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Drawing on the classical concept of rhetorical "dispositio," this study gives new interpretations of a number of literary texts of the French Renaissance (Rabelais, Du Bellay, Montaigne and others). The often problematic ordering of these texts is studied from a variety of perspectives, historical, theoretical and cultural.
This ground-breaking study explores welfare institutions in western law in the middle ages and establishes, for the first time, a legal model for the hospital. On Hospitals takes us beyond canon law, Carolingian capitularies, and Justinian's Code and Novels, to late Roman testamentary law, identifying new legislation and legal initiatives in every period. In challenging long established orthodoxies, a new history of the hospital emerges, one that is fundamentally a European history. To the history of law, it offers an unusual lens through which to explore canon law. What this monograph identifies for the first time is that the absence of law is the key. This is a study of what happened when there was no legal inheritance, nor even an authority through which to act. Here, at the fringes of law, pioneers worked, and forgers played. Their efforts shed light on councils, both familiar and forgotten, and on major figures, including Abbot Ansegis of Saint Wandrille, Abbot Wala of Corbie, the Pseudo-Isidorian forgers, Pope Alexander III, Bernard of Pavia, and Robert de Courson. Finally On Hospitals offers a new picture of welfare at the heart of Christianity. The place of welfare houses, at the edge of law, has for too long encouraged an assumption that welfare itself was peripheral to popes and canonists and so, by implication, to those who designed the priorities of the Church. This study reveals the central place for them all, across a thousand years, of Christian caritas. We discover a Christian foundation that could belong not to the Church, but to the whole society of the faithful.
Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.
The Blackwell Companion to Paul by Stephen Westerholm Pdf
The Blackwell Companion to Paul presents a distinctive dual focus approach that encompasses both the historical Paul and the history of Paul's influence. In doing so, expert contributors successfully address the interests of students of early Christianity and those of Christian theology. Offers a complete overview of the life, writings and legacy of one of the key figures of Christianity The essays compass the major themes of Paul's life and work, as well as his impact through the centuries on theology, Church teaching, social beliefs, art, literature, and contemporary intellectual thought Edited by one of the leading figures in the field of Pauline Studies The contributors include a range of world-renowned academics
To Date and Not to Date by Thomas Ernst van Bochove Pdf
Scientific reserach implies progress. Sometimes, however, progress merely consists of a step back to the past, as in the case of the dating of the Prochiron, one of the Byzantine law books dealt with in this study. Recently, progress seemed to imply that the Prochiron had been issued by Leo the Wise in the year 907. This book sets out to show that the Prochiron was promulgated by Basil the Macedonian in the years 870-879, thus confirming the view of Karl Eduard Zachariä von Lingenthal, one of the first scholars who paved a way in the ‘ungodly jumble’ of Byzantine law books. Of course, the present study does not exclusively deal with the dating of law books: their status appeared to be inextricably bound up with their dating. Moreover, recent research has come up with results that shed new light on the Basilica and the Novels of Leo the Wise. Reason enough to investigate Leo’s legislative intentions..... To date and not to date, that is the issue in the realm of Byzantine legal history.
This volume completes the first full critical edition of the later work of the medieval philosopher and theologian Henry of Harclay, together with an English translation prepared in collaboration with Raymond Edwards. Questions 1-14 were published as volume XVII in the Auctores series.
Nach der Verurteilung von 1277 / After the Condemnation of 1277 by Jan A. Aertsen,Kent Emery,Andreas Speer Pdf
The series MISCELLANEA MEDIAEVALIA was founded by Paul Wilpert in 1962 and since then has presented research from the Thomas Institute of the University of Cologne. The cornerstone of the series is provided by the proceedings of the biennial Cologne Medieval Studies Conferences, which were established over 50 years ago by Josef Koch, the founding director of the Institute. The interdisciplinary nature of these conferences is reflected in the proceedings. The MISCELLANEA MEDIAEVALIA gather together papers from all disciplines represented in Medieval Studies - medieval history, philosophy, theology, together with art and literature, all contribute to an overall perspective of the Middle Ages.
Studies in the Reception of the Historia Scholastica of Peter Comestor by Maria Sherwood-Smith Pdf
The Historia Scholastica (circa 1170) mingles biblical narrative, Jewish legends, and commentary, and was a popular source of biblical material for authors until the Reformation. Maria Sherwood-Smith gives an introduction to the sources and transmission of the Latin work before investigating its reception in detail in two thirteenth-century German works, the Schwarzwälder Predigten and the Weltchronik of Rudolf von Ems. Briefer analyses of Jacob van Maerlant's Scholastica and the Historiebijbel van 1360 provide further context. Looking in this way at the different functions the work fulfils for later authors, one discerns a growing awareness of the distinction between it and the text of the Bible. It is suggested that this enhances the Historia Scholastica's reputation as a safeguard of orthodoxy.
The Camera-Eye Metaphor in Cinema by Christian Quendler Pdf
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, and the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. In Christ Meets Me Everywhere, Michael Cameron argues that Augustine wanted to train readers of Scripture to transpose themselves into the texts in the same way he did, by the same process of figuration that he found at Scripture's core. Augustine discovered this skill by learning to read Scripture as a work of divine rhetoric that mirrors the humility of the human Christ who forms humble readers to ascend its spiritual heights. Tracking Augustine's developing skill in reading Scripture's figures as microcosms of the history of salvation during the first fifteen years of his Christian life, Cameron shows how Christ's self-transposition into Scripture's readers became the key to Augustine's hermeneutics.