Dirty Whites And Dark Secrets Sex And Race In Peyton Place
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Author : Robin E. Field Publisher : Liverpool University Press Page : 276 pages File Size : 40,8 Mb Release : 2020-07-15 Category : Literary Criticism ISBN : 9781942954842
Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction identifies a new genre of American fiction, the rape novel, that recenters narratives of sexual violence on the survivors of violence and abuse, rather than the perpetrators. The rape novel arose during the women’s liberation movement as women writers collectively challenged the traditional erasure of female subjectivity and agency found in earlier representations of sexual violence in American fiction. The rape novel not only foregrounds survivors and their stories in a textual centering that affirms their dignity and self-worth, but also develops new narratological strategies for portraying violent, disturbing subject matter. In bringing together many key women’s texts of the last decades of the 20th century, the rape novel demonstrates the centrality of sexual assault to women’s fiction of this era. The rape novels of the 21st century continue the political activism inherent in the genre—educating readers, offering community to survivors, and encouraging social activism—as the stories of male survivors are increasingly told. A radical reconsideration of late twentieth-century American novels, Writing the Survivor underscores the importance of women’s activism upon the novel’s form and content and reveals the portrayal of rape as rape to be an interethnic imperative.
In this lively account of the writing, publication, and legacy of the 1956 bestselling novel, "Peyton Place," Ardis Cameron tells how the story of a patricide in a small New England village became a cultural phenomenon.
American Small-Town Fiction, 1940-1960 by Nathanael T. Booth Pdf
In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.
Re-visiting Female Evil by Melissa Dearey,Susana Nicolás,Roger Davis Pdf
Mischievous, beguiling, seductive, lascivious, unruly, carping, vengeful and manipulative – from the Disney princess to the murderous Medea, the articles in Re-visiting Female Evil grapple with our understanding of what it is to be and do evil femininities.
Switch off those TVs, kill your mobiles and settle down with the most controversial book ever written. Once denounced as 'wicked', 'sordid', 'cheap' 'moral filth', PEYTON PLACE was the top read of its time and sold millions of copies worldwide. Way before TWIN PEAKS, SURVIVOR or BIG BROTHER, the curtains were twitching in the mythical New England town of Peyton Place, and this soapy story exposed the dirty secrets of 1950s small-town America: incest, abortion, adultery, repression and lust. Take a peek ...
Six were taken. Eleven years later, five come back--with no idea of where they've been. A riveting mystery for fans of We Were Liars. Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to. Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max--the only one who hasn't come back. Which leaves Max's sister, Avery, wanting answers. She wants to find her brother--dead or alive--and isn't buying this whole memory-loss story. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel--with its rich characters, high stakes, and plot twists--will leave readers breathless.
"Sixty years later, Jaffe’s classic still strikes a chord, this time eerily prescient regarding so many of the circumstances surrounding sexual harassment that paved the way toward the #MeToo movement." -Buzzfeed When Rona Jaffe’s superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Almost sixty years later, The Best of Everything remains touchingly—and sometimes hilariously—true to the personal and professional struggles women face in the city. There’s Ivy League Caroline, who dreams of graduating from the typing pool to an editor’s office; naïve country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; and Gregg, the free-spirited actress with a secret yearning for domesticity. Jaffe follows their adventures with intelligence, sympathy, and prose as sharp as a paper cut.