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Taking the burning of Louvain library by German troops in 1914 as his starting point, award-winning historian Alan Kramer offers a vivid new account of the wave of cultural destruction and mass killing that swept across Europe in the second and third decades of the 20th century.
On 26 August 1914 the world-famous university library in the Belgian town of Louvain was looted and destroyed by German troops. The international community reacted in horror - 'Holocaust at Louvain' proclaimed the Daily Mail - and the behaviour of the Germans at Louvain came to be seen as the beginning of a different style of war, without the rules that had governed military conflict up to that point - a more total war, in which enemy civilians and their entire culture were now 'legitimate' targets. Yet the destruction at Louvain was simply one symbolic moment in a wider wave of cultural destruction and mass killing that swept Europe in the era of the First World War. Using a wide range of examples and eye-witness accounts from across Europe at this time, award-winning historian Alan Kramer paints a picture of an entire continent plunging into a chilling new world of mass mobilization, total warfare, and the celebration of nationalist or ethnic violence - often directed expressly at the enemy's civilian population.
This paper is a case study in the wartime evolution of tactical doctrine. Besides providing a summary of German Infantry tactics of the First World War, this study offers insight into the crucial role of leadership in facilitating doctrinal change during battle. It reminds us that success in war demands extensive and vigorous training calculated to insure that field commanders understand and apply sound tactical principles as guidelines for action and not as a substitute for good judgment. It points out the need for a timely effort in collecting and evaluating doctrinal lessons from battlefield experience. --Abstract.
A History of the Laws of War: Volume 2 by Alexander Gillespie Pdf
This unique new work of reference traces the origins of the modern laws of warfare from the earliest times to the present day. Relying on written records from as far back as 2400 BCE, and using sources ranging from the Bible to Security Council Resolutions, the author pieces together the history of a subject which is almost as old as civilisation itself. The author shows that as long as humanity has been waging wars it has also been trying to find ways of legitimising different forms of combatants and ascribing rules to them, protecting civilians who are either inadvertently or intentionally caught up between them, and controlling the use of particular classes of weapons that may be used in times of conflict. Thus it is that this work is divided into three substantial parts: Volume 1 on the laws affecting combatants and captives; Volume 2 on civilians; and Volume 3 on the law of arms control. This second book on civilians examines four different topics. The first topic deals with the targetting of civilians in times of war. This discussion is one which has been largely governed by the developments of technologies which have allowed projectiles to be discharged over ever greater areas, and attempts to prevent their indiscriminate utilisation have struggled to keep pace. The second topic concerns the destruction of the natural environment, with particular regard to the utilisation of starvation as a method of warfare, and unlike the first topic, this one has rarely changed over thousands of years, although contemporary practices are beginning to represent a clear break from tradition. The third topic is concerned with the long-standing problems of civilians under the occupation of opposing military forces, where the practices of genocide, collective punishments and/or reprisals, and rape have occurred. The final topic in this volume is about the theft or destruction of the property of the enemy, in terms of either pillage or the intentional devastation of the cultural property of the opposition. As a work of reference this set of three books is unrivalled, and will be of immense benefit to scholars and practitioners researching and advising on the laws of warfare. It also tells a story which throws fascinating new light on the history of international law and on the history of warfare itself.
Author : Arthur M. Diamond, Jr. Publisher : Oxford University Press, USA Page : 313 pages File Size : 43,9 Mb Release : 2019 Category : Business & Economics ISBN : 9780190263669
Openness to Creative Destruction by Arthur M. Diamond, Jr. Pdf
Life improves under the economic system often called "entrepreneurial capitalism" or "creative destruction," but more accurately called "innovative dynamism." Openness to Creative Destruction: Sustaining Innovative Dynamism shows how innovation occurs through the efforts of inventors and innovative entrepreneurs, how workers on balance benefit, and how good policies can encourage innovation. The inventors and innovative entrepreneurs are often cognitively diverse outsiders with the courage and perseverance to see and pursue serendipitous discoveries or slow hunches. Arthur M. Diamond, Jr. shows how economies grow where innovative dynamism through leapfrog competition flourishes, as in the United States from roughly 1830-1930. Consumers vote with their feet for innovative new goods and for process innovations that reduce prices, benefiting ordinary citizens more than the privileged elites. Diamond highlights that because breakthrough inventions are costly and difficult, patents can be fair rewards for invention and can provide funding to enable future inventions. He argues that some fears about adverse effects on labor market are unjustified, since more and better new jobs are created than are destroyed, and that other fears can be mitigated by better policies. The steady growth in regulations, often defended on the basis of the precautionary principle, increases the costs to potential entrepreneurs and thus reduces innovation. The "Great Fact" of economic history is that after at least 40,000 years of mostly "poor, nasty, brutish, and short" humans in the last 250 years have started to live substantially longer and better lives. Diamond increases understanding of why.
Our continued use of the combustion engine car in the 21st century, despite many rational arguments against it, makes it more and more difficult to imagine that transport has a sustainable future. Offering a sweeping transatlantic perspective, this book explains the current obsession with automobiles by delving deep into the motives of early car users. It provides a synthesis of our knowledge about the emergence and persistence of the car, using a broad range of material including novels, poems, films, and songs to unearth the desires that shaped our present “car society.” Combining social, psychological, and structural explanations, the author concludes that the ability of cars to convey transcendental experience, especially for men, explains our attachment to the vehicle.
This book seeks a reconsideration of the phenomenon of sorcery and related categories. The contributors to the volume explore the different perspectives on human sociality and social and political constitution that practices typically understood as sorcery, magic and ritual reveal. In doing so the authors are concerned to break away from the dictates of a western externalist rationalist understanding of these phenomena without falling into the trap of mysticism. The articles address a diversity of ethnographic contexts in Africa, Asia, the Pacific and the Americas.
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.
Music in Goethe's Faust by Lorraine Byrne Bodley Pdf
Frontcover -- Contents -- List of Illustrations -- Contributors -- Acknowledgements -- Abbreviations Used in the Notes -- Introduction. Rhapsody and Rebuke: Goethe's Faust in Music -- Part I Goethe's Faust: Content and Context -- 1 The Redress of Goethe's Faust in Music History -- 2 Wagering on Modernity: Goethe's Eighteenth-Century Faust -- 3 Reflectivity, Music and the Modern Condition: Thoughts on Goethe's Faust -- 4 Music and Metaphorical Thinking in Goethe's Faust: The Example of Harmony -- 5 Faust: The Instrumentalisation of an Icon -- Part II Legacies: Goethe's Faust in the Nineteenth Century -- 6 Faust's Schubert: Schubert's Faust -- 7 The Musical Novel as Master-genre: Schumann's Szenen aus Goethes Faust -- 8 The Psychology of Schumann's Faust: Developing the Human Soul -- 9 A Life with Goethe: Wagner's Engagement with Faust in Music and in Words -- 10 Wagner's Ninth: Reading Beethoven with Faust -- 11 Linking Christian and Faustian Utopias: Mahler's Setting of the Schlußszene in his Eighth Symphony -- Part III Topographies: Stagings and Critical Reception -- 12 Operatic Translation and Adaptation: Gounod's Faust, with a Tribute to Ken Russell -- 13 'Adapters, Falsifiers and Profiteers': Staging La Damnation de Faust in Monte Carlo and Paris, 1893-1903 -- 14 Faust in the Trenches: Busoni's Doktor Faust -- Part IV New Directions: Recent Productions and Appropriations -- 15 As Goethe Intended? Max Reinhardt's Faust Productions and the Aesthetics of Incidental Music in the Early Twentieth Century -- 16 Music and the Rebirth of Faust in the GDR -- 17 Music, Text and Stage: Peter Stein's Production of Goethe's Faust -- 18 'Devilishly good': Rudolf Volz's Rock Opera Faust and 'Event Culture' -- Select Bibligraphy -- Index
A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.
Fascist Warfare, 1922–1945 by Miguel Alonso,Alan Kramer,Javier Rodrigo Pdf
This groundbreaking book explores the interpretative potential and analytical capacity of the concept ‘fascist warfare’. Was there a specific type of war waged by fascist states? The concept encompasses not only the practice of violence at the front, but also war culture, the relationship between war and the fascist project, and the construction of the national community. Starting with the legacy of the First World War and using a transnational approach, this collection presents case studies of fascist regimes at war, spanning Nazi Germany, Fascist Italy, Francoist Spain, Croatia, and Imperial Japan. Themes include the idea of rapid warfare as a symbol of fascism, total war, the role of modern technology, the transfer of war cultures between regimes, anti-partisan warfare as a key feature, and the contingent nature and limits of fascist warfare.
Creative Destruction by Richard Foster,Sarah Kaplan Pdf
Turning conventional wisdom on its head, a Senior Partner and an Innovation Specialist from McKinsey & Company debunk the myth that high-octane, built-to-last companies can continue to excel year after year and reveal the dynamic strategies of discontinuity and creative destruction these corporations must adopt in order to maintain excellence and remain competitive. In striking contrast to such bibles of business literature as In Search of Excellence and Built to Last, Richard N. Foster and Sarah Kaplan draw on research they conducted at McKinsey & Company of more than one thousand corporations in fifteen industries over a thirty-six-year period. The industries they examined included old-economy industries such as pulp and paper and chemicals, and new-economy industries like semiconductors and software. Using this enormous fact base, Foster and Kaplan show that even the best-run and most widely admired companies included in their sample are unable to sustain their market-beating levels of performance for more than ten to fifteen years. Foster and Kaplan's long-term studies of corporate birth, survival, and death in America show that the corporate equivalent of El Dorado, the golden company that continually outperforms the market, has never existed. It is a myth. Corporations operate with management philosophies based on the assumption of continuity; as a result, in the long term, they cannot change or create value at the pace and scale of the markets. Their control processes, the very processes that enable them to survive over the long haul, deaden them to the vital and constant need for change. Proposing a radical new business paradigm, Foster and Kaplan argue that redesigning the corporation to change at the pace and scale of the capital markets rather than merely operate well will require more than simple adjustments. They explain how companies like Johnson and Johnson , Enron, Corning, and GE are overcoming cultural "lock-in" by transforming rather than incrementally improving their companies. They are doing this by creating new businesses, selling off or closing down businesses or divisions whose growth is slowing down, as well as abandoning outdated, ingrown structures and rules and adopting new decision-making processes, control systems, and mental models. Corporations, they argue, must learn to be as dynamic and responsive as the market itself if they are to sustain superior returns and thrive over the long term. In a book that is sure to shake the business world to its foundations, Creative Destruction, like Re-Engineering the Corporation before it, offers a new paradigm that will change the way we think about business.
How can we comprehend the sociopolitical processes that give rise to extreme violence, ethnic cleansing, or genocide? A major breakthrough in comparative analysis, Purify and Destroy demonstrates that it is indeed possible to compare the Holocaust, the Rwandan genocide, and ethnic cleansing in Bosnia-Herzegovina while respecting the specificities of each appalling phenomenon. Jacques Semelin achieves this, in part, by leading his readers through the three examples simultaneously, the unraveling of which sometimes converges but most often diverges. Semelin's method is multidisciplinary, relying not only on contemporary history but also on social psychology and political science. Based on the seminal distinction between massacre and genocide, Purify and Destroy identifies the main steps of a general process of destruction, both rational and irrational, born of what Semelin terms "delusional rationality." He describes a dynamic structural model with, at its core, the matrix of a social imaginaire that, responding to fears, resentments, and utopias, carves and recarves the social body by eliminating "the enemy." Semelin identifies the main stages that can lead to a genocidal process and explains how ordinary people can become perpetrators. He develops an intellectual framework to analyze the entire spectrum of mass violence, including terrorism, in the twentieth century and before. Strongly critical of today's political instrumentalization of the "genocide" notion, Semelin urges genocide research to stand back from legal and normative definitions and come of age as a discipline in its own right in the social sciences.
We are witnessing today women being elected as presidents or prime ministers, women that have been awarded Nobel prizes, that perform exceedingly in sports winning Olympic medals, women that excel in art, that have defended the rights of the oppressed, that have gone to space, that are active in politics and are CEOs of businesses and corporations. Women today are found in the most difficult jobs such as urgency paramedics, workers in heavy machinery factories, and in the construction of skyscrapers; they are in research laboratories or as members of toxic materials management teams. This was not the scenario 175 years ago. On the contrary, women since the cave times until the dawn of the twentieth century have been oppressed by the fact they were born as women. Social, cultural, economic, and political roles defined by men in those times obliged women to stay at home raising children, without being allowed to aspire to play a significant role in the construction of human history. The explosion of women participating today in the social, political, and economic arenas of the advanced countries might give the impression that this was their situation in the past. Not true. This modern movement of women engaged in a tenacious struggle for equality with men has given them unquestionable victories and a powerful consciousness of their role in the development of the history of humanity. Their victories were not given to them by men. On the contrary, it has been a slow process that has demanded extraordinary effort from women all over the world. We are just beginning to be witnesses of the potential that women have and can foresee the brilliant future they are going to create for humanity. Appreciating, defending, and promoting this evolution is the invitation to participate in such a noble journey.
Destruction remains a relatively unexplored and badly understood topic in archaeology and history. The term itself refers to some form and measurable degree of damage inflicted to an object, a system or a being, usually exceeding the stage during which repair is still possible but most often it is examined for its impact with destructive events interpreted in terms of a punctuated equilibrium, extraordinary features that represent the end of an archaeological culture or historical phase and the beginning of a new one. The three-day international workshop of which this volume presents the proceedings took place at Louvain-la-Neuve in Belgium, from November 24 to 26, 2011 and was organized by CEMA – Centre d'Étude des Mondes Antiques – one of the research centres within INCAL – Institut de Civilisations, Arts et Lettres. Our aim with organising this gathering was to seriously engage with destruction as a phenomenon and how it is perceived by archaeologists, historians and philologists of the ancient world. The volume is similarly structured to the workshop which it reflects, with first a series of more theoretical papers and then following a chronological and geographical order.
