Dostoevsky And The Ethics Of Narrative Form

Author : Greta Matzner-Gore
Publisher : Northwestern University Press
Page : 223 pages
File Size : 54,7 Mb
Release : 2020-06-15
Category : Literary Criticism
ISBN : 9780810141995

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Dostoevsky and the Ethics of Narrative Form by Greta Matzner-Gore Pdf

Three questions of novelistic form preoccupied Fyodor Dostoevsky throughout his career: how to build suspense, how to end a narrative effectively, and how to distribute attention among major and minor characters. For Dostoevsky, these were much more than practical questions about novelistic craft; they were ethical questions as well. Dostoevsky and the Ethics of Narrative Form traces Dostoevsky’s indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that Dostoevsky wove the moral and formal questions that obsessed him into the fabric of his last three novels: Demons, The Adolescent, and The Brothers Karamazov. In so doing, he anticipated some of the most pressing debates taking place in the study of narrative ethics today.

Author : Alexander Spektor
Publisher : Northwestern University Press
Page : 372 pages
File Size : 46,7 Mb
Release : 2020-10-15
Category : Literary Criticism
ISBN : 9780810142473

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Reader as Accomplice by Alexander Spektor Pdf

Reader as Accomplice: Narrative Ethics in Dostoevsky and Nabokov argues that Fyodor Dostoevsky and Vladimir Nabokov seek to affect the moral imagination of their readers by linking morally laden plots to the ethical questions raised by narrative fiction at the formal level. By doing so, these two authors ask us to consider and respond to the ethical demands that narrative acts of representation and interpretation place on authors and readers. Using the lens of narrative ethics, Alexander Spektor brings to light the important, previously unexplored correspondences between Dostoevsky and Nabokov. Ultimately, he argues for a productive comparison of how each writer investigates the ethical costs of narrating oneself and others. He also explores the power dynamics between author, character, narrator, and reader. In his readings of such texts as “The Meek One” and The Idiot by Dostoevsky and Bend Sinister and Despair by Nabokov, Spektor demonstrates that these authors incite the reader’s sense of ethics by exposing the risks but also the possibilities of narrative fiction.

Author : Greta Matzner-Gore
Publisher : Northwestern University Press
Page : 0 pages
File Size : 42,7 Mb
Release : 2020-06-15
Category : Literary Criticism
ISBN : 0810141973

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Dostoevsky and the Ethics of Narrative Form by Greta Matzner-Gore Pdf

Three questions of novelistic form preoccupied Fyodor Dostoevsky throughout his career: how to build suspense, how to end a narrative effectively, and how to distribute attention among major and minor characters. For Dostoevsky, these were much more than practical questions about novelistic craft; they were ethical questions as well. Dostoevsky and the Ethics of Narrative Form traces Dostoevsky’s indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that Dostoevsky wove the moral and formal questions that obsessed him into the fabric of his last three novels: Demons, The Adolescent, and The Brothers Karamazov. In so doing, he anticipated some of the most pressing debates taking place in the study of narrative ethics today.

Author : Sarah J. Young
Publisher : Anthem Press
Page : 229 pages
File Size : 50,6 Mb
Release : 2004
Category : Language Arts & Disciplines
ISBN : 9781843311157

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Dostoevsky's The Idiot and the Ethical Foundations of Narrative by Sarah J. Young Pdf

'Original, well argued, convincing and attractively written throughout.' Malcolm Jones, Professor Emeritus, Dept. of Russian and Slavonic Studies, University of Nottingham 'A truly outstanding and original piece of work.' Robin Feuer Miller, Edytha Macy Gross Professor of Humanities, Brandeis University In considering Dostoevsky's The Idiot, a novel less easily defined in terms of plot and ideas than his other major fictional works, Sarah Young addresses problems in the novel unresolved by previous interpretations, and in doing so fills a significant gap in Dostoevsky studies. Dostoevsky's The Idiot and the Ethical Foundations of Narrative provides an innovative theoretical framework for an analysis that integrates structural and narratological considerations with thematic (religious and ethical) aspects, by focusing on the characters' interactivity as the most fundamental level on which the ethical systems of the novel are enacted. It examines the questions of what ethical bases are put forward by the novel, what faith-issues and philosophical world-views they derive from, and how, in terms of structuring and narration rather than simply thematically, they are presented in the novel. For the first time, through the concept of scripting, the author shows how the ethical becomes the foundation for the narratological in The Idiot. No other book on Dostoevsky has addressed the question of ethics, which is so important to the study of Dostoevsky, particularly in the light of recent work on the religious dimension of his novels, within the context of narrative and Bakhtinian dialogue. This substantial new work will appeal to academics, postgraduates and undergraduates working on Dostoevsky and the nineteenth- and twentieth-century Russian novel in general; as well as scholars in the fields of literary theory, including Bakhtin studies, narratology, literature and ethics.

Author : Sarah Young
Publisher : Anthem Press
Page : 228 pages
File Size : 55,6 Mb
Release : 2004-11-14
Category : Literary Criticism
ISBN : 9781843313748

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Dostoevsky's The Idiot and the Ethical Foundations of Narrative by Sarah Young Pdf

In considering Dostoevsky's 'The Idiot', a novel less easily defined in terms of plot and ideas than his other major fictional works, Sarah Young addresses problems in the novel unresolved by previous interpretations, and in doing so fills a significant gap in Dostoevsky studies. 'Dostoevsky's The Idiot and the Ethical Foundations of Narrative' provides an innovative theoretical framework for an analysis that integrates structural and narratological considerations with thematic (religious and ethical) aspects, by focusing on the characters' interactivity as the most fundamental level on which the ethical systems of the novel are enacted. It examines the questions of what ethical bases are put forward by the novel, what faith-issues and philosophical world-views they derive from, and how, in terms of structuring and narration rather than simply thematically, they are presented in the novel.

Author : Katherine Bowers,Kate Holland
Publisher : University of Toronto Press
Page : 264 pages
File Size : 51,7 Mb
Release : 2021-07-30
Category : Literary Criticism
ISBN : 9781487538651

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Dostoevsky at 200 by Katherine Bowers,Kate Holland Pdf

Marking the bicentenary of Dostoevsky’s birth, Dostoevsky at 200: The Novel in Modernity takes the writer’s art – specifically the tension between experience and formal representation – as its central theme. While many critical approaches to Dostoevsky’s works are concerned with spiritual and philosophical dilemmas, this volume focuses instead on questions of design and narrative to explore Dostoevsky and the novel from a multitude of perspectives. Contributors situate Dostoevsky’s formal choices of narrative, plot, genre, characterization, and the novel itself within modernity and consider how the experience of modernity led to Dostoevsky’s particular engagement with form. Conceived as a forum for younger scholars working in new directions in Dostoevsky scholarship, this volume asks how narrative and genre shape Dostoevsky’s works, as well as how they influence the way modernity is represented. Of interest not only to readers and scholars of Russian literature but also to those curious about the genre of the novel more broadly, Dostoevsky at 200 is pathbreaking in its approach to the question of Dostoevsky’s contribution to the novel as a form.

Author : Evgenia Cherkasova
Publisher : Rodopi
Page : 147 pages
File Size : 54,7 Mb
Release : 2009
Category : Art
ISBN : 9789042026100

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Dostoevsky and Kant by Evgenia Cherkasova Pdf

"In this book, Evgenia Cherkasova brings the philosopher Kant and the novelist Dostoevsky together in conversations that probe why duty is central to our moral life. She shows that just as Dostoevsky is indebted to Kant, so Kant would profit from the deeply philosophical narratives of Dostoevsky, which engage the problem of evil and the claims of human community. She not only produces a novel reading of Dostoevsky, but also guides us to later, often neglected Kantian texts. This study is written with scholarly care, penetrating analysis, elegance of style, and moral urgency: Cherkasova writes with both mind and heart." Emily Grosholz, Professor of Philosophy, The Pennsylvania State University Social Philosophy (SP), in conjunction with the Center for Ethics, Peace and Social Justice, SUNY Cortland, explores theoretical and applied issues in contemporary social philosophy, drawing on a variety of philosophical traditions.

Author : Paul J. Contino
Publisher : Wipf and Stock Publishers
Page : 334 pages
File Size : 51,6 Mb
Release : 2020-08-17
Category : Literary Criticism
ISBN : 9781725250741

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Dostoevsky's Incarnational Realism by Paul J. Contino Pdf

In this book Paul Contino offers a theological study of Dostoevsky’s final novel, The Brothers Karamazov. He argues that incarnational realism animates the vision of the novel, and the decisions and actions of its hero, Alyosha Fyodorovich Karamazov. The book takes a close look at Alyosha’s mentor, the Elder Zosima, and the way his role as a confessor and his vision of responsibility “to all, for all” develops and influences Alyosha. The remainder of the study, which serves as a kind of reader’s guide to the novel, follows Alyosha as he takes up the mantle of his elder, develops as a “monk in the world,” and, at the end of three days, ascends in his vision of Cana. The study attends also to Alyosha’s brothers and his ministry to them: Mitya’s struggle to become a “new man” and Ivan’s anguished groping toward responsibility. Finally, Contino traces Alyosha’s generative role with the young people he encounters, and his final message of hope.

Author : Amy D. Ronner
Publisher : Rowman & Littlefield
Page : 357 pages
File Size : 45,9 Mb
Release : 2021-01-12
Category : Literary Criticism
ISBN : 9781793607829

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Dostoevsky as Suicidologist by Amy D. Ronner Pdf

In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.

Author : Lynn Ellen Patyk
Publisher : Northwestern University Press
Page : 338 pages
File Size : 53,6 Mb
Release : 2023-01-15
Category : Literary Criticism
ISBN : 9780810145740

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Dostoevsky’s Provocateurs by Lynn Ellen Patyk Pdf

Confronting Bakhtin’s formative reading of Dostoevsky to recover the ways the novelist stokes conflict and engages readers—and to explore the reasons behind his adversarial approach Like so many other elements of his work, Fyodor Dostoevsky’s deliberate deployment of provocation was both prescient and precocious. In this book, Lynn Ellen Patyk singles out these forms of incitement as a communicative strategy that drives his paradoxical art. Challenging, revising, and expanding on Mikhail Bakhtin’s foundational analysis in Problems of Dostoevsky’s Poetics, Patyk demonstrates that provocation is the moving mover of Dostoevsky’s poetics of conflict, and she identifies the literary devices he uses to propel plot conflict and capture our attention. Yet the full scope of Dostoevsky’s provocative authorial activity can only be grasped alongside an understanding of his key themes, which both probed and exploited the most divisive conflicts of his era. The ultimate stakes of such friction are, for him, nothing less than moral responsibility and the truth of identity. Sober and strikingly original, compassionate but not uncritical, Dostoevsky’s Provocateurs exposes the charged current in the wiring of our modern selves. In an economy of attention and its spoils, provocation is an inexhaustibly renewable and often toxic resource.

Author : Gary Saul Morson
Publisher : Harvard University Press
Page : 513 pages
File Size : 54,7 Mb
Release : 2023-05-09
Category : History
ISBN : 9780674971806

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Wonder Confronts Certainty by Gary Saul Morson Pdf

Gary Saul Morson brings to life the intense intellectual debates shaping two centuries of Russian writing. Dialogues of great writers with philosophical wanderers and blood-soaked radicals reveal a contest between unyielding dogmatism and open-minded wonder, rendering the Russian literary canon at once distinctive and universally human.

Author : Anna A. Berman
Publisher : Oxford University Press
Page : 273 pages
File Size : 44,9 Mb
Release : 2022-09-15
Category : Domestic fiction, English
ISBN : 9780192866622

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The Family Novel in Russia and England, 1800-1880 by Anna A. Berman Pdf

This book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis--looking back to ancestors and head to progeny--while the Russians emphasized the lateral, synchronic axis--family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative kinship constructions. Idealizing the domestic sphere and emphasizing family continuity, the English novel made family a conservative force, while Russian novels approached it as a backward site of patriarchal tyranny in desperate need of reform. Russian family plots offered a progressive, liberalizing push toward new, nontraditional family constructions. The book's comparative approach calls for a re-evaluation of reigning theories of the novel, theories that are based on the linear English family model and cannot accommodate the more complex, Russian alternative. It reveals where these theories fall short, explains the reasons for their shortcomings, and offers a new way of conceptualizing family's role in shaping the nineteenth-century novel. Classics from Dickens, Eliot, and Trollope, to Dostoevsky, Tolstoy, and Turgenev are contextualized in the broader literary landscape of their day, and Russia's great women writers regain their rightful place alongside their male counterparts as the book draws together family history, literary analysis, and novel theory.

Author : Blythe Worthy
Publisher : Springer Nature
Page : 294 pages
File Size : 49,9 Mb
Release : 2024-06-15
Category : Electronic
ISBN : 9783031508325

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Adapting Television and Literature by Blythe Worthy Pdf

Author : Yuri Corrigan
Publisher : Northwestern University Press
Page : 336 pages
File Size : 55,5 Mb
Release : 2017-10-15
Category : Literary Criticism
ISBN : 9780810135710

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Dostoevsky and the Riddle of the Self by Yuri Corrigan Pdf

Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.

Author : Anonim
Publisher : BRILL
Page : 320 pages
File Size : 47,7 Mb
Release : 2012-01-01
Category : Literary Criticism
ISBN : 9789401207898

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Aspects of Dostoevskii by Anonim Pdf

Perhaps more than any other nineteenth-century Russian writer, Dostoevskii’s continuing popularity rests on his contemporary relevance. The prophetic streak in his creativity gives him the same lasting appeal as dystopian novelists such as Zamiatin and Orwell whom he influenced and whose ethical concerns he anticipated. Religious themes are prominent in his work, too, and, though he was a believer, his interest seems to lie in the tension between faith and unbelief, which was felt as keenly in the Russia of his time as in our own. The nature of Dostoevskii’s art also continues to be debated. The older tendency to disparage his literary method has given way to a recognition of the originality of his techniques, without which his ideological concerns would not have emerged with such thought-provoking clarity. The chapters which comprise this volume address these issues in a range of Dostoevskii’s works, from shorter classics, such as House of the Dead and Notes from Underground to great novels such as Crime and Punishment and The Brothers Karamazov. This work will be of use to scholars and students of Dostoevskii at all levels as well as to those with an interest in nineteenth-century literature more generally.