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Direct from Death Row, the Scottsboro Boys by Harley White, Jr.,Mark Stein Pdf
New York cab rides often make strange political bedfellows, as the opening scene of Mike Batistick's PORT AUTHORITY THROW DOWN illustrates. The angry dark-skinned taxi driver is a Pakistani man [Pervez] sick and tired of being mistaken for an Arab. The m This is theater at its thought-provoking, affecting best. --Newsweek.
Racial Spectacles: Explorations in Media, Race, and Justice examines the crucial role the media has played in circulating and shaping national dialogues about race through representations of crime and racialized violence. Jonathan Markovitz argues that mass media "racial spectacles" often work to shore up racist stereotypes, but that they also provide opportunities to challenge prevalent conceptions of race, and can be seized upon as vehicles for social protest. This book explores a series of mass media spectacles revolving around the news, prime-time television, Hollywood cinema, and the internet that have either relied upon, reconfigured, or helped to construct collective memories of race, crime, and (in)justice. The case studies explored include the Scottsboro interracial rape case of the 1930s, the Kobe Bryant rape case, the Los Angeles Police Department’s "Rampart scandal," the Abu Ghraib photographs, and a series of racist incidents at the University of California. This book will prove to be important not only for courses on race and media, but also for any reader interested in issues of the media's role in social justice.
The Routledge Companion to the Contemporary Musical by Jessica Sternfeld,Elizabeth L. Wollman Pdf
The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.
Blood on the Stage, 1950-1975 by Amnon Kabatchnik Pdf
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.
This offbeat slice of American history places the story of our great republic beneath an unexpected lens: that of fringe candidates for president of the United States. Mark Stein explores how their quest for our nation’s highest office helped to amplify voices otherwise quashed during their day. His careening tour through elections past includes the efforts of true pioneers in the quest for social equality in our country: the first woman to run for president, Victoria Woodhull in 1872; the first African American to run for president, George E. Taylor in 1904; and the first openly gay cross-dressing candidate for president, Joan Jett Blakk in 1992. But The Presidential Fringe also takes a look at those who would jest their way into the Oval Office, from comedians such as Will Rogers and Gracie Allen to Pat Paulsen and Stephen Colbert. Along the way, Stein shows how even seemingly zany candidates, such as “Live Forever” Jones, Vegetarian Party candidate John Maxwell, Flying Saucer Party candidate Gabriel Green, or, most recently, Vermin Supreme, provide extraordinary insights of clarity into who we were when they ran for president and how we became who we are today. Ultimately, Stein’s examination reveals that it was often precisely these fringe candidates who planted the seeds from which mainstream candidates later harvested genuine, positive change. Written in Stein’s direct and witty style, The Presidential Fringe surveys and portrays an American landscape rife with the unlikely, unassuming, unexpected, and (in a few cases) unbalanced presidential hopefuls who, in their own way, have contributed to this nation’s founding quest to form a more perfect Union.
The Best Men's Stage Monologues of 2007 by Lawrence Harbison Pdf
This latest in Smith and Kraus's popular series contains only material from published, readily available plays, all first published or produced in 2006/2007, and most appropriate for use by student actors and working actors in need of audition material. A partial list:BEL CANTO by Renee Flemings BFF by Anna Ziegler BLOOD ORANGE by David Wiener CAROL MULRONEY by Stephen Belber DARK PLAY; OR STORIES FOR BOYS by Carlos Murillo THE DARLINGS by Susan Eve Haar DEDICATION; OR by THE STUFF OF DREAMS by Terrence McNally DIRECT FROM DEATH ROW THE SCOTTSBORO BOYS by Mark Stein DISCONNECT by Rob Ackerman DRACULA RIDES AGAIN by Jeff Goode THE FIRST ANNUAL ACHADAMEE AWARDS by Alan Haehnel HOME FRONT by Greg Owens. Also gender-specific are The Best Men¿s Stage Monologues of 2007, and The Best Women¿s Stage Monologues of 2007, both edited by Lawrence Harbison. Some of the playwrights represented are familiar (Theresa Rebeck, A.R. Gurney, Terrence McNally), but much of the material is from new and emerging authors ¿ once again giving the performer access to well crafted, but not overexposed works. Stage Directions - Off The Shelf, May 2008
Blood on the Stage, 1975-2000 by Amnon Kabatchnik Pdf
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
This title examines an important historic event - the trials of the nine Scottsboro Boys that took place in Alabama. Easy-to-read, compelling text explores the history of America at the time of the trials, the accounts of the nine men on trial regarding their train ride from Tennessee to Alabama, their sentences, and the effects of this event on society. Readers will learn about the Great Depression, the Jim Crow south, lynching, the Ku Klux Klan, and the black codes that were all part of the atmosphere at this time. Features include a table of contents, glossary, selected bibliography, Web links, source notes, and an index, plus a timeline and essential facts. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
The Fear of Too Much Justice by Stephen Bright,James Kwak Pdf
A legendary lawyer and a legal scholar reveal the structural failures that undermine justice in our criminal courts “An urgently needed analysis of our collective failure to confront and overcome racial bias and bigotry, the abuse of power, and the multiple ways in which the death penalty’s profound unfairness requires its abolition. You will discover Steve Bright’s passion, brilliance, dedication, and tenacity when you read these pages.” —from the foreword by Bryan Stevenson Glenn Ford, a Black man, spent thirty years on Louisiana’s death row for a crime he did not commit. He was released in 2014—and given twenty dollars—when prosecutors admitted they did not have a case against him. Ford’s trial was a travesty. One of his court-appointed lawyers specialized in oil and gas law and had never tried a case. The other had been out of law school for only two years. They had no funds for investigation or experts. The prosecution struck all the Black prospective jurors to get the all-white jury that sentenced Ford to death. In The Fear of Too Much Justice, legendary death penalty lawyer Stephen B. Bright and legal scholar James Kwak offer a heart-wrenching overview of how the criminal legal system fails to live up to the values of equality and justice. The book ranges from poor people squeezed for cash by private probation companies because of trivial violations to people executed in violation of the Constitution despite overwhelming evidence of intellectual disability or mental illness. They also show examples from around the country of places that are making progress toward justice. With a foreword by Bryan Stevenson, who worked for Bright at the Southern Center for Human Rights and credits him for “[breaking] down the issues with the death penalty simply but persuasively,” The Fear of Too Much Justice offers a timely, trenchant, firsthand critique of our criminal courts and points the way toward a more just future.
