Drawing From Observation An Introduction To Perceptual Drawing
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Drawing from Observation (Reprint) by Brian Curtis, Professor Pdf
Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. With an emphasis on progressive skill development, Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing.
This volume presents a practicum of more than ten drawings which lead the reader in a detailed explanation of various perceptual concepts considering line and tone. Using geometric forms in various setups, it is an attempt to understand, in a comprehensive manner, those perceptual concepts useful to the practitioner. A theory of the picture plane is presented in the section on line and in the section on tone a theory of relative values. Some 60 illustrations and diagrams throughout the text present useful instruction for artists and instructors.
The Value of Drawing Instruction in the Visual Arts and Across Curricula by Seymour Simmons III Pdf
By applying philosophical and historical perspectives to drawing instruction, this volume demonstrates how diverse teaching methods contribute to cognitive and holistic development applicable within and beyond the visual arts. Offering a new perspective on the art and science of drawing, this text reveals the often-unrecognized benefits that drawing can have on the human mind, and thus argues for the importance of drawing instruction despite, and even due to contemporary digitalization. Given the predominance of visual information and digital media, visual thinking in and through drawing may be an essential skill for the future. As such, the book counters recent declines in drawing instruction to propose five Paradigms for teaching drawing – as design, as seeing, as experience and experiment, as expression, and as a visual language – with exemplary curricula for pre-K12 art and general education, pre-professional programs across the visual arts, and continuing education. With the aid of instructional examples, this volume dispels the misconception of drawing as a talent reserved for the artistically gifted and posits it as a teachable skill that can be learned by all. This text will be of primary interest to researchers, scholars, and doctoral students with interests in drawing theory and practice, cognition in the arts, positive psychology, creativity theory, as well as the philosophy and history of arts education. Aligning with contemporary trends such as Design Thinking, STEAM, and Graphicacy, the text will also have appeal to visual arts educators at all levels, and other educators involved in arts integration.
A solid foundation for improving your drawing skills Teaching a new observational method based on math and computer graphics principles, this book offers an innovative approach that shows you how to use both sides of your brain to make drawing easier and more accurate. Author Wei Xu, PhD, walks you through his method, which consists of scientific theories and principles to deliver real-world techniques that will improve your drawing skills. Xu's pioneering approach offers a solid foundation for both traditional and CG artists. Encourages you to use both sides of your brain for drawing with the highest efficiency possible Introduces an innovative method invented by the author for improving your drawing skills If you are eager to learn how to draw, then this book is a must read.
Ideal for introductory studio art courses in drawing, Drawing Essentials: A Guide to Drawing from Observation, Second Edition, explains clearly and in depth the essentials of depicting form and space on a two-dimensional surface, focusing on the cultivation of observational skills, increased sensitivity, critical thinking, technical refinement, and knowledge of materials. FEATURES * Written by an award-winning artist with thirty years of teaching experience * Presents clear, direct explanations of drawing fundamentals including: the process of sighting; scaling techniques; creating meaningful line variation; methods for tonal development; creating effective still lifes; understanding the human figure, portraiture, and anatomy; color theory and application; perspective systems; using photos as references; and brainstorming to generate ideas * Provides helpful pointers on both group and individual critiques * Offers practical advice about traditional and nontraditional media and surfaces as well as alternative processes that can be combined with drawing * Includes a comprehensive appendix featuring more than eighty illustrations by twenty-one contemporary artists, a bibliography, and a list of supplementary readings
Creative exercises illustrated by old and modern masters including da Vinci, Michelangelo, Durer, Degas, Picasso, de Kooning, Dine, and Rauschenberg. Table of Contents: - Chapter One: A Few Words - Chapter Two: Some Basics--Contour, Gesture, and Modeled Drawing - Chapter Three: Organization/Structure--Making Things "Work Together" - Chapter Four: Using Light and Dark - Chapter Five: Photographs, Grids, and Projected Images - Chapter Six: Probing a Single Form-Idea - Chapter Seven: Old and Modern Masters--Appreciated and Exploited - Chapter Eight: Drawing Extended - Chapter Nine: Now to Begin...
Drawing from Perception: Rewiring the Brain for Observational Art by Joshua Field Pdf
Drawing from Perception demystifies the art of drawing from observation and integrates new approaches to understanding the ways in which we perceive the world around us. As we navigate our daily lives, the mind works relentlessly in the background, actively constructing models of our experience in order to anticipate what will happen next. Unlike a camera taking a photograph, we see the world as an assembly of things that we have previously learned triggered by momentary visual stimuli. Using the strategies in this book, we will learn how to shift the balance toward visual accuracy while maintaining a clear understanding of how the brain creates models of what we see.
Advanced Fashion Drawing by Bil Donovan,William Bil Donovan Pdf
Advanced Fashion Drawing is a practical book showing not only how to draw the figure but also how to illustrate it in today’s fashion and lifestyle market. Designed specifically for those interested in illustrating fashion and lifestyle commercially, Bil Donovan demonstrates how to create an illustration with a sense of fashion, rather than one that concentrates solely on the fashion figure. A series of demonstrations and exercises help the advanced illustration student hone their skills and increase their level of draughtsmanship, while establishing their own personal style.
Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
Drawing Futures by Bob Sheil,Frédéric Migayrou,Luke Pearson,Laura Allen Pdf
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.
