the mentalities and preoccupations of the early modern era. Within its apparently slender frame, the emblem embraces questions of foremost philological, semiotic, and iconographical importance, and encompasses ideas and assumptions of exceedingly far range and reach. This collection of essays attests to the pervasiveness of the emblem, both within Renaissance and Baroque Europe, and in those parts of the wider world where European influence came to bear. It seeks to follow the development of the emblem from its beginnings in various forms of bimedial artefact, from early illustrated books and hieroglyphs, to medals and ancient coins; we then witness its deployment as a propagandistic tool in the temporal and confessional disputes of Europe. Thereafter, the emblem appears in non-European contexts, emerging as a place of cultural exchange as it became assimilated within indigenous visual traditions. The latter parts of the book concentrate on the often subliminal role emblems played in diverse literary texts, as well as their ongoing vitality in praxis or in the burgeoning area of emblem scholarship within early modern studies.
The most strikingly missing piece of functionality in current digital editions is that of annotation. Digital editions should offer a facility where researchers can store structured and unstructured observations with respect to the edited texts. This book discusses a number of approaches to annotation systems in the context of the study of emblems, the sixteenth and seventeenth century literary genre that joins an image, a motto and an often moralizing epigram. When handled properly, annotation can become mesotext, text positioned between the annotated texts and the scholarly articles and monographs for which the annotations provide the evidence. In a digital context, it should be possible to navigate back and forth between annotated text, annotation and article. Peter Boot was born in 1961. He studied Mathematics in Leiden and Dutch Language and Culture in Utrecht, where he specialised in Older Dutch Literature. Since 2003 he has been employed at the Huygens Institute, where he works as a humanities computing consultant and researcher.
Companion to Emblem Studies by Peter Maurice Daly Pdf
Scholars in multiple disciplines now recognize the emblem as a significant expression of the cultural life of the Renaissance and the Baroque, reflecting a panoply of interests ranging from war to love, from religion to philosophy to politics, from the sciences to the occult, from social mores to encyclopedic knowledge, and from serious speculation to entertainment. Following Andrea Alciato's publication of the first emblem book in 1531, the form enjoyed its heyday in the seventeenth-century, appearing in speeches, sermons, and printed texts, but also in wall and ceiling decorations, jewelry, carvings, paintings, and other material expressions. Beyond this early boom, the emblem was again present in eighteenth-century title pages and frontispieces, and experienced twentieth-century manifestations during the ideological battles of both world wars and Quebec's attempt at secession from Canada. The Companion to Emblem Studies introduces the multiple forms that the emblem has taken through nearly five centuries of production, and offers an interdisciplinary and international assessment of the long history of this pervasive symbolic device. use those vernacular languages; on Alciato, the father and prince of emblems; on bibliography and theory; on the Jesuit and Neo Latin emblems, which cut across national groupings; on flags and tournaments; and on emblems in recent material culture, logos, and advertisements. The Companion features 130 illustrations and concludes with a Selective Bibliography for Further Reading, which includes works written in western European languages and expands the volume's usefulness for researchers and students in the field.
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Author : Timothy W. Cole,Myung-Ja K. Han Publisher : Bloomsbury Publishing USA Page : 403 pages File Size : 47,8 Mb Release : 2013-05-23 Category : Language Arts & Disciplines ISBN : 9781610692915
XML for Catalogers and Metadata Librarians by Timothy W. Cole,Myung-Ja K. Han Pdf
This book provides a foundation of knowledge for catalogers, metadata librarians, and library school students on the Extensible Markup Language (XML)one of the most commonly listed qualifications in today's cataloger and metadata librarian job postings. How are today's librarians to manage and describe the ever-expanding volumes of resources, in both digital and print formats? The use of XML in cataloging and metadata workflows can improve metadata quality, the consistency of cataloging workflows, and adherence to standards. This book is intended to enable current and future catalogers and metadata librarians to progress beyond a bare surface-level acquaintance with XML, thereby enabling them to integrate XML technologies more fully into their cataloging workflows. Building on the wealth of work on library descriptive practices, cataloging, and metadata, XML for Catalogers and Metadata Librarians explores the use of XML to serialize, process, share, and manage library catalog and metadata records. The authors' expert treatment of the topic is written to be accessible to those with little or no prior practical knowledge of or experience with how XML is used. Readers will gain an educated appreciation of the nuances of XML and grasp the benefit of more advanced and complex XML techniques as applied to applications relevant to catalogers and metadata librarians.
Studies in the Jesuit Emblem by G. Richard Dimler Pdf
The Jesuits produced more books on the topic of emblem studies than did any other identifiable group of writers, comprising a vast spectrum of subject matter with a wide diversity of structure and creating an enormous impact on seventeenth- and eighteenth-century culture. In his new book Studies in the Jesuit Emblem, G. Richard Dimler has gathered together selections from his past studies in Jesuit emblems, spanning some 25 years. His revised articles incorporate, among others, a wide array of topics including our state of knowledge of the Jesuit emblem book, Jesuit emblem theory, the genesis and the rise of the Jesuit Emblem, Jesuit reaction to Andrea Alciato, the Imago Primi Saeculi, Edmund Arwaker's translation of the Pia Desideria, as well as some specific Jesuit themes such as the bee-topos and the egg. Also included in the book are hitherto unpublished essays on Herman Hugo, the evolution of an Ignatiam emblem book, and a taxonomical inquiry into the eighteenth century Jesuit emblem.
During the Renaissance, European royalties and noblemen and their wives bore imprese to express their aspirations as marks of distinction. Cosimo de' Medici, for example, had nine, whereas Rudolf II had sixteen imprese. An impresa (French devise, English device) consisted of a motto, a picture, and an explication in either verse or prose in which the bearer was named and his intention explained by both the word and the image. Collections of imprese were printed to preserve the marks of nobility (similar to heraldry) and became patterns for painters and artisans who put pictures on paintings, frescoes, and tapestries, even on ceiling and floor tiles. Using this Index, a tourist may find a phoenix on a tapestry to be the impresa of Alienor of Austria, Queen of France, on page 89 of a collection by Claude Paradin. Paradin's Devises heroiques, like a few other collections (by Giovio, Simeoni, Pittoni, Ruscelli, Contile, Camilli, Cappacio, Bargagli, and Typotius), has no index of any kind, making serious study of its imprese difficult. Some do have indices, but these do not meet the standards of modern research. translations, pictures, significance, bearers, and subjects, along with cross-references to standard handbooks of Valeriano's Hieroglyphica (1602), Picinelli's Mondus symbolicus (1694), and Henkel and Schone's Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts (Stuttgart: J.B. Metzler, 1967, 1976, 1996). The Handbuch has become an indispensable tool in emblematic studies; it covers 40 emblem books with references to imprese from all ten collections indexed here. But without an impresa index of its own, it cannot identify an emblem by an impresa it has referenced. Appendix C of this Index, with references both from imprese to emblem books and from emblems to impresa books, will boost the usefulness of both research tools. This Index will be useful to impresa and emblem scholars, art and cultural historians, and even inquisitive tourists.
Illustrated Religious Texts in the North of Europe, 1500-1800 by Feike Dietz,Adam Morton,Lien Roggen Pdf
In recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe.
The Eighteenth Century by American Society for Eighteenth-Century Studies,Jim Springer Borck Pdf
This 17th volume from the series of bibliographies of the 18th century is divided into sections on: printing and bibliographic studies; historical, social and economic studies; philosophy, science and religion; the fine arts; literary studies; and individual authors.
