Disguise On The Early Modern English Stage

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Disguise on the Early Modern English Stage

Peter Hyland
Disguise on the Early Modern English Stage Book PDF

Author : Peter Hyland
Publisher : Routledge
Page : 180 pages
File Size : 52,7 Mb
Release : 2016-05-23
Category : Literary Criticism
ISBN : 9781317149651

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Disguise on the Early Modern English Stage by Peter Hyland Pdf

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

Disguise on the Early Modern English Stage

Professor Peter Hyland
Disguise on the Early Modern English Stage Book PDF

Author : Professor Peter Hyland
Publisher : Ashgate Publishing, Ltd.
Page : 192 pages
File Size : 51,8 Mb
Release : 2013-05-28
Category : Literary Criticism
ISBN : 9781409478775

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Disguise on the Early Modern English Stage by Professor Peter Hyland Pdf

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

Civic and Medical Worlds in Early Modern England

E. Decamp
Civic and Medical Worlds in Early Modern England Book PDF

Author : E. Decamp
Publisher : Springer
Page : 277 pages
File Size : 47,6 Mb
Release : 2016-06-15
Category : Literary Criticism
ISBN : 9781137471567

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Civic and Medical Worlds in Early Modern England by E. Decamp Pdf

Through its rich foray into popular literary culture and medical history, this book investigates representations of regular and irregular medical practice in early modern England. Focusing on the prolific figures of the barber, surgeon and barber-surgeon, the author explores what it meant to the early modern population for a group of practitioners to be associated with both the trade guilds and an emerging professional medical world. The book uncovers the differences and cross-pollinations between barbers and surgeons' practices which play out across the literature: we learn not only about their cultural, civic, medical and occupational histories but also about how we should interpret patterns in language, name choice, performance, materiality, acoustics and semiology in the period. The investigations prompt new readings of Shakespeare, Jonson, Middleton and Beaumont, among others. And with chapters delving into early modern representations of medical instruments, hairiness, bloodletting procedures, waxy or infected ears, wart removals and skeletons, readers will find much of the contribution of this book is in its detail, which brings its subject to life.

Discoveries on the Early Modern Stage

Leslie Thomson
Discoveries on the Early Modern Stage Book PDF

Author : Leslie Thomson
Publisher : Cambridge University Press
Page : 279 pages
File Size : 53,5 Mb
Release : 2018-07-19
Category : Drama
ISBN : 9781108494472

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Discoveries on the Early Modern Stage by Leslie Thomson Pdf

"This is a study of the dramatic use, treatment, and staging of performed 'discoveries' - actions which the theatre is uniquely able to exploit visually and explore verbally. The motif of discovery - in the now almost obsolete sense of uncovering or disclosing - is prominent in the language and action of Elizabethan, Jacobean, and Caroline plays. Visual discoveries are used repeatedly through the period by virtually every playwright, regardless of company or venue. These discoveries are of two different but related kinds: the disguise discovery - the removal of a disguise to uncover identity; and the discovery scene - the opening of curtains or doors to reveal a place or the removal of a lid or cover to effect a disclosure. This is the first analysis of staged discoveries as such; in it I show how and why these actions are essential to the way a play dramatizes and explores such interrelated matters as deception, privacy, secrecy, and truth; knowledge, justice, and renewal"--

The Image and Perception of Monarchy in Medieval and Early Modern Europe

Sean McGlynn,Elena Woodacre
The Image and Perception of Monarchy in Medieval and Early Modern Europe Book PDF

Author : Sean McGlynn,Elena Woodacre
Publisher : Cambridge Scholars Publishing
Page : 330 pages
File Size : 42,5 Mb
Release : 2014-10-02
Category : History
ISBN : 9781443868525

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The Image and Perception of Monarchy in Medieval and Early Modern Europe by Sean McGlynn,Elena Woodacre Pdf

Monarchy is an enduring institution that still makes headlines today. It has always been preoccupied with image and perception, never more so than in the period covered by this volume. The collection of papers gathered here from international scholars demonstrates that monarchical image and perception went far beyond cultural, symbolic and courtly display – although these remain important – and were, in fact, always deeply concerned with the practical expression of authority, politics and power. This collection is unique in that it covers the subject from two innovative angles: it not only addresses both kings and queens together, but also both the medieval and early modern periods. Consequently, this allows significant comparisons to be made between male and female monarchy as well as between eras. Such an approach reveals that continuity was arguably more important than change over a span of some five centuries. In removing the traditional gender and chronological barriers that tend to lead to four separate areas of studies for kings and queens in medieval and early modern history, the papers here are free to encompass male and female royal rulers ranging across Europe from the early-thirteenth to the late-seventeenth centuries to examine the image and perception of monarchy in England, Scotland, France, Burgundy, Spain and the Holy Roman Empire. Collectively this volume will be of interest to all those studying medieval and early modern monarchy and for those wishing to learn about the connections and differences between the two.

The Disguised Ruler in Shakespeare and his Contemporaries

Kevin A. Quarmby
The Disguised Ruler in Shakespeare and his Contemporaries Book PDF

Author : Kevin A. Quarmby
Publisher : Routledge
Page : 334 pages
File Size : 41,9 Mb
Release : 2016-04-01
Category : Literary Criticism
ISBN : 9781317035558

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The Disguised Ruler in Shakespeare and his Contemporaries by Kevin A. Quarmby Pdf

In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.

Inventions of the Skin

Andrea Stevens
Inventions of the Skin Book PDF

Author : Andrea Stevens
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 40,9 Mb
Release : 2013-06-11
Category : Literary Criticism
ISBN : 9780748670505

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Inventions of the Skin by Andrea Stevens Pdf

Examines the painted body of the actor on the early modern stage. Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness"e; in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters--not just the words written for them to speak--forms an important and overlooked aspect of stage representation.

Disguise plots in Elizabethan drama; a study in stage tradition

Victor Oscar Freeburg
Disguise plots in Elizabethan drama a study in stage tradition Book PDF

Author : Victor Oscar Freeburg
Publisher : Dalcassian Publishing Company
Page : 250 pages
File Size : 50,5 Mb
Release : 1915-01-01
Category : Literary Criticism
ISBN : 8210379456XXX

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Disguise plots in Elizabethan drama; a study in stage tradition by Victor Oscar Freeburg Pdf

A comparative study of the five types of disguises and plot patterns found in Elizabethan drama. Specifically examines the female page, the boy bride, the rogue in multi-disguise, the spy in disguise, and the lover in disguise.

Dissembling Disability in Early Modern English Drama

Lindsey Row-Heyveld
Dissembling Disability in Early Modern English Drama Book PDF

Author : Lindsey Row-Heyveld
Publisher : Springer
Page : 252 pages
File Size : 44,8 Mb
Release : 2018-08-07
Category : Literary Criticism
ISBN : 9783319921358

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Dissembling Disability in Early Modern English Drama by Lindsey Row-Heyveld Pdf

Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments.

Lost Plays in Shakespeare's England

D. McInnis,M. Steggle
Lost Plays in Shakespeare s England Book PDF

Author : D. McInnis,M. Steggle
Publisher : Springer
Page : 295 pages
File Size : 43,8 Mb
Release : 2014-10-22
Category : Literary Criticism
ISBN : 9781137403971

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Lost Plays in Shakespeare's England by D. McInnis,M. Steggle Pdf

Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies.

Thunder at a Playhouse

Peter Kanelos,Matt Kozusko
Thunder at a Playhouse Book PDF

Author : Peter Kanelos,Matt Kozusko
Publisher : Susquehanna University Press
Page : 271 pages
File Size : 40,9 Mb
Release : 2010
Category : Literary Criticism
ISBN : 9781575911267

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Thunder at a Playhouse by Peter Kanelos,Matt Kozusko Pdf

critical issues of early modern performance in fresh and vital ways. --

From Playtext to Performance on the Early Modern Stage

Leslie Thomson
From Playtext to Performance on the Early Modern Stage Book PDF

Author : Leslie Thomson
Publisher : Taylor & Francis
Page : 248 pages
File Size : 41,6 Mb
Release : 2022-07-15
Category : Performing Arts
ISBN : 9781000615654

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From Playtext to Performance on the Early Modern Stage by Leslie Thomson Pdf

This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.

Beggary and Theatre in Early Modern England

Paola Pugliatti
Beggary and Theatre in Early Modern England Book PDF

Author : Paola Pugliatti
Publisher : Routledge
Page : 242 pages
File Size : 52,6 Mb
Release : 2017-11-22
Category : Literary Criticism
ISBN : 9781351760522

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Beggary and Theatre in Early Modern England by Paola Pugliatti Pdf

This title was first published in 2003. In this new socio-cultural study of the history of the theatre in early modern England, author Paola Pugliatti investigates the question of why, in the Tudor and early Stuart period, unregulated and unlicensed theatrical activities were equated by the English law to unregulated and unlicensed begging. Starting with English vagrancy statutes and in particular from the fact that, from 1545 on, players were listed as vagrants, the book discusses from an entirely new perspective the reasons for the equation, in the early modern mind, of beggary with performing. Pugliatti identifies in players' aptitude for disguise and in the fear raised by their proteiform skills the issues which encouraged the assimilation of beggars and players; she argues that at the core of provisions against vagrancy was an attempt to marginalize people who, because of their instability in location and role (that is, in their theatrical quintessence), were seen as embodying potential for subversion. Placing the topic in a European context and relying on the reading of primary documents in several languages, Pugliatti discusses efforts to control beggary from Justinian's Codex to seventeenth-century statutes, locates the origin of anti-vagrancy and antitheatrical writings in anxieties about idleness and disguise, and analyzes the ways in which various kinds of representation demonized both beggars and players. Finally, by carefully distinguishing between the traditions of rogue pamphlets, conny-catching pamphlets and the picaresque, she offers fresh readings of a number of texts which appear to have been entirely disregarded by recent scholarship, such as pamphlets by Walker, Harman, Greene and Dekker.

The Disguised Ruler in Shakespeare and his Contemporaries

Kevin A. Quarmby
The Disguised Ruler in Shakespeare and his Contemporaries Book PDF

Author : Kevin A. Quarmby
Publisher : Routledge
Page : 280 pages
File Size : 49,8 Mb
Release : 2016-04-01
Category : Literary Criticism
ISBN : 9781317035565

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The Disguised Ruler in Shakespeare and his Contemporaries by Kevin A. Quarmby Pdf

In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.

Twins in Early Modern English Drama and Shakespeare

Daisy Murray
Twins in Early Modern English Drama and Shakespeare Book PDF

Author : Daisy Murray
Publisher : Routledge
Page : 202 pages
File Size : 44,7 Mb
Release : 2017-01-06
Category : Literary Criticism
ISBN : 9781317195702

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Twins in Early Modern English Drama and Shakespeare by Daisy Murray Pdf

This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of this classification, authors frequently attempt to explain the phenomenon in ways which call into question the moral and constitutional standing of both the parents and the twins themselves. In line with current critical studies on pregnancy and the female body, discussions of twin births reveal a distrust of the mother and the processes surrounding twin conception; however, a corresponding suspicion of twins also emerges, which monstrous birth pamphlets exemplify. This book analyzes the representation of twins in early modern drama in light of this information, moving from tragedies through to comedies. This progression demonstrates how the dramatic potential inherent in the early modern understanding of twinship is capitalized on by playwrights, as negative ideas about twins can be seen transitioning into tragic and tragicomic depictions of twinship. However, by building toward a positive, comic representation of twins, the work additionally suggests an alternate interpretation of twinship in this period, which appreciates and celebrates twins because of their difference. The volume will be of interest to those studying Shakespeare and Renaissance Literature in relation to the History of Emotions, the Body, and the Medical Humanities.