Down Along The Mother Volga Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Down Along The Mother Volga book. This book definitely worth reading, it is an incredibly well-written.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
The Russians call the longer river in Europe "Mother Volga" & view it as the lifeblood of their country. Marq de Villiers traveled in its 2,000-mile entirety to escape the chatter of the official Soviet media & to hear the emotional, unadorned voices of the real Russian people. His book combines genuine adventure with history & folklore as it offers a telling look at the paradoxical heart of modern Russia. It reveals the heart & soul of Russia with extraordinary sympathy, humor, & emotional richness. This book is a snapshot of a moment in time, a time of great anguish & wild hopefulness. Maps.
Entertaining Tsarist Russia by James Von Geldern,Louise McReynolds Pdf
Companion disc features recordings of popular songs and vaudeville skits performed by some of Russia's most famous singers and comics of early twentieth century.
Propp's essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study, newly translated by Roberta Reeder, Propp considers the Russian folk lyric in the social and historical context in which it was produced. Reeder supplements Propp's theoretical presentation with a comprehensive anthology of examples. Some songs were imitated by or appear in the works of Russia's major writers, such as Pushkin and Nekrasov. Here we find the customs of Russian peasant life expressed through the ritual of song. Whether the songs are about love, labor, or children's games; whether they are sad, humorous, or satiric in tone, Russian folk lyrics are rich in metaphor and symbolic meaning. In addition to the editor's notes to the text and songs, Reeder supplies a bibliography of Propp's sources as well as an extensive selected bibliography.
Rivers, Memory, And Nation-building by Dorothy Zeisler-Vralsted Pdf
Rivers figure prominently in a nation’s historical memory, and the Volga and Mississippi have special importance in Russian and American cultures. Beginning in the pre-modern world, both rivers served as critical trade routes connecting cultures in an extensive exchange network, while also sustaining populations through their surrounding wetlands and bottomlands. In modern times, “Mother Volga” and the “Father of Waters” became integral parts of national identity, contributing to a sense of Russian and American exceptionalism. Furthermore, both rivers were drafted into service as the means to modernize the nation-state through hydropower and navigation. Despite being forced into submission for modern-day hydrological regimes, the Volga and Mississippi Rivers persist in the collective memory and continue to offer solace, recreation, and sustenance. Through their histories we derive a more nuanced view of human interaction with the environment, which adds another lens to our understanding of the past.
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.
A Russian song book by Rose N. Rubin,Michael Stillman,Jerry Silverman Pdf
Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.
A Radical Worker in Tsarist Russia by Semen Kanatchikov,Reginald E. Zelnik Pdf
Semën Kanatchikov, born in a central Russian village in 1879, was one of the thousands of peasants who made the transition from traditional village life to the life of an urban factory worker in Moscow and St. Petersburg in the last years of the nineteenth century. Unlike the others, however, he recorded his personal and political experiences (up to the even of the 1905 Revolution) in an autobiography. First published in the Soviet Union in the 1920s, this memoir gives us the richest and most thoughtful firsthand account we have of life among the urban lower classes in Imperial Russia. We follow this shy but determined peasant youth's painful metamorphosis into a self-educated, skilled patternmaker, his politicization in the factories and workers' circles of Moscow and St. Petersburg, and his close but troubled relations with members of the liberal and radical intelligentsia. Kanatchikov was an exceptionally sensitive and honest observer, and we learn much from his memoirs about the day-to-day life of villagers and urban workers, including such personal matters as religious beliefs, family tensions, and male-female relationships. We also learn about conditions in the Russian prisons, exile life in the Russian Far North, and the Bolshevik-Menshevik split as seen from the workers' point of view.
"In Wallance’s bracing narrative, Kennan emerges as a cheerful, deeply decent companion, an uncompromising observer whose greatest strength was his ability to change his mind. He’s a welcome change from the callous imperialists who people most Victorian travelogues, and his humanity allows Into Siberia to delve into horror without succumbing to despair." — The New York Times Book Review In a book that ranks with the greatest adventure stories, Gregory Wallance’s Into Siberia is a thrilling work of history about one man’s harrowing journey and the light it shone on some of history’s most heinous human rights abuses. In the late nineteenth century, close diplomatic relations existed between the United States and Russia. All that changed when George Kennan went to Siberia in 1885 to investigate the exile system and his eyes were opened to the brutality Russia was wielding to suppress dissent. Over ten months Kennan traveled eight thousand miles, mostly in horse-drawn carriages, sleighs or on horseback. He endured suffocating sandstorms in the summer and blizzards in the winter. His interviews with convicts and political exiles revealed how Russia ran on the fuel of inflicted pain and fear. Prisoners in the mines were chained day and night to their wheelbarrows as punishment. Babies in exile parties froze to death in their mothers’ arms. Kennan came to call the exiles’ experience in Siberia a “perfect hell of misery.” After returning to the United States, Kennan set out to generate public outrage over the plight of the exiles, writing the renowned Siberia and the Exile System. He then went on a nine-year lecture tour to describe the suffering of the Siberian exiles, intensifying the newly emerging diplomatic conflicts between the two countries which last to this day.
Russia in the Age of Alexander II, Tolstoy and Dostoevsky by Walter Moss Pdf
'Russia in the Age of Alexander II, Tolstoy and Dostoevsky' is both history and story, incorporating in its analysis of Alexander II's turbulent reign the lives and ideas of the period's great writers, thinkers and revolutionaries who made this the Golden Age of Russian literature and thought. In his combination of considerable biographical material with the presentation of the main ideas of the era's chief writers and thinkers, Walter G. Moss has written a history that is of interest not only to scholars and students of the period, but also to more general readers.
Author : Richard K. Spottswood Publisher : University of Illinois Press Page : 762 pages File Size : 46,7 Mb Release : 1990 Category : Music ISBN : 0252017242
Ethnic Music on Records by Richard K. Spottswood Pdf
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
