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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
SIR GIBBIE & DONAL GRANT: The Baronet's Song and The Shepherd's Castle (Adventure Classic) by George MacDonald Pdf
This carefully crafted ebook: "SIR GIBBIE & DONAL GRANT: The Baronet's Song and The Shepherd's Castle (Adventure Classic)" is formatted for your eReader with a functional and detailed table of contents. "Sir Gibbie"- The novel follows Sir Gibbie on his adventures through the moors of Scotland's Highlands. Having no mother and an alcoholic father, Gibbie must survive on the streets as a child unable to read or speak. It is notable for its Doric dialogue, but has been criticized, especially by members of the Scottish Renaissance, for being part of the kailyard movement. Despite this, there are far more who claim the book paints a fair view of urban as well as rural life. The book doesn't seem to dwell as long on physical geography as it does on the spiritual geography of the soul. "Donal Grant" is the sequel to Sir Gibbie and it follows the steps of Gibbie's friend Donald as he tries to find a place for himself in the world. He manages to become a tutor to the son of an Earl. During his service he solves the mystery of the castle's lost room and, in the meanwhile, gets the interest of the earl's niece, who finds himself a special kind of person. George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". MacDonald has been credited with founding the "kailyard school" of Scottish writing.
The Baronet's Song & The Shepherd's Castle by George MacDonald Pdf
"Sir Gibbie"- The novel follows Sir Gibbie on his adventures through the moors of Scotland's Highlands. Having no mother and an alcoholic father, Gibbie must survive on the streets as a child unable to read or speak. It is notable for its Doric dialogue, but has been criticized, especially by members of the Scottish Renaissance, for being part of the kailyard movement. Despite this, there are far more who claim the book paints a fair view of urban as well as rural life. The book doesn't seem to dwell as long on physical geography as it does on the spiritual geography of the soul. "Donal Grant" is the sequel to Sir Gibbie and it follows the steps of Gibbie's friend Donald as he tries to find a place for himself in the world. He manages to become a tutor to the son of an Earl. During his service he solves the mystery of the castle's lost room and, in the meanwhile, gets the interest of the earl's niece, who finds himself a special kind of person. George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". MacDonald has been credited with founding the "kailyard school" of Scottish writing.
After leaving home in search of work, Donal Grant accepts a position as tutor to a young boy who lives in a sprawling castle, which also houses an eccentric old man, a beautiful and troubled young woman, and an ancient family legend of a secret room hidden somewhere within the castle. This is the sequel to "Sir Gibbie" by the same author, but is quite capable of standing as a complete and compelling story in its own right.
The Vampire in Nineteenth-Century Literature by Brooke Cameron,Lara Karpenko Pdf
Against the social and economic upheavals that characterized the nineteenth century, the border-bending nosferatu embodied the period’s fears as well as its forbidden desires. This volume looks at both the range among and legacy of vampires in the nineteenth century, including race, culture, social upheaval, gender and sexuality, new knowledge and technology. The figure increased in popularity throughout the century and reached its climax in Dracula (1897), the most famous story of bloodsuckers. This book includes chapters on Bram Stoker’s iconic novel, as well as touchstone texts like John William Polidori’s The Vampyre (1819) and Sheridan Le Fanu’s Carmilla (1872), but it also focuses on the many “Other” vampire stories of the period. Topics discussed include: the long-war veteran and aristocratic vampire in Varney; the vampire as addict in fiction by George MacDonald; time discipline in Eric Stenbock’s Studies of Death; fragile female vampires in works by Eliza Lynn Linton; the gender and sexual contract in Mary Elizabeth Braddon’s “Good Lady Ducayne;” cultural appropriation in Richard Burton’s Vikram and the Vampire; as well as Caribbean vampires and the racialized Other in Florence Marryat’s The Blood of the Vampire. While drawing attention to oft-overlooked stories, this study ultimately highlights the vampire as a cultural shape-shifter whose role as “Other” tells us much about Victorian culture and readers’ fears or desires.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Tales of Scottish Highlands & Moors – 70+ Historical Novels, Adventure Classics & Victorian Romances by Robert Louis Stevenson,John Buchan,George MacDonald,Walter Scott,J. M. Barrie Pdf
DigiCat presents to you this unique collection with carefully picked out historical novels, adventure classics, romance novels, war stories and other tales set in Scottish highlands and moors. Table of Contents: Robert Louis Stevenson: Kidnapped Catriona Black Arrow: A Tale of the Two Roses The Master of Ballantrae: A Winter's Tale Weir of Hermiston Walter Scott: Waverley Guy Mannering The Antiquary Rob Roy Ivanhoe Kenilworth The Pirate The Fortunes of Nigel Peveril of the Peak Quentin Durward St. Ronan's Well Redgauntlet Woodstock The Fair Maid of Perth Anne of Geierstein Old Mortality The Black Dwarf The Heart of Midlothian The Bride of Lammermoor A Legend of Montrose Count Robert of Paris Castle Dangerous The Monastery The Abbot The Betrothed The Talisman John Buchan: The Thirty-Nine Steps The Three Hostages Huntingtower Castle Gay The Power-House John Macnab Sir Quixote of the Moors John Burnet of Barns A Lost Lady of Old Years The Half-Hearted Salute to Adventurers Midwinter Witch Wood The Free Fishers Anna Buchan: Olivia in India The Setons Penny Plain Ann and Her Mother Pink Sugar The Proper Place The Day of Small Things Priorsford Taken by the Hand Jane's Parlour The House That Is Our Own George MacDonald: David Elginbrod Alec Forbes of Howglen Robert Falconer Ranald Bannerman's Boyhood What's Mine's Mine The Elect Lady Heather and Snow Salted with Fire Malcolm The Marquis of Lossie Sir Gibbie Donal Grant J. M. Barrie: Auld Licht Idylls A Window in Thrums The Little Minister Sentimental Tommy Tommy and Grizel
Forensic psychiatrist Donald Grant asks, what is it about murder that fascinates us? Is it the chill whisper of fear reminding us we too can kill? Grant describes ten true murder cases, each with unique triggers. For most of us, murder is an arm's length experience, close enough to frighten and fascinate yet far enough not to traumatise. For those directly affected, murder can be scarring. Our restless chatter about murder, our state of heightened alert, our endless appetite for news, may all just be play therapy, reassuring us that our own killer instincts are under control.
