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"Daphne du Maurier is in a class by herself." --New York Times A married couple on holiday in Venice are caught up in a sinister series of events. A lonely schoolmaster is impelled to investigate a mysterious American couple. A young woman loses her cool when she confronts her father's old friend on a lonely island. A party of British pilgrims meet strange phenomena and possible disaster in the Holy Land. A scientist abandons his scruples while trying to tap the energy of the dying mind. Collecting five stories of mystery and slow, creeping horror, Daphne Du Maurier's Don't Look Now and Other Stories showcases her unique blend of sympathy and spinetingling suspense.
Classic horror stories by one of masters of the form. Full of bone-chilling tales, this collection includes "The Birds," the basis for the Alfred Hitchcock film of the same title, and other creepy classics. Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.
When her best friend announces that she is moving away, Clarice Bean has a new entry for her "Worry" journal and hopes that something will happen to change things back to the way they were.
Author : Mark Sanderson Publisher : British Film Institute Page : 88 pages File Size : 46,6 Mb Release : 2012-09-04 Category : Performing Arts ISBN : 1844575152
Don't Look Now, released in 1973, confirmed director Nicolas Roeg as one of the most stylish and innovative British directors of the postwar period. Adapted from a short story by Daphne du Maurier, it is both a complex study of how people come to terms with grief and a chilling tale of murder set among the canals and churches of Venice. Featuring telling performances by Julie Christie and Donald Sutherland as the couple whose daughter has tragically died, Don't Look Now depicts the way in which the macabre and the everyday are intertwined. In his lucid, subtle account, Mark Sanderson describes the collaboration between director and actors that sustained the film's emotional richness. He returns to du Maurier's original text and to the traditions of Gothic writing that underpin Don't Look Now's combination of horror, melodrama and black comedy. Sanderson examines the film's intricate visual style, uncovering the way in which particular motifs are used to amplify its depiction of two terrible deaths. He finds compensation for the film's grimly fatalistic view of life in its celebration of sexual relationships and the power of recollection. The book includes an exclusive and in-depth interview with Roeg as well as rare and unpublished comments from Christie. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Jason Wood places Don't Look Now in the context of Roeg's film-making careeer, and draws upon Roeg's revealing insights into the film's production.
Nicolas Roeg's Don't Look Now (1973) has been called "a ghost story for adults." This book argues for it as a particular kind of horror film that depends on the narrative of trauma. Jessica Gildersleeve positions Don't Look Now within a discourse of midcentury anxiety narratives and identifies it as a hinge between literature and film of the 1970s.
When a woman is killed in an East London park, Detective Fenton can't help but hear about it—the murder is trending. The killer has posted a photo of his victim in her final moments, and in the first moments after she died. Before long, the world is taunted with posts of another victim's photos,and Detective Fenton finds himself searching for a serial killer with a fan following. The more he kills, the more he posts—and the more attention he gets, the more he kills... A fascinating insight into the mind of a secret psychopath, Don't Look Now examines how dangerous our appetite for darkness really is, from a brand new talent in suspense.
This follow-up to the critically acclaimed Don't Turn Around—which Kirkus Reviews called "The Girl with the Dragon Tattoo for teens, a surefire hit"—raises the stakes to their absolute limit and will leave readers begging for the exciting conclusion. Having outsmarted the sinister Project Persephone, Noa and her friend Zeke are on the run again, moving across the country, protecting runaways before they become test subjects for the Project's horrific experiments. Noa knows all too well what that feels like: Whatever was done to her has left her exhausted and scared. Back in Boston, Peter anxiously follows Noa's movements from his computer. But he's desperate to do more, especially when he learns what the Project has done to his ex-girlfriend, Amanda. Then, in an explosive confrontation, Noa and her team are trapped in the one place they thought was safe. It will take everything Noa and Peter have to bring down the Project. And with no one to trust and enemies hiding at every turn, they may be the only people alive who can.
Author : Raymond Barber Publisher : Sword of the Lord Publishers Page : 156 pages File Size : 49,6 Mb Release : 2000 Category : Christian life ISBN : 0873981812
Don't Look Now, But Your Attitude is Showing by Raymond Barber Pdf
Scriptures clearly explain that our human problems are heart problems. It might be possible to "cover" yourself for a while, but eventually your inner attitudes will reveal themselves. An uncontrolled thought life will produce visibly wrong choices. That's why the Scriptures warn in Philippians 4:8: "Whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; ... think on these things."--Jacket flap.
In 1967, Peter Bart, then a young family man and rising reporter for the New York Times, decided to upend his life and enter the dizzying world of motion pictures. Infamous Players is the story of Bart's whirlwind journey at Paramount, his role in its triumphs and failures, and how a new kind of filmmaking emerged during that time. When Bart was lured to Paramount by his friend and fellow newcomer, the legendary Robert Evans, the studio was languishing, its slate riddled with movies that were out of touch with the dynamic sixties. By the time Bart left Paramount, in 1975, the studio had completed a remarkable run, with films such as The Godfather, Rosemary's Baby, Harold and Maude, Love Story, Chinatown, Paper Moon, and True Grit. But this new golden era at Paramount was also fraught with chaos and company turmoil. Drugs, sex, runaway budgets, management infighting, and even the Mafia found their way onto the back lot, making Paramount surely one of the most unpredictable, even bizarre, studios in the history of the movie industry. Bart reflects on Paramount's New Hollywood era with behind-the scenes details and insightful analysis; here too are his fascinating recollections of the icons from that time: Warren Beatty, Steve McQueen, Robert Redford, Clint Eastwood, Jack Nicholson, Marlon Brando, Al Pacino, Francis Ford Coppola, Roman Polanski, and Frank Sinatra, among others. For over four decades, first on the inside as a studio executive and later as the longtime editor in chief of Variety, Peter Bart has viewed Hollywood from an incomparable vantage point. The stories he tells and the lessons we learn from Infamous Players are essential for anyone who loves movies.
Author : Mark Sanderson Publisher : British Film Institute Page : 90 pages File Size : 47,9 Mb Release : 1996-10-27 Category : Performing Arts ISBN : 0851705723
This account of the film "Don't Look Now" describes the collaboration between director and actors. It looks at du Maurier's original text and the traditions of Gothic writing which underpin the film's combination of horror, melodrama and black comedy. There is also an interview with Nicholas Roeg.
Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald ( The Last King of Scotland), Christopher Nolan ( The Dark Knight), James Marsh ( Man on Wire), and Guillermo Del Toro ( Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg. Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball. Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.
From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together
