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Author : Lewis Kachur
Publisher : MIT Press
Page : 294 pages
File Size : 44,8 Mb
Release : 2001
Category : Architecture
ISBN : 0262611821
How the exhibition spaces of Surrealism anticipated installation art.
Author : Lewis Kachur
Publisher : Unknown
Page : 0 pages
File Size : 40,7 Mb
Release : 2003
Category : Installations (Art)
ISBN : OCLC:1348978974
Author : Ana Debenedetti,Caroline Elam
Publisher : UCL Press
Page : 334 pages
File Size : 46,9 Mb
Release : 2019-01-08
Category : Art
ISBN : 9781787354616
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Author : Jennifer A. Kokai
Publisher : SIU Press
Page : 257 pages
File Size : 54,9 Mb
Release : 2017-06-15
Category : Performing Arts
ISBN : 9780809336005
In Swim Pretty, Jennifer A. Kokai reveals the influential role of aquatic spectacles in shaping cultural perceptions of aquatic ecosystems in the United States over the past century.
Author : John C. Welchman
Publisher : Ashgate Publishing, Ltd.
Page : 308 pages
File Size : 44,5 Mb
Release : 2013
Category : Art
ISBN : 140943527X
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and raises key questions about the nature and implications of vitrinous space.
Author : Paul O'Neill
Publisher : MIT Press
Page : 195 pages
File Size : 52,7 Mb
Release : 2016-09-02
Category : Art
ISBN : 9780262529747
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Author : Asanga
Publisher : Shambhala Publications
Page : 801 pages
File Size : 40,6 Mb
Release : 2016-03-08
Category : Religion
ISBN : 9781559394291
A complete translation of Asanga's classic work on the distinguishing qualities of bodhisattvas that describes how to awaken, develop, and perfect the mind of enlightenment in the Great Vehicle, or Mahayana, Buddhist tradition. Arya Asanga, famous for having been the conduit through which the teachings contained in the Five Texts of Maitreya were received and recorded, is also considered to be the author in his own right of several other foundational works of Yogācāra philosophy. One of these, considered the definitive text of the Yogācāra school of Buddhism, is the encyclopedic synthesis of Mahayana Buddhist doctrines and practices known as the Yogācārabhūmi, or "Stages of Spiritual Practice." The Bodhisattvabhūmi, or "Stages of the Bodhisattva Path," is one portion of that massive work, though it is considered a stand-alone text in the Tibetan traditions--for example, it is counted among the six core texts of the Kadampas. However, despite the text's centrality to the Yogācāra school and its seminal importance in the Tibetan traditions, it has remained unavailable in English except in piecemeal translations; Engle's translation will therefore be especially welcomed by scholars and students alike.
Author : Sandra Zalman
Publisher : Routledge
Page : 285 pages
File Size : 54,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351571081
Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism?s multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism?s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
Author : Oliver Grau
Publisher : MIT Press
Page : 489 pages
File Size : 41,5 Mb
Release : 2010-08-13
Category : Art
ISBN : 9780262514989
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel
Author : Jefferson J. A. Gatrall,Douglas M. Greenfield
Publisher : Penn State Press
Page : 304 pages
File Size : 46,9 Mb
Release : 2010
Category : Art
ISBN : 9780271036779
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author : Janine A. Mileaf
Publisher : UPNE
Page : 313 pages
File Size : 52,5 Mb
Release : 2010
Category : Art
ISBN : 9781584659341
Exploring the notion of tactility in dada and surrealism
Author : Donna Zakowska
Publisher : Abrams
Page : 304 pages
File Size : 42,7 Mb
Release : 2021-11-23
Category : Performing Arts
ISBN : 9781647004729
From the award-winning costume designer of Amazon Prime Video's The Marvelous Mrs. Maisel, a collection of the show’s costumes, with never-before-seen photography, sketches, production stills, and more Amazon Prime Video’s Emmy- and Golden Globe–winning series The Marvelous Mrs. Maisel centers on Miriam "Midge" Maisel, a 1950s New York City woman whose seemingly perfect life suddenly takes an unexpected turn, taking her from a comfortable life on Riverside Drive through the basket houses and nightclubs of Greenwich Village as she embarks on a groundbreaking standup comedy career. Created by Amy Sherman-Palladino (creator and showrunner of Gilmore Girls), and starring Rachel Brosnahan, Alex Borstein, and Tony Shalhoub, The Marvelous Mrs. Maisel has garnered fan and critical praise alike, with much of the attention focused on the exquisitely designed period costumes. Madly Marvelous: The Costumes of The Marvelous Mrs. Maisel explores the inner workings of award-winning costume designer Donna Zakowska’s process, as well as the many inspirations for the show’s wardrobe, including period photography, American and European fashion trends, and the various cultures and countercultures of late-1950s New York. The clothes of Mrs. Maisel are gorgeous, authentically detailed, and carefully crafted. Illustrated with sketches, photographs from Zakowska’s workspace, behind-the-scenes shots, and production stills, the book follows the series from season to season, showing how the vocabulary of fashion—context, style, color, cut, accessories, and more—is integral to defining and developing the characters in the show. Madly Marvelous is a must-have for fans of the show and fashionistas alike, providing readers with a curated and well-informed look at an integral period in fashion history.
Author : Pierre Mabille,Jody Gladding
Publisher : Inner Traditions International
Page : 303 pages
File Size : 40,8 Mb
Release : 1998
Category : Body, Mind & Spirit
ISBN : 0892816503
For Mabille, the marvelous is a state of extreme poetic tension in which inner and outer realities are joined. Anaïs Nin suggested this book as a source of inspiration, far ahead of its time, for would-be authors seeking to break from the realist literary mold.
Author : Anthony Wonderley
Publisher : Syracuse University Press
Page : 232 pages
File Size : 46,9 Mb
Release : 2009-06-01
Category : Social Science
ISBN : 081563207X
The folktales and myths of the Iroquois and their Algonquian neighbors rank among the most imaginatively rich and narratively co-herent traditions in North America. Inspired by these wondrous tales, Anthony Wonderley explores their significance to Iroquois and Algonquian religions and worldviews. Mostly recorded around 1900, these oral narratives preserve the voice and something of the outlook of autochthonous Americans from a bygone age, when storytelling was an important facet of daily life. Grouping the stories around shared themes and motifs, Wonderley analyzes topics ranging from cannibal giants to cultural heroes, and from legends of local places to myths of human origin. Approached comparatively and historically, these stories can enrich our understanding of archaeological remains, ethnic boundaries, and past cultural interchanges among Iroquois and Algonquian peoples.
Author : Gavin Parkinson
Publisher : Oxford University Press
Page : 280 pages
File Size : 44,8 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9781781381434
Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the 'new' Anglo-American literature arriving in France. This received, in fact, a mixed reception from the Surrealists of that decade even though writers and intellectuals close to the movement in the 1920s were directly responsible for its success. The book includes further essays on the subsequent impact of Surrealism on SF novelists J.G. Ballard and Alan Burns, and features essays that argue for Salvador Dalí's closeness to SF in the 1960s and his disagreement with the earlier scientific romance defined by Verne. The chapters that bring in comics range from theoretical discussions of the relation between the original comic strips of Rodolphe Töpffer and the key Surrealist technique of automatism, used in art and writing, through the cybernetic implications of the proto-SF Surrealist ciné-roman 'M. Wzz...' of 1929, which has never discussed in any detail before, to the 1948 Vache paintings by René Magritte, inspired by Louis Forton's strip Les Pieds nickelés. This pioneering set of essays shows how Surrealism from the 1920s to the 1970s did not just receive and adapt SF but impacted the genre in its later manifestations.