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A single book might not change the world. But this utterly original meditation on art and war might transform the way you see the world—and that makes all the difference. “How to live in the face of so much suffering? What difference can one person make in this beautiful, imperfect, and imperiled world?” Through a dazzling combination of memoir, history, reporting, visual culture, literature, and theology, Sarah Sentilles offers an impassioned defense of life lived by peace and principle. It is a literary collage with an urgent hope at its core: that art might offer tools for remaking the world. In Draw Your Weapons, Sentilles tells the true stories of Howard, a conscientious objector during World War II, and Miles, a former prison guard at Abu Ghraib, and in the process she challenges conventional thinking about how war is waged, witnessed, and resisted. The pacifist and the soldier both create art in response to war: Howard builds a violin; Miles paints portraits of detainees. With echoes of Susan Sontag and Maggie Nelson, Sentilles investigates images of violence from the era of slavery to the drone age. In doing so, she wrestles with some of our most profound questions: What does it take to inspire compassion? What impact can one person have? How should we respond to violence when it feels like it can’t be stopped? Praise for Draw Your Weapons “A collage of death, savagery, torture, and trauma across generations and continents, Sarah Sentilles’s Draw Your Weapons is painful to read, hard to put down, and impossible to forget.”—O: The Oprah Magazine “In her dynamic, impressionistic (and cleverly titled) book, Sentilles focuses on language and images–particularly photography–and considers what role they play in peace and war. Eschewing a traditional narrative, Sentilles focuses on two men–one a World War II conscience objector who makes violins, and the other an Abu Ghraib prison guard who paints detainee portraits. In brief, delicately layered pieces rather than a narrative, Sentilles has created a collage that explores art, violence, and what it means to live a principled life.”—The National Book Review “It’s the kind of book that, after reading just half, you have to stop and catch your breath, because reading it changes you, not just in terms of what you know–it changes the way you think and how you feel–so much so that, halfway in, I wanted to go back and start again because I felt I was already a different person to the person I was when I began.”—Turnaround
‘How to live in the face of so much suffering? What difference can one person make in this beautiful, imperfect, and imperilled world?’ In Draw Your Weapons, Sarah Sentilles offers an impassioned defence of life lived by peace and principle. Through a dazzling combination of memoir, history, reporting, visual culture, literature and theology, Sentilles tells the true stories of a conscientious objector during World War II and a former prison guard at Abu Ghraib. In the process she challenges conventional thinking about how violence is waged, witnessed and resisted. Draw Your Weapons stirs and confronts, disturbs and illuminates. A single book might not change the world, but this utterly original meditation on art and war might transform the way you see the world—and that makes all the difference. A former theologian, Sarah Sentilles completed her undergraduate degree at Yale and both a Masters and a Doctorate at Harvard. She was a college professor for over a decade before becoming a full time writer and is now a passionate advocate for life lived by peace and principle. Her previous books are Taught by America: A Story of Struggle and Hope in Compton, A Church of her Own: What Happens When A Woman Takes the Pulpit and Breaking Up With God: A Love Story. She lives in Idaho. ‘A unique and necessary book that makes a passionate, thought-stoking argument.’ John Jeremiah Sullivan ‘Now more than ever, the world needs a book like Draw Your Weapons. With mastery, urgency and great courage, Sarah Sentilles investigates the histories of art, violence, war and human survival. In her haunting and absorbing narrative, the act of storytelling itself becomes a matter of life and death.’ Ruth Ozeki ‘Draw Your Weapons is as much about peace as it is about war; it is as much about life as it is about death...You will be riveted, educated, implicated, and changed by this book.’ Emily Rapp ‘An intriguing meditation on violence, imagery and language.’ Ashleigh Wilson, Australian, Books of the Year 2017 ‘A beautiful, harrowing, and moving collage that portrays the making of art as a powerful response to making war. Every reader will feel profoundly changed by it.’ Alice Elliott Dark ‘Fearless, stirring, rhythmic, this book pulses with energy and is full of insights, dark yet ultimately hopeful.’ Nick Flynn ‘A beautiful, haunting book so original that it is a genre unto itself—a poem, a sermon, a polemic, a memoir, a narrative. I won’t be able to think of our era of constant conflict without recalling Sentilles’s lessons, her imagery, and her prophetic voice.’ Franklin Foer ‘Draw Your Weapons works as a highly original corrective to this impulse towards inaction...Sentilles’ approach is a refreshing and instructive take on this era of perennial warfare.’ Readings ‘Sentilles delivers a learned, poetic, and interdisciplinary assessment of the ways in which the photographic image has been abused and weaponised, while also suggesting ways in which the arts can help serve as an antidote to this problem.’ Publishers Weekly ‘Sentilles, a would-be priest who dropped out of divinity school to pursue the study of art history searches for the role of art in an age of perennial warfare. She deftly and gently weaves together disparate topics—photography, Japanese internment, Abu Ghraib, sainthood, to name a few—so that I felt like an awakened genius at the close of each section.’ Literary Hub ‘In a culture where the arts are too often dismissed as frivolous, Sentilles’s work offers a robust and necessary retort, an important reminder that “the world is made and can be unmade”.’ Australian ‘Sentilles has examined these issues so closely, I am inescapably interested in her opinions. At the same time I also appreciate her answer to a student, who, reacting to one of the many photographs of war and violence that Sentilles shows her classes, asked, “But what are we supposed to do?” Sentilles responded: “I don’t know.”’ Saturday Paper ‘Though Sontag’s words—“No one...Not even pacifists”—fundamentally shape the book, and it proves nothing if not how pervasive and intractable the culture of war is, Draw Your Weapons left me feeling rather like Virginia Woolf. It is an impossibly heavy book to read, as even the beautiful in it is tainted by its root cause, but it is heavy because it is challenging and brilliant and fierce. Readers will carry that weight and be better for it.’ Rumpus ‘Sarah Sentilles’ Draw Your Weapons is one of the most erudite, original, and thought-provoking books I have ever read. A philosophical and moral meditation on pain, torture, and the violence of war—part memoir, part history, even a kind of secular prayer—this book asks us to look at terrible human darkness while also celebrating the ways in which love, connectedness, and the making of art nourish and redeem the human spirit.’ Australian Book Review ‘A masterpiece of understatement, allusion and wily composition.’ Michael McGirr, Sydney Morning Herald ‘A sincere and intelligent read.’ BMA Magazine ‘A formally elegant and intellectually rigorous argument for peace...Sentilles’ book inspires us to be more than we are, to live beyond our historical moment. Not a call to arms so much as a call to the writers’ pen.’ Geordie Williamson, Best Books of 2017, Australian Book Review ‘A complex and original reaction to violence, warfare, and conscientious objection: I’m still thinking about it, still dipping back into it.’ Patrick Allington, Best Books of 2017, Australian Book Review ‘Sentilles mounts her argument with an accumulation of detail, employing metaphor rather than polemic. Her examination of drone warfare is especially powerful.’ Suzy Freeman-Greene, Best Books of 2017, Australian Book Review ‘Poetic and furious.’ Fiona Wright, Sydney Morning Herald’s Year in Reading ‘These are weighty subjects but the author’s touch is so light that I was barely conscious of reading...Sentilles does not belabour her points but her silences are impactful.’ Overland ‘Had I not been asked to review Sarah Sentilles’s Draw Your Weapons for these pages, I wouldn’t have read it; I would have skimmed the blurb and scoffed at its idealism. “What difference can one person make in this beautiful, imperfect, and imperilled world?” Sentilles asks. This of all years, I am mightily thankful I was challenged to confront that question, and form my own answer. Her book is a vital antidote to political despondency and a testament to the transformative power of art.’ Beejay Silcox, Australian, Books of the Year 2017 ‘Sentilles's book is a challenging read full of snippets thoughts and reflections. It cuts between time place and character. Part memoir part exploration it avoids neatly-cut explanations or definitive conclusions it shows, suggests and probes...In an age consumed with its own reflection this is a timely work and I highly recommend it.’ Radio National, 2017’s Best Summer Reads ‘An intriguing meditation on violence, imagery and language.’ Ashleigh Wilson, Australian, Books of the Year 2017 ‘Two very different photographs send the author on a quest to understand the relationship between compassion and violence. The result is the conversation that I wish we, as a nation, could have, not just to bridge the gap between veterans and civilians, or to find some common ground between conservatives and liberals, but to lay out a realistic plan for our continued survival.’ LitHub ‘An unflinching yet poetic interrogation of the roles that imagery, language and everyday behaviours play in abetting oppression, violence and injustice, Draw Your Weapons confirms that a life of peace and principle is a human possibility.’ Peter Mares, Griffith Review ‘Sentilles combines fragments of narrative, memoir and journalism to plot a peripatetic path through contemporary debates about war and suffering. She considers whether it is possible for art- and image-making to re-engage viewers who feel overwhelmed or apathetic, while restoring dignity to those affected by conflict. In a book with no images, Sentilles interrogates many photographic works that depict violence and suffering, to grapple with the question: do we look or look away?...Sentilles argues that the suffering doesn’t go away just because we don’t look. The really important question is not whether we look, but what we do with what we see.’ Inside Story
Four top gaming artists share their secrets for creating fantasy battle scenes complete with warriors, a fearsome armory of weaponry and a cast of monstrous creatures that wreak havoc! Read this book and enter a realm where human warriors coexist with giants, monsters and many other mythical creatures both mundane and magical, all battling for survival. Four artists who have dared to venture this way before (and won reputations as masters of fantasy illustration) are here to lead you through this wicked world, sharing their fiercest techniques for creating your vilest imaginings. Take up your pen and brush, and follow through 15 step-by-step character demos as well as 39 mini-demos on rendering fearsome armor, swords and other weaponry. Here's what lies ahead: • Archetypal Humanoids. Quite an unusual group, containing such diverse beings as humans, elves, dwarves, gnomes and brutish, foul-smelling orcs. • Exotic Humanoids. Two arms, two legs and a head... the rest is all up to you. Begin your imaginings here with Medusa, Creagal, hateful Lich, nasty trolls and bitter Iraxus. • Creatures. Dragons, gargoyles, ogres, Venusians and Minotaurs . . . embodiments of pure evil found only in the darkest places. • Environments. 5 full-spread scenes, from tense to tranquil, feature the native habitats of popular fantasy warriors. To make your battle scenes believable, this book will arm you with a thorough understanding of line, color, lighting and composition. Then venture forth, if you dare, with strong shapes, fluid lines and an unhinged imagination. Let havoc ensue!
Author : Paul Scharre Publisher : W. W. Norton & Company Page : 384 pages File Size : 44,8 Mb Release : 2018-04-24 Category : History ISBN : 9780393608991
Army of None: Autonomous Weapons and the Future of War by Paul Scharre Pdf
"The book I had been waiting for. I can't recommend it highly enough." —Bill Gates The era of autonomous weapons has arrived. Today around the globe, at least thirty nations have weapons that can search for and destroy enemy targets all on their own. Paul Scharre, a leading expert in next-generation warfare, describes these and other high tech weapons systems—from Israel’s Harpy drone to the American submarine-hunting robot ship Sea Hunter—and examines the legal and ethical issues surrounding their use. “A smart primer to what’s to come in warfare” (Bruce Schneier), Army of None engages military history, global policy, and cutting-edge science to explore the implications of giving weapons the freedom to make life and death decisions. A former soldier himself, Scharre argues that we must embrace technology where it can make war more precise and humane, but when the choice is life or death, there is no replacement for the human heart.
Drawing Weapons of the World by Nicholas Tomihama Pdf
I'm Nick and I've been making knives, swords, bows, and all sorts of other weapons and tools for over 15 years. I've been sketching and drawing them since I was young, just ask any of my math teachers. I've picked some of my favorite weapons from cultures around the world to draw with you. Some of these are weapons I own and handle often. Some are ones I've handled or viewed through glass. And others, like the flint and blacksmith knives here are ones I built myself.My hope is that this book will help you get a feel for the innate grace and deadly beauty of the world's tools of war and peace.
FORTNITE (Official): How to Draw by Epic Games Pdf
Draw your favorite Outfits, vehicles, weapons, and more with Epic Games' first official how to draw book, including tips to make your sketches as epic as your in-game achievements and featuring the authentic Fortnite holographic seal. Learn how to draw 35 of the game's most popular icons-including Outfits, weapons, building materials, and vehicles. In easy-to-follow stages, you'll go step-by-step from rough sketch to detailed finish. INCLUDES: 16 iconic Outfits 8 fearsome weapons The craziest in-game vehicles Drawing guide Top art tips, including advanced shading and texture techniques Whether you're a complete novice or an experienced artist, this book will inspire you to pick up a pencil and get sketching! LET'S GO!
Noisy popular liberal interventionism? Or a more conservative, diplomatic approach concentrating on co-operation between nations? This is the debate that lies at the heart of modern politics and Hurd traces its most interesting and influential exponents. He starts with Canning and Castelreagh in post Waterloo Britain; to a generation later, the victory of the interventionist Palmerston over Aberdeen; then to Salisbury (Imperialism) and Grey (European balance of power); and finally to Eden and Bevin who combined to lay the foundations of a post-war compromise. That delicate balance has served its purpose for over half a century, but as we enter a new era of terrorism and racial conflict, the old questions and divisions are re-surfacing . . .
NEW YORK TIMES EDITORS’ CHOICE • “A powerful, heartbreaking, necessary masterpiece.”—Cheryl Strayed, #1 New York Times bestselling author of Wild The moving story of what one woman learned from fostering a newborn—about injustice, about making mistakes, about how to better love and protect people beyond our immediate kin May you always feel at home. After their decision not to have a biological child, Sarah Sentilles and her husband, Eric, decide to adopt via the foster care system. Despite knowing that the system’s goal is the child’s reunification with the birth family, Sarah opens their home to a flurry of social workers who question them, evaluate them, and ultimately prepare them to welcome a child into their lives—even if it means most likely having to give the child back. After years of starts and stops, and endless navigation of the complexities and injustices of the foster care system, a phone call finally comes: a three-day-old baby girl named Coco, in immediate need of a foster family. Sarah and Eric bring this newborn stranger home. “You were never ours,” Sarah tells Coco, “yet we belong to each other.” A love letter to Coco and to the countless children like her, Stranger Care chronicles Sarah’s discovery of what it means to mother—in this case, not just a vulnerable infant but the birth mother who loves her, too. Ultimately, Coco’s story reminds us that we depend on family, and that family can take different forms. With prose that Nick Flynn has called “fearless, stirring, rhythmic,” Sentilles lays bare an intimate, powerful story with universal concerns: How can we care for and protect one another? How do we ensure a more hopeful future for life on this planet? And if we’re all related—tree, bird, star, person—how might we better live?
Author : Douglas J. Emlen Publisher : Henry Holt and Company Page : 288 pages File Size : 43,8 Mb Release : 2014-11-11 Category : Science ISBN : 9781429947398
WINNER OF THE PHI BETA KAPPA AWARD IN SCIENCE The story behind the stunning, extreme weapons we see in the animal world--teeth and horns and claws--and what they can tell us about the way humans develop and use arms and other weapons In Animal Weapons, Doug Emlen takes us outside the lab and deep into the forests and jungles where he's been studying animal weapons in nature for years, to explain the processes behind the most intriguing and curious examples of extreme animal weapons—fish with mouths larger than their bodies and bugs whose heads are so packed with muscle they don't have room for eyes. As singular and strange as some of the weapons we encounter on these pages are, we learn that similar factors set their evolution in motion. Emlen uses these patterns to draw parallels to the way we humans develop and employ our own weapons, and have since battle began. He looks at everything from our armor and camouflage to the evolution of the rifle and the structures human populations have built across different regions and eras to protect their homes and communities. With stunning black and white drawings and gorgeous color illustrations of these concepts at work, Animal Weapons brings us the complete story of how weapons reach their most outsized, dramatic potential, and what the results we witness in the animal world can tell us about our own relationship with weapons of all kinds.
Daniel W Webster,Jon S Vernick,Emma E McGinty,Ted Alcorn
Author : Daniel W Webster,Jon S Vernick,Emma E McGinty,Ted Alcorn Publisher : Johns Hopkins University Press+ORM Page : 32 pages File Size : 51,8 Mb Release : 2013-03-26 Category : Law ISBN : 9781421411729
Regulating Gun Sales by Daniel W Webster,Jon S Vernick,Emma E McGinty,Ted Alcorn Pdf
This excerpt from the “masterful, timely, data-driven” study of the gun control debate examines the potential of stronger purchasing laws (Choice). As the debate on gun control continues, evidence-based research is needed to answer a crucial question: How do we reduce gun violence? One of the biggest gun policy reforms under consideration is the regulation of firearm sales and stopping the diversion of guns to criminals. This selection from the major anthology of studies Reducing Gun Violence in America presents compelling evidence that stronger purchasing laws and better enforcement of these laws result in lower gun violence. Additional material for this edition includes an introduction by Michael R. Bloomberg and Consensus Recommendations for Reforms to Federal Gun Policies from the Johns Hopkins University.
Five Myths about Nuclear Weapons by Ward Wilson Pdf
Expanded from an article that created a stir in foreign policy circles, this book shows why five central arguments promoting nuclear weapons are, in essence, myths.
NOW AN HBO® DOCUMENTARY FROM AWARD-WINNING DIRECTOR JOHN MAGGIO • “An important—and deeply sobering—new book about cyberwarfare” (Nicholas Kristof, New York Times), now updated with a new chapter. The Perfect Weapon is the startling inside story of how the rise of cyberweapons transformed geopolitics like nothing since the invention of the atomic bomb. Cheap to acquire, easy to deny, and usable for a variety of malicious purposes, cyber is now the weapon of choice for democracies, dictators, and terrorists. Two presidents—Bush and Obama—drew first blood with Operation Olympic Games, which used malicious code to blow up Iran’s nuclear centrifuges, and yet America proved remarkably unprepared when its own weapons were stolen from its arsenal and, during President Trump’s first year, turned back on the United States and its allies. And if Obama would begin his presidency by helping to launch the new era of cyberwar, he would end it struggling unsuccessfully to defend the 2016 U.S. election from interference by Russia, with Vladimir Putin drawing on the same playbook he used to destabilize Ukraine. Moving from the White House Situation Room to the dens of Chinese government hackers to the boardrooms of Silicon Valley, New York Times national security correspondent David Sanger reveals a world coming face-to-face with the perils of technological revolution, where everyone is a target. “Timely and bracing . . . With the deep knowledge and bright clarity that have long characterized his work, Sanger recounts the cunning and dangerous development of cyberspace into the global battlefield of the twenty-first century.”—Washington Post
The man known as Cheradenine Zakalwe was one of Special Circumstances' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks and military action. The woman known as Diziet Sma had plucked him from obscurity and pushed him towards his present eminence, but despite all their dealings she did not know him as well as she thought. The drone known as Skaffen-Amtiskaw knew both of these people. It had once saved the woman's life by massacring her attackers in a particularly bloody manner. It believed the man to be a lost cause. But not even its machine could see the horrors in his past. Ferociously intelligent, both witty and horrific, Use of Weapons is a masterpiece of science fiction. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata