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The Big Black Book of Very Dirty Words by Alexis Munier Pdf
Airplane Blonde. Intercorpse. Prostitot. Queef. Rainbow Kiss. There's a big world of obscenity out there--and you'll explore every profane nook and cranny in this compilation. We're talking about more than 2,000 insults, obscenities, and vulgarities raw enough to make even the most unflappable linguist blush. Forget grammar school swearing; this is advanced cursing for the most discerning dirty mouths! From the colorful--geequals, manscape, prairie dog--to the crude--giraffe, Roman shower, vagitarian, this big-ass book of bad language will have you dissing douchebags with doolally style in just a friggin' minute!
A New York Times bestseller One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.
Taboo words are the subject of this text, which traces the psychic origins of dirty words to early infancy and childhood, and their place and value in life and analytic therapy. It refers to dirty words used by Rabelais, Quevado, Mozart, Voltaire, the Marquis de Sade, Joyce and Lawrence.
Dirty Words: The Rhetoric of Public Sex Education, 1870-1924, details the approaches and outcomes of sex-education initiatives in the Progressive Era. In analyzing the rhetorical strategies of sex education advocates, Robin E. Jensen engages with rich sources such as lectures, books, movies, and posters that were often shaped by female health advocates and instructors. She offers a revised narrative that demonstrates how women were both leaders and innovators in early U.S. sex-education movements, striving to provide education to underserved populations of women, minorities, and the working class. Investigating the communicative and rhetorical practices surrounding the emergence of public sex education in the United States, Jensen shows how women in particular struggled for a platform to create and circulate arguments concerning this controversial issue. The book also provides insight into overlooked discourses about public sex education by analyzing a previously understudied campaign targeted at African American men in the 1920s, offering theoretical categorizations of discursive strategies that citizens have used to discuss sex education over time, and laying out implications for health communicators and sexual educators in the present day.
Dirty Words: The Rhetoric of Public Sex Education, 1870-1924, details the approaches and outcomes of sex-education initiatives in the Progressive Era. In analyzing the rhetorical strategies of sex education advocates, Robin E. Jensen engages with rich sources such as lectures, books, movies, and posters that were often shaped by female health advocates and instructors. She offers a revised narrative that demonstrates how women were both leaders and innovators in early U.S. sex-education movements, striving to provide education to underserved populations of women, minorities, and the working class. Investigating the communicative and rhetorical practices surrounding the emergence of public sex education in the United States, Jensen shows how women in particular struggled for a platform to create and circulate arguments concerning this controversial issue. The book also provides insight into overlooked discourses about public sex education by analyzing a previously understudied campaign targeted at African American men in the 1920s, offering theoretical categorizations of discursive strategies that citizens have used to discuss sex education over time, and laying out implications for health communicators and sexual educators in the present day.
Dirty Words, an A to Z index of poetry, is a restless offering; an unfolding hat may begin on any page. This to-ing and fro-ing of observation is an un-binding of sorts; a mournful rage with beauty and deep love between the lines to disrupt and transcend the pain and disdain. This book is a reminder that what is (re)produced and (re)resented for general consumption, by institutions of power, is often steeped in myth-making and persistent colonial ideology. This small contemplation on nation and history is informed by blood-memory and an uncanny knowing beyond what we are officially told; a reminder of multiple lived-histories, f other ways of knowing and being in his world. Our elders and ancestors fought for the right to exist and speak up into the future - there are traces and signs, and there was always resistance. Dirty Words is a 'note-to-self' to speak up, to unsettle and to be brave; to not be silent when another voice would be easier or expected. There is still work to be done, and difficult conversations to have. Hidden stories can be honoured, exposed and shared, and there is always poetry.
"I now no longer use the better words." Ilse Aichinger (1921-2016) was one of the most important writers of postwar Austrian and German literature. Born in 1921 to a Jewish mother, she survived World War II in Vienna, while her twin sister Helga escaped with one of the last Kindertransporte to England in 1938. Many of their relatives were deported and murdered. Those losses make themselves felt throughout Aichinger's writing, which since her first and only novel, The Greater Hope, in 1948, has highlighted displacement, estrangement, and a sharp skepticism toward language. By 1976, when she published Bad Words in German, her writing had become powerfully poetic, dense, and experimental. This volume presents the whole of the original Bad Words in English for the first time, along with a selection of Aichinger's other short stories of the period; together, they demonstrate her courageous effort to create and deploy a language unmarred by misleading certainties, preconceived rules, or implicit ideologies.
Did dinosaurs contribute to global warming? What is rubbish theory and what indeed is rubbish? And how did the whale become a cuddly toy? And why did we decide to saturate our land and food with pesticides? Dirty Words examines all of these questions and also includes a study of pollution in fiction, from the fogs of Dickens to the smog of Chandler, advice on how to be an environmental troublemaker, and a suggestion of our choice of futures: the world as an icebox or a greenhouse. This entertaining and provocative collection of pieces by a group of environmental experts challenges the reader to take a closer look at the current pollution debate. Originally published in 1991
Feedback (and Other Dirty Words) by M. Tamra Chandler,Laura Dowling Grealish Pdf
A practical and irreverent guide to taking the sting out of feedback and reclaiming it as a motivating, empowering experience for everyone involved. Feedback: the mere mention of the word can make our blood pressure rise and our defenses go up. For many of us, it’s a dirty word that we associate with bias, politics, resentment, and self-doubt. However, if we take a step back and think about its true intent, we realize that feedback needn’t be a bad thing. After all, understanding how others experience us provides valuable opportunities to learn and grow. Authors M. Tamra Chandler and Laura Grealish explain how feedback got such a bad rap and how to recognize and minimize the negative physical and emotional responses that can erode trust and shut down communication. They offer a new and more ambitious definition of feedback, explore the roles we each play as Seeker, Extender, and Receiver, and introduce the three Fs of making feedback focused, fair, and frequent. You’ll also find valuable exercises and strategies, along with real-world examples that illustrate how you can put these ideas into action and join in the movement to fix feedback, once and for all. When it’s done right, feedback has been proven to be the most effective means of improving communication and performance for you and your organization. It’s too important to give up, and with Chandler and Grealish’s help, you’ll be able to use it deftly, equitably, and effectively. “Feedback (and other Dirty Words) cuts straight to the chase on what you need to do to revolutionize feedback in your organization. If we all approached feedback in this way, business (and the world at large!) would indeed be a better place.” —Kathy O'Driscoll, vice president of People, Snowflake Computing Inc. “Like it or probably not, people don't grow without feedback. Can you deliver feedback without closing people down? Chandler and Grealish give the tools and methods for making feedback feel good. Not only will Feedback (and Other Dirty Words) help you with your next performance conversation, it can transform your company culture to be more agile and enjoyable.” —Marcia Reynolds, PsyD, past president, International Coach Federation, and author of The Discomfort Zone
This witty reference steps in where time-honored discussions of the birds-and-the-bees typically fall short. Each of the 90-some entries are formally defined and further explained through reflective and ribald definitions, essays, and stories by some of today's most exciting writers. Everything from celibacy to swinging, hand jobs to spooning are tackled by everyone's favorite writers including Daphne Merkin, Charles Kaiser, Erica Jong, Thomas Beller, and Jane Smiley. Learn what Philip Lopate has to say about duration and Pagan Kennedy about the phallus. Ravi Shankar lingers on the quickie while Patty Marx waxes poetic about the vibrator. From sexual relationships (monogamy, one-night stand, ménage a trios) to sexual positions (doggie style, 69), from age-old practices (prostitution) to contemporary twists (internet sex), this alphabetical encyclopedia includes everything you need to know about the language of love and more. A perfect gift designed to supplement any good sex education, Dirty Words will find a warm spot on bookshelves and bed-side tables everywhere.
The Little Book of Foreign Swear Words by Sid Finch Pdf
Ever been lost for words abroad? When you want to get your point across abroad there’s only one way to do it: by swearing your ar*e off! Impress the world with a stream of multi-lingual profanity from this nifty pocket book.
The Little Red Book of Very Dirty Words by Alexis Munier Pdf
Inside this book: The dirtiest words in the English language! And we're not just talking about those infamous seven words you can't say on TV. We're talking about more than 1,000 of the blessedly profane insults, obscenities, and vulgarities that make English the richest--and raunchiest--language on earth. In The Little Red Book of Very Dirty Words, you'll find the dirtiest of the dirty, along with the most deliciously obscene variations from English-speaking countries around the world. So go ahead, call your ex/boss/landlord a barmy, crop-dusting, kickin', frackin', bloody son-of-a-bitch dickwad. Swear. Loudly. You'll be friggin' glad you did. Because with this nastiest of nasty wordbooks, you'll find talking dirty has never been more fun--or more filthy!
Dirty Words in Deadwood by Melody Graulich,Nicolas S. Witschi Pdf
Dirty Words in "Deadwood" showcases literary analyses of the Deadwood television series by leading western American literary critics. Whereas previous reaction to the series has largely addressed the question of historical accuracy rather than intertextuality or literary complexity, Melody Graulich and Nicolas S. Witschi's edited volume brings a much-needed perspective to Deadwood's representation of the frontier West. As Graulich observes in her introduction: "With its emotional coherence, compelling characterizations, compressed structural brilliance, moral ambiguity, language experiments, interpretation of the past, relevance to the present, and engagement with its literary forebears, Deadwood is an aesthetic triumph as historical fiction and, like much great literature, makes a case for the humanistic value of storytelling." From previously unpublished interviews with series creator David Milch to explorations of sexuality, disability, cinematic technique, and western narrative, this collection focuses on Deadwood as a series ultimately about the imagination, as a verbal and visual construct, and as a literary masterpiece that richly rewards close analysis and interpretation.
Examines George Carlin's body of comedic work as it pertained to its cultural times and the man who created it and chronicles the controversial funny man's rise from run-of-the-mill standup to subversive comic genius. Reprint.
In Seven Dirty Words, journalist and cultural critic James Sullivan tells the story of Alternative America from the 1950s to the present, from the singular vantage point of George Carlin, the Catholic boy for whom nothing was sacred. A critical biography, Seven Dirty Words is an insightful (and, of course, hilarious) examination of Carlin's body of work as it pertained to its cultural times and the man who created it, from his early days as amore-or-less conventional comedian to his stunning transformation into the subversive comedic voice of the emerging counterculture. Sullivan also chronicles Carlin's struggles with censorship and drugs, as well as the full-blown renaissance he experienced in the 1990s, both personally and professionally, when he became an elder statesman to a younger generation of comics who revered him. Seven Dirty Words is nothing less than the definitive biography of an American master who changed the world, and also a work of cultural commentary which frames George Carlin's extraordinary legacy.