Dramma Giocoso

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Dramma Giocoso

Author : Julian Rushton
Publisher : Leuven University Press
Page : 145 pages
File Size : 45,7 Mb
Release : 2012
Category : Music
ISBN : 9789058678454

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Dramma Giocoso by Julian Rushton Pdf

The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.

I Pretendenti delusi. Dramma giocoso per musica [in two acts and in verse, by Luigi Prividali], da rappresentarsi nell'Imperial Teatro di Via della Pergola nel Carnevale del 1813, etc

Author : Anonim
Publisher : Unknown
Page : 42 pages
File Size : 45,9 Mb
Release : 1813
Category : Electronic
ISBN : BL:A0024169041

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I Pretendenti delusi. Dramma giocoso per musica [in two acts and in verse, by Luigi Prividali], da rappresentarsi nell'Imperial Teatro di Via della Pergola nel Carnevale del 1813, etc by Anonim Pdf

The Signifier and the Signified

Author : F. Noske
Publisher : Springer Science & Business Media
Page : 428 pages
File Size : 49,5 Mb
Release : 2012-12-06
Category : Music
ISBN : 9789401010870

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The Signifier and the Signified by F. Noske Pdf

The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.

The Concise Oxford Dictionary of Opera

Author : John Warrack,Ewan West
Publisher : Oxford Paperbacks
Page : 594 pages
File Size : 43,5 Mb
Release : 1996-03-07
Category : Music
ISBN : 9780192800282

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The Concise Oxford Dictionary of Opera by John Warrack,Ewan West Pdf

Derived from the full Oxford Dictionary of Opera, this is the most authoritative and up-to-date dictionary of opera available in paperback. Fully revised for this new edition, with over 3,500 entries, it is designed to be accessible to all those who enjoy opera, whether at the opera-house oron record. * Composers and their works * Singers and their notable performances * Plot summaries and separate entries for well-known roles, arias, and choruses * Leading conductors, producers, and designers * Opera companies and festivals

The Philosopher's Stone

Author : Barbara R. Barry
Publisher : Pendragon Press
Page : 250 pages
File Size : 49,9 Mb
Release : 2000
Category : Juvenile Nonfiction
ISBN : 1576470105

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The Philosopher's Stone by Barbara R. Barry Pdf

The Philosopher's Stone is a collection of case studies in compositional process; not so much about how the music was arrived at through its sketch stages, but more are construction of issues of form as the defining features of a genre, and structure as the individual realization in a particular work. Great musical movements and works are seen as highly creative solutions to problem-solving. The contexts of the works differ considerably. Some were written against the background of a specific precedent or model, as with Mozart's Haydn quartets via Haydn's Op. 33 set. In other cases, as with Beethoven's middle period style, the composer reconsiders a comprehensive range of implications about style and construction, of how, after earlier successes now outworn, to make a new and significant contribution to the genre without duplicating earlier solutions. The essays are grouped into three sections: on Beethoven studies, Mozart in retrospect, and nineteenth-century music. All the movements and works in these chapters pose in their different ways these issues of structural reinterpretation and re-formation, where the reworking of the form leads to a distinctive and higher level transformation

Catalogue or alphabetical index

Author : New York city, Astor libr
Publisher : Unknown
Page : 546 pages
File Size : 51,7 Mb
Release : 1859
Category : Electronic
ISBN : OXFORD:555057419

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Catalogue or alphabetical index by New York city, Astor libr Pdf

Dramma Per Musica

Author : Reinhard Strohm
Publisher : Yale University Press
Page : 350 pages
File Size : 50,6 Mb
Release : 1997-01-01
Category : Music
ISBN : 0300064543

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Dramma Per Musica by Reinhard Strohm Pdf

'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.

Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi

Author : Blair Hoxby
Publisher : University of Toronto Press
Page : 307 pages
File Size : 46,5 Mb
Release : 2024-03-01
Category : Literary Criticism
ISBN : 9781487518097

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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi by Blair Hoxby Pdf

Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena. These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.

Opera in Portugal in the Eighteenth Century

Author : Manuel Carlos de Brito
Publisher : Cambridge University Press
Page : 276 pages
File Size : 48,6 Mb
Release : 2007-05-31
Category : Music
ISBN : 0521036437

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Opera in Portugal in the Eighteenth Century by Manuel Carlos de Brito Pdf

A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.

Ireland, Enlightenment and the English Stage, 1740-1820

Author : David O'Shaughnessy
Publisher : Cambridge University Press
Page : 283 pages
File Size : 48,6 Mb
Release : 2019-08
Category : Literary Criticism
ISBN : 9781108498142

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Ireland, Enlightenment and the English Stage, 1740-1820 by David O'Shaughnessy Pdf

Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.

Haydn and His World

Author : Elaine R. Sisman
Publisher : Princeton University Press
Page : 489 pages
File Size : 54,6 Mb
Release : 2012-01-16
Category : Music
ISBN : 9781400831821

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Haydn and His World by Elaine R. Sisman Pdf

Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s. The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.