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Author : Jason C. Kuo
Publisher : Kendall/Hunt Publishing Company
Page : 276 pages
File Size : 42,5 Mb
Release : 2006
Category : Art
ISBN : UOM:39015074270664
Author : Richard M. Barnhart,Xin Yang,Nie Chongzheng,James Cahill,Hung Wu,Lang Shaojun
Publisher : Yale University Press
Page : 422 pages
File Size : 55,7 Mb
Release : 1997-01-01
Category : Art
ISBN : 9780300094473
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author : Ming Deng
Publisher : Unknown
Page : 450 pages
File Size : 45,8 Mb
Release : 2006
Category : Painting, Chinese
ISBN : UCSD:31822037305703
An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.
Author : Craig Clunas
Publisher : Princeton University Press
Page : 304 pages
File Size : 52,6 Mb
Release : 2017-02-28
Category : ART
ISBN : 9780691171937
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
Author : Craig Clunas
Publisher : Princeton University Press
Page : 304 pages
File Size : 50,9 Mb
Release : 2023-10-17
Category : Art
ISBN : 9780691253022
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author : Maxwell K. Hearn
Publisher : Metropolitan Museum of Art
Page : 185 pages
File Size : 53,6 Mb
Release : 2008
Category : Art
ISBN : 9781588392817
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Author : KANG Ning,DU Xuan
Publisher : American Academic Press
Page : 150 pages
File Size : 40,7 Mb
Release : 2020-10-01
Category : Travel
ISBN : 9781631816932
Discovering Chinese Culture in Travelling is selectively translated from China’s Tourism Culture compiled by the Editorial Board of China’s Tourism Culture. As we know, culture is the essential attribute of travel experience as well as that of travel industry, and cultural exchanges constitute the basis of tourism activities. The original book covers a wide range of cultural resources concerning Chinese travel destinations, from religions to food and wine. Featuring distinctive Chinese culture, this book shares with readers the insights into the concepts and connotations of tourism culture and also its reflections in China’s context. Subjects covered in this selective translation work include folk customs, traditional architectures, landscape of mountains and waters, and Chinese cuisine. The final goal of this book is to lead the reader to discover Chinese culture in traveling around this remarkable country.
Author : Jerome Silbergeld
Publisher : Unknown
Page : 68 pages
File Size : 45,9 Mb
Release : 1982
Category : Art
ISBN : 0295959215
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
Author : Aida Yuen Wong
Publisher : University of Hawaii Press
Page : 216 pages
File Size : 45,9 Mb
Release : 2006-02-28
Category : Art
ISBN : 9780824845360
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
Author : Zhu Wen
Publisher : Shanghai Press
Page : 0 pages
File Size : 49,5 Mb
Release : 2011-03-10
Category : Social Science
ISBN : 1602201196
This fascinating and readable book is an exploration of Chinese culture as it appears in art. Chinese porcelains decorated with peaches and ats…textiles boldly printed with a phoenix and peony pattern…furniture carved with dragons amid the coulds…These popular patterns are beautiful and eye-catching—but what do these art symbols mean? Each expresses a wish for fortune, whether that represents prosperity, health, luck or happiness. In China, decorating with auspicious patterns dates back thousands of years, and remains popular today. It has strong ties with tradition, and provides insight into Chinese philosophies about nature, religion, morality and government. Symbols invoking fortune appear in a wide range of media, from porcelains to furniture to architectural decoration, among many others. This Chinese art book examines traditional auspicious patterns featuring animals, plants, figures, objects and symbols, as well as those that combine motifs from different categories. You will discover how to decode this intricate world of Chinese symbolism by exploring the history, meaning and use of many common patterns. In fact, learning this "visual language" will provide a new level of appreciation not only for China's remarkable decorative arts but also its profound traditional culture.
Author : Yee Chiang
Publisher : Midland Books
Page : 326 pages
File Size : 43,8 Mb
Release : 1964
Category : Art
ISBN : UOM:39015062917144
Author : Lara Jaishree Netting
Publisher : Hong Kong University Press
Page : 313 pages
File Size : 51,9 Mb
Release : 2013-09-01
Category : Art
ISBN : 9789888139187
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary. This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.
Author : Anonim
Publisher : Oxford University Press, USA
Page : 298 pages
File Size : 50,7 Mb
Release : 1988
Category : Art
ISBN : UOM:39015034690845
Richly illustrated with 200 black-and-white and 32 color plates, this stimulating collection surveys the full range of 20th-century Chinese painting, covering all the schools and major artists, both within the People's Republic and elsewhere. Chinese artists now draw their inspirations from an amazing variety of subjects--airplanes and automobiles, Vietnamese refugees and Beijing opera, ancient cave murals and historical figures--and they have developed new techniques and formats that have greatly expanded the range of Chinese paintings. Their work reveals how traditional techniques, when reintroduced into unexpected contexts, can bring about strikingly new results. In light of the tremendous variety of artistic impulses and stylistic approaches that exist in 20th-century Chinese painting, and the rapidity with which these changes have occurred, it is quite remarkable that China's artistic tradition has not only been able to sustain itself, but continues to evolve in new and exciting directions. This beautiful volume captures the vibrancy of a national art that is stunning in its complexity and diversity.
Author : Peter C. Swann
Publisher : Unknown
Page : 168 pages
File Size : 46,5 Mb
Release : 1958
Category : Painting
ISBN : UCSC:32106001482923
Author : Wu Hung
Publisher : Princeton University Press
Page : 352 pages
File Size : 40,5 Mb
Release : 2022-05-03
Category : Art
ISBN : 9780691231013
A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history Throughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history. Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history. Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC