Dvorak S Prophecy And The Vexed Fate Of Black Classical Music

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Dvorak's Prophecy: And the Vexed Fate of Black Classical Music

Joseph Horowitz
Dvorak s Prophecy And the Vexed Fate of Black Classical Music Book PDF

Author : Joseph Horowitz
Publisher : W. W. Norton & Company
Page : 256 pages
File Size : 46,7 Mb
Release : 2021-11-23
Category : Music
ISBN : 9780393881257

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Dvorak's Prophecy: And the Vexed Fate of Black Classical Music by Joseph Horowitz Pdf

A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

Dvorák's Prophecy

Joseph Horowitz
Dvor k s Prophecy Book PDF

Author : Joseph Horowitz
Publisher : National Geographic Books
Page : 0 pages
File Size : 49,5 Mb
Release : 2021-11-23
Category : Music
ISBN : 9780393881240

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Dvorák's Prophecy by Joseph Horowitz Pdf

A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

Classical Music In America

Joseph Horowitz
Classical Music In America Book PDF

Author : Joseph Horowitz
Publisher : W. W. Norton & Company
Page : 664 pages
File Size : 40,9 Mb
Release : 2005-03-15
Category : History
ISBN : 0393057178

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Classical Music In America by Joseph Horowitz Pdf

An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.

ITS OUR MUSIC TOO

Earl Ofari Hutchinson
ITS OUR MUSIC TOO Book PDF

Author : Earl Ofari Hutchinson
Publisher : Middle Passage Press
Page : 128 pages
File Size : 54,5 Mb
Release : 2016-10-14
Category : Music
ISBN : 0692781870

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ITS OUR MUSIC TOO by Earl Ofari Hutchinson Pdf

Groundbreaking Book Explores the Black Impact on Classical Music Earl Ofari Hutchinson meticulously details in his It's Our Music Too The Black Experience in Classical Music the black impact on classical music. Hutchinson notes that there are numerous books which have dissected and re-dissected every possible aspect of classical music-the composers, performers, their compositions, the musical structure, the history, and even the gossip and minutiae about the composers and performers. Yet, there are almost no books that focus on the significant part that black composers and performers played in influencing and in turn being influenced by classical music "The list of Africans, African-Americans and Afro-European composers, conductors, instrumental performers, and singers," says Hutchinson, "is and always has been, rich, varied, and deep. Sadly, the recognition of this has almost always come in relation to the work of a major European or white American composer." Hutchinson's aim in It's Our Music Too The Black Experience in Classical Music is not to update a book on blacks and classical music, or list the many notable individual breakthroughs of top flight black classical music performers and composers through the years. Instead he tells the story of how blacks have actually influenced the development, history and structure of classical music in its major varied forms; opera, chamber pieces, symphonies, and concertos. It's a story that's filled with tragedy and triumph, heart break and heroism. Hutchinson gives an exciting and entertaining glimpse into Mozart's "borrowing" a musical idea from the black violin virtuoso Chevalier Saint-Georges in the eighteenth century, Dvorak's basing a major part of his New World Symphony on Negro Spirituals in the nineteenth century, and composers such as Gershwin, Copeland. Stravinsky and Ravel, wildly embracing jazz and blues in some of their popular and acclaimed works in the twentieth century. It's Our Music Too The Black Experience in Classical Music is a fast paced, reader friendly, easy to understand look at just exactly what and how the greats in classical music have borrowed from and paid homage to jazz, blues, ragtime, boogie woogie and Negro spirituals. "Throughout I name and recommend many pieces to listen to by the greats of classical music," notes Hutchinson, "who were directly inspired by black musical forms as well as the works of black composers who have written exceptional works that have influenced the works of other classical composers." Hutchinson also tells how black performers such as Roland Hayes with his unique interpretations of German leider, and Marian Anderson and Jessye Norman with their distinctive tones and vibrant, fresh renderings of, and subsequent path breaking performances in the major works of opera giants, Giuseppi Verdi and Richard Wagner have greatly altered how these master's works are heard today. It's Our Music Too The Black Experience in Classical Music, takes the reader on an exciting, eye opening, and revealing journey through the world of classical music in which the major critics, composers and performers tell in their words their appreciation of the major contribution blacks made to classical music. "It is no exaggeration or overstatement to say that classical music does owe a debt to the black experience in classical music," says Hutchinson, "And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere."

Dvo_‡k

David Hurwitz
Dvo k Book PDF

Author : David Hurwitz
Publisher : Hal Leonard Corporation
Page : 202 pages
File Size : 42,8 Mb
Release : 2005
Category : Music
ISBN : 1574671073

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Dvo_‡k by David Hurwitz Pdf

(Unlocking the Masters). The music of Antonin Dvorak defies fashion. He is one of the very few composers whose works entered the international mainstream during his own lifetime, and some of them have remained there ever since. The pieces that historically define his international reputation, however, represent only a small fraction of what he actually composed. They comprise just one facet of his complex and remarkably rich artistic personality. This book/2-CD pack invites readers to celebrate his extraordinary achievement and experience the pleasure of getting to know more than 90 of his most important works. The two full-length CDs from Suprahon Records include 22 works.

Dvořák in America

Joseph Horowitz
Dvo k in America Book PDF

Author : Joseph Horowitz
Publisher : Marcato Books
Page : 0 pages
File Size : 47,5 Mb
Release : 2003
Category : Composers
ISBN : 0812626818

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Dvořák in America by Joseph Horowitz Pdf

An account of Antonin Dvorak's 1890s stay in America, where he took the essences of Indian drums, slave spirituals, and other musical forms and created from them a distinctly new music.

New Worlds Of Dvorak With Cd Unabridged Compact Disc

Michael B Beckerman
New Worlds Of Dvorak With Cd Unabridged Compact Disc Book PDF

Author : Michael B Beckerman
Publisher : W. W. Norton & Company
Page : 332 pages
File Size : 52,9 Mb
Release : 2003-01-28
Category : Music
ISBN : 0393047067

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New Worlds Of Dvorak With Cd Unabridged Compact Disc by Michael B Beckerman Pdf

In this reinterpretation of Dvořák's personality and work, Beckerman explores the composer's life and music, focusing on the composer's three-year stay in the United States.

Ten Masterpieces of Music

Harvey Sachs
Ten Masterpieces of Music Book PDF

Author : Harvey Sachs
Publisher : Liveright Publishing
Page : 384 pages
File Size : 54,6 Mb
Release : 2021-10-26
Category : Music
ISBN : 9781631495199

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Ten Masterpieces of Music by Harvey Sachs Pdf

Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.

Singing Like Germans

Kira Thurman
Singing Like Germans Book PDF

Author : Kira Thurman
Publisher : Cornell University Press
Page : 434 pages
File Size : 40,7 Mb
Release : 2021-10-15
Category : Social Science
ISBN : 9781501759857

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Singing Like Germans by Kira Thurman Pdf

In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.

Chopin

James Huneker
Chopin Book PDF

Author : James Huneker
Publisher : The Floating Press
Page : 355 pages
File Size : 40,5 Mb
Release : 2009-01-01
Category : Biography & Autobiography
ISBN : 9781775411529

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Chopin by James Huneker Pdf

Frederic Chopin (1810 - 1849) was one of the most influential musicians of the 19th Century. Discovered as a child-prodigy pianist in his native Poland, he later travelled to France, where he remained after the Polish uprising of 1830-31. There he gave few public performances, but worked as composer and piano teacher. He later became a French citizen and conducted a stormy relationship with French writer George Sand (Aurore Dudevant). He died at 39 of pulmonary tuberculosis. Chopin innovated many traditional forms of piano music and also created new forms such as the ballade. Though technically demanding, his music is nuanced and deeply expressive. His mazurkas and polonaises became the centerpiece of Polish classical music.

Keys to Play

Roger Moseley
Keys to Play Book PDF

Author : Roger Moseley
Publisher : Univ of California Press
Page : 468 pages
File Size : 45,7 Mb
Release : 2016-10-28
Category : Music
ISBN : 9780520291249

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Keys to Play by Roger Moseley Pdf

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.

Major Labels

Kelefa Sanneh
Major Labels Book PDF

Author : Kelefa Sanneh
Publisher : Penguin
Page : 497 pages
File Size : 51,6 Mb
Release : 2021-10-05
Category : Music
ISBN : 9780525559603

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Major Labels by Kelefa Sanneh Pdf

One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

A History of the Harlem Renaissance

Rachel Farebrother,Miriam Thaggert
A History of the Harlem Renaissance Book PDF

Author : Rachel Farebrother,Miriam Thaggert
Publisher : Cambridge University Press
Page : 453 pages
File Size : 49,7 Mb
Release : 2021-02-04
Category : Biography & Autobiography
ISBN : 9781108493574

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A History of the Harlem Renaissance by Rachel Farebrother,Miriam Thaggert Pdf

This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture.

Kraftwerk

Uwe Schütte
Kraftwerk Book PDF

Author : Uwe Schütte
Publisher : Penguin UK
Page : 336 pages
File Size : 45,9 Mb
Release : 2020-02-27
Category : Music
ISBN : 9780241320556

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Kraftwerk by Uwe Schütte Pdf

The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Artists in Exile

Joseph Horowitz
Artists in Exile Book PDF

Author : Joseph Horowitz
Publisher : Harper Collins
Page : 484 pages
File Size : 48,8 Mb
Release : 2009-10-06
Category : History
ISBN : 9780061971303

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Artists in Exile by Joseph Horowitz Pdf

During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them? George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers—among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder—made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions. A central theme of Joseph Horowitz's study is that Russians uprooted from St. Petersburg became "Americans"—they adapted. Representatives of Germanic culture, by comparison, preached a German cultural bible—they colonized. "The polar extremes," he writes, "were Balanchine, who shed Petipa to invent a New World template for ballet, and the conductor George Szell, who treated his American players as New World Calibans to be taught Mozart and Beethoven." A symbiotic relationship to African American culture is another ongoing motif emerging from Horowitz's survey: the immigrants "bonded with blacks from a shared experience of marginality"; they proved immune to "the growing pains of a young high culture separating from parents and former slaves alike."