Driving While Black African American Travel And The Road To Civil Rights
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Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Pdf
Bloomberg • Best Nonfiction Books of 2020: "[A] tour de force." The basis of a major PBS documentary by Ric Burns, this “excellent history” (The New Yorker) reveals how the automobile fundamentally changed African American life. Driving While Black demonstrates that the car—the ultimate symbol of independence and possibility—has always held particular importance for African Americans, allowing black families to evade the dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. Melding new archival research with her family’s story, Gretchen Sorin recovers a lost history, demonstrating how, when combined with black travel guides—including the famous Green Book—the automobile encouraged a new way of resisting oppression.
The Negro Motorist Green Book by Victor H. Green Pdf
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Winner of the Bancroft Prize Winner of the David J. Langum Prize Winner of the Lillian Smith Book Award Winner of the Order of the Coif Book Award Winner of the OAH Liberty Legacy Foundation Award A New York Times Critics’ Top Book of the Year “This extraordinary book is a powerful addition to the history of travel segregation...Mia Bay shows that Black mobility has always been a struggle.” —Ibram X. Kendi, author of How to Be an Antiracist “In Mia Bay’s superb history of mobility and resistance, the question of literal movement becomes a way to understand the civil rights movement writ large.” —Jennifer Szalai, New York Times “Traveling Black is well worth the fare. Indeed, it is certain to become the new standard on this important, and too often forgotten, history.” —Henry Louis Gates, Jr., author of Stony the Road From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought to move freely around the United States. But why this focus on Black mobility? From stagecoaches and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape in America and brilliantly portrays what it was like to live with them. Mia Bay rescues forgotten stories of passengers who made it home despite being insulted, stranded, re-routed, or ignored. She shows that Black travelers never stopped challenging these humiliations, documenting a sustained fight for redress that falls outside the traditional boundaries of the civil rights movement. A riveting, character-rich account of the rise and fall of racial segregation, it reveals just how central travel restrictions were to the creation of Jim Crow laws—and why free movement has been at the heart of the quest for racial justice ever since.
This historical exploration of the Green Book offers “a fascinating [and] sweeping story of black travel within Jim Crow America across four decades” (The New York Times Book Review). Published from 1936 to 1966, the Green Book was hailed as the “black travel guide to America.” At that time, it was very dangerous and difficult for African-Americans to travel because they couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. Author Candacy A. Taylor shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America. A New York Times Notable Book of 2020
Moon U.S. Civil Rights Trail by Deborah D. Douglas Pdf
The U.S. Civil Rights Trail offers a vivid glimpse into the story of Black America's fight for freedom and equality. From eye-opening landmarks to celebrations of triumph over adversity, experience a tangible piece of history with Moon U.S. Civil Rights Trail. Flexible Itineraries: Travel the entire trail through the South, or take a weekend getaway to Charleston, Birmingham, Jackson, Memphis, Washington DC, and more places significant to the Civil Rights Movement Historic Civil Rights Sites: Learn about Dr. King's legacy at the Lorraine Motel in Memphis, be transformed at the small but mighty Emmett Till Intrepid Center, and stand tall with Little Rock Nine at their memorial in Arkansas The Culture of the Movement: Get to know the voices, stories, music, and flavors that shape and celebrate Black America both then and now. Take a seat at a lunch counter where sit-ins took place or dig in to heaping plates of soul food and barbecue. Spend the day at museums that connect our present to the past or spend the night in the birthplace of the blues Expert Insight: Award-winning journalist Deborah Douglas offers her valuable perspective and knowledge, including suggestions for engaging with local communities by supporting Black-owned businesses and seeking out activist groups Travel Tools: Find driving directions for exploring the sites on a road trip, tips on where to stay, and full-color photos and maps throughout Detailed coverage of: Charleston, Atlanta, Selma to Montgomery, Birmingham, Jackson, the Mississippi Delta, Little Rock, Memphis, Nashville, Raleigh, Durham, Virginia, and Washington DC Foreword by Bree Newsome Bass: activist, filmmaker, and artist Journey through history, understand struggles past and present, and get inspired to create a better future with Moon U.S. Civil Rights Trail. About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell—and they can't wait to share their favorite places with you. For more inspiration, follow @moonguides on social media.
Author : W.E.B. Bu Bois Publisher : Simon and Schuster Page : 25 pages File Size : 45,5 Mb Release : 2013-01-28 Category : History ISBN : 9781625582102
William Edward Burghardt Du Bois was a black civil rights activist, leader, Pan-Africanist, sociologist, educator, historian, writer, editor, poet, and scholar. He became a naturalized citizen of Ghana in 1963 at the age of 95. "The time has not yet come for a complete history of the Negro peoples. Archaeological research in Africa has just begun, and many sources of information in Arabian, Portuguese, and other tongues are not fully at our command; and, too, it must frankly be confessed, racial prejudice against darker peoples is still too strong in so-called civilized centers for judicial appraisement of the peoples of Africa. Much intensive monographic work in history and science is needed to clear mooted points and quiet the controversialist who mistakes present personal desire for scientific proof. Nevertheless, I have not been able to withstand the temptation to essay such short general statement of the main known facts and their fair interpretation as shall enable the general reader to know as men a sixth or more of the human race. Manifestly so short a story must be mainly conclusions and generalizations with but meager indication of authorities and underlying arguments." - W. E. B. Du Bois
Examines racial profiling and the CARD--class, age, race, dress--system in stores and on the road, and provides advice on handling police and denial of civil rights.
The Colored Waiting Room by Kevin Shird,Nelson Malden Pdf
Extraordinary conversations between a confidant of Martin Luther King Jr. and a modern-day activist lead to the game-changing realizations that a second-wave civil rights movement is unfolding and that we must embrace the lessons of the past to effect lasting change. In 1966, Nelson Malden ran for public office in Montgomery, Alabama. He was the first African-American to do so. Campaigning for him was his friend, Martin Luther King Jr., who had organized protests and had written the speeches that would help criminalize racial segregation and discrimination from his seat in the Malden Brothers Barbershop. In The Colored Waiting Room, modern-day activist Kevin Shird heads from his hometown of Baltimore, MD to Montgomery to meet eighty-four-year-old Nelson Malden and contextualize the significance of the killings of Tamir Rice, Freddie Gray, and Trayvon Martin as well as the demonstrations is Charlottesville, Ferguson, Baltimore, and around the country. The result is a groundbreaking understanding of today's burgeoning second-wave civil rights movement and the urgent actions necessary for racial equality and change. Here, Shird raises the profound question of whether blacks are still in a colored waiting room, biding their time and waiting for racial equality to be the norm. He also shares compelling personal realizations on the lost connection between African American youth and their ancestors' fight against slavery and Jim Crow laws, asking throughout this pivotal volume, how far can we go without knowing where we've come from?
This multi-layered work explores the Black experience of driving in America over the past 85 years. By picturing how it has too often been marked by fear, violence and death, 'A Parallel Road' challenges representations of the American ideal of the road trip that have long dominated our view through artistic and literary media. Referencing the historical Negro Motorist Green Book, and layering archival and new images, it examines the question of how long the road will continue to be a site of violence and oppression for Black people in American society.
A riveting, character-rich account of racial segregation in America that reveals just how central travel restrictions were to the creation of Jim Crow laws—and why “traveling Black” has been at the heart of the quest for racial justice ever since. Why have white supremacists and civil rights activists been so focused on Black mobility? From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought for over a century to move freely around the United States. Curious as to why so many cases contesting the doctrine of “separate but equal” involved trains and buses, Mia Bay went back to the sources with some basic questions: How did travel segregation begin? Why were so many of those who challenged it in court women? How did it move from one form of transport to another, and what was it like to be caught up in this web of contradictory rules? From stagecoaches, steamships, and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape and brilliantly portrays what it was like to live with them. “There is not in the world a more disgraceful denial of human brotherhood than the ‘Jim Crow’ car of the southern United States,” W. E. B. Du Bois famously declared. Bay unearths troves of supporting evidence, rescuing forgotten stories of undaunted passengers who made it back home despite being insulted, stranded, re-routed, and ignored. Black travelers never stopped challenging these humiliations and insisting on justice in the courts. Traveling Black upends our understanding of Black resistance, documenting a sustained fight that falls outside the traditional boundaries of the Civil Rights Movement. A masterpiece of scholarly and human insight, this book helps explain why the long, unfinished journey to racial equality so often takes place on the road.
An exploration of the hidden history of camping in American life that connects a familiar recreational pastime to camps for functional needs and political purposes. Camping appears to be a simple proposition, a time-honored way of getting away from it all. Pack up the car and hit the road in search of a shady spot in the great outdoors. For a modest fee, reserve the basic infrastructure--a picnic table, a parking spot, and a place to build a fire. Pitch the tent and unroll the sleeping bags. Sit under the stars with friends or family and roast some marshmallows. This book reveals that, for all its appeal, the simplicity of camping is deceptive, its history and meanings far from obvious. Why do some Americans find pleasure in sleeping outside, particularly when so many others, past and present, have had to do so for reasons other than recreation? Never only a vacation choice, camping has been something people do out of dire necessity and as a tactic of political protest. Yet the dominant interpretation of camping as a modern recreational ideal has obscured the connections to these other roles. A closer look at the history of camping since the Civil War reveals a deeper significance of this American tradition and its links to core beliefs about nature and national belonging. Camping Grounds rediscovers unexpected and interwoven histories of sleeping outside. It uses extensive research to trace surprising links between veterans, tramps, John Muir, African American freedpeople, Indian communities, and early leisure campers in the nineteenth century; tin-can tourists, federal campground designers, Depression-era transients, family campers, backpacking enthusiasts, and political activists in the twentieth century; and the crisis of the unsheltered and the tent-based Occupy Movement in the twenty-first. These entwined stories show how Americans camp to claim a place in the American republic and why the outdoors is critical to how we relate to nature, the nation, and each other.
BCALA 2023 Outstanding Contribution to Publishing Citation Award winner The turn of the twentieth century was an extraordinarily difficult period for African Americans, a time of unchecked lynchings, mob attacks, and rampant Jim Crow segregation. During these bleak years, Emma Crawford, a young African American woman living in Pennsylvania, corresponded by postcard with friends and family members and collected the cards she received from all over the country. Her album—spanning from 1906 to 1910 and analyzed in Emma's Postcard Album—becomes an entry point into a deeply textured understanding of the nuances and complexities of African American lives and the survival strategies that enabled people “to make a way from no way.” As snippets of lived experience, eye-catching visual images, and reflections of historical moments, the cards in the collection become sources for understanding not only African American life, but also broader American history and culture. In Emma's Postcard Album, Faith Mitchell innovatively places the contents of this postcard collection into specific historic and biographical contexts and provides a new interpretation of postcards as life writings, a much-neglected aspect of scholarship. Through these techniques, a riveting world that is far too little known is revealed, and new insights are gained into the perspectives and experience of African Americans. Capping off these contributions, the text is a visual feast, illustrated with arresting images from the Golden Age of postcards as well as newspaper clippings and other archival material.
Contemporary Black Theatre and Performance by DeRon S. Williams,Khalid Y. Long,Martine Kei Green-Rogers Pdf
How are Black artists, activists, and pedagogues wielding acts of rebellion, activism, and solidarity to precipitate change? How have contemporary performances impacted Black cultural, social, and political struggles? What are the ways in which these acts and artists engage varied Black identities and explore shared histories? Contemporary Black Theatre and Performance investigates these questions to illuminate the relationship between performance, identity, intersectionality, and activism in North America and beyond. It features contributions from scholars, artists, and activists from across disciplines who explore the nuances and varied forms of Black performance in the 21st century while incorporating performance-based methodologies and queer and black feminist theories. Among the many topics addressed by contributors are antiracist pedagogy, Black queer identity formation in Black playwriting, digital blackface, and Black women's subversive practices within contemporary popular culture. It encompasses dramatic analysis of Lynn Nottage's Sweat, Tarell Alvin McCraney's Choir Boy, and acts of resistance during the Black Lives Matter summer 2020 highway protests. A series of conversations with artists and scholars are woven throughout the book's three sections, including with playwrights Christina Anderson and Donja R. Love, and Willa Taylor, Director of Education and Community Engagement at the Goodman Theatre, Chicago.
The definitive biography of Chuck Berry, legendary performer and inventor of rock and roll Best known as the groundbreaking artist behind classics like “Johnny B. Goode,” “Maybellene,” “You Never Can Tell” and “Roll Over Beethoven,” Chuck Berry was a man of wild contradictions, whose motives and motivations were often shrouded in mystery. After all, how did a teenage delinquent come to write so many songs that transformed American culture? And, once he achieved fame and recognition, why did he put his career in danger with a lifetime’s worth of reckless personal behavior? Throughout his life, Berry refused to shed light on either the mastery or the missteps, leaving the complexity that encapsulated his life and underscored his music largely unexplored—until now. In Chuck Berry, biographer RJ Smith crafts a comprehensive portrait of one of the great American entertainers, guitarists, and lyricists of the 20th century, bringing Chuck Berry to life in vivid detail. Based on interviews, archival research, legal documents, and a deep understanding of Berry’s St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist. Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. At long last, Chuck Berry brings the man and the music together.
