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This book places two key notions up against each other to imagine a new way of conceptualizing historical time. How do the experience of dj vu and the idea 'End of History' relate to one another? Through thinkers like Bergson, Kojve and Nietzsche, Virno explores these constructs of memory and the passage of time. In showing how the experience of time becomes historical, Virno considers two fundamental concepts from Western philosophy: Power and The Act, reinterpreting these with respect to time. Through these, he elegantly constructs a radical new theory of historical temporality.
End of History and the Last Man by Francis Fukuyama Pdf
Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.
Most of us have been perplexed by a strange sense of familiarity when doing something for the first time. We feel that we have been here before, or done this before, but know for sure that this is impossible. In fact, according to numerous surveys, about two-thirds of us have experienced déjà vu at least once, and most of us have had multiple experiences. There are a number of credible scientific interpretations of déjà vu, and this book summarizes the broad range of published work from philosophy, religion, neurology, sociology, memory, perception, psychopathology, and psychopharmacology. This book also includes discussion of cognitive functioning in retrieval and familiarity, neuronal transmission, and double perception during the déjà vu experience.
The Déjà Vu: Black Dreams & Black Time by Gabrielle Civil Pdf
Gabrielle Civil mines black dreams and black time to create a vibrant archive of black feminist experiences and creative expressions. Birthed at the intersection of pandemic and protest uprising, the déjà vu encircles forms both new and ancestral, drawing movement, speech, recollection, and essay into memoir. As Civil considers a spectrum of artworks--the poetry of Wanda Coleman, Haitian tourist paintings, her own dance ritual for MLK Day, Montreal street art, the 2019 film Waves--she thinks deeply about expansive black life beyond the white gaze. Full of joyful exuberance, intimacy, and humor, the déjà vu elides the boundaries between memory, dream, grief, and love to imagine the reverberations of a black future.
The Return of History and the End of Dreams by Robert Kagan Pdf
Hopes for a new peaceful international order after the end of the Cold War have been dashed by sobering realities: Great powers are once again competing for honor and influence. The world remains “unipolar,” but international competition among the United States, Russia, China, Europe, Japan, India, and Iran raise new threats of regional conflict, and a new contest between western liberalism and the great eastern autocracies of Russia and China has reinjected ideology into geopolitics.For the past few years, the liberal world has been internally divided and distracted by issues both profound and petty. Now, in The Return of History and the End of Dreams, Robert Kagan masterfully poses the most important questions facing the liberal democratic countries, challenging them to choose whether they want to shape history or let others shape it for them.
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.
In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of Imagination, Transformation, City, Multitude, and Project. McEwan argues that the analogical city is critical, collective, and emancipatory. Analogical thought and understanding cities as analogical might open the conditions of possibility for rethinking the critical project in architecture. At a time when the humanities and the sciences are threatened by irrational thought, from climate denial to post-truth narratives, and when architecture has seemingly disavowed its critical capacity and political possibility through its commodification as an instrument of the neoliberal city, McEwan offers critical strategies, conceptual tools, figures of thought, and knowledge practices to articulate modes of thinking and acting differently within architectural criticism and practice. Today, knowledge is a common terrain of struggle and thought requires constant reinvention. The task of architecture, and critique more broadly, must be to interpret the world in order to change it. Consequently Analogical City proposes modes for imagining the city, the subject, and the world otherwise — towards a more egalitarian and critical architecture of the city. Ultimately, the analogical city is not a fully developed theory, nor is it only an intuitive, poetic, or purely formal practice, as some critics propose. McEwan argues that the analogical city is poetic and political: it always refers beyond itself towards a collective and critical project of the city, and yet it invites a series of formal, spatial, and graphic operations comprising erasure and negativity followed by substitution and remontage.
Canada and Ballistic Missile Defence, 1954-2009 by James Gordon Fergusson Pdf
Since the mid-1950s, successive Canadian governments have grappled with the issue of Canada’s participation in US ballistic missile defence programs. Until Paul Martin’s Liberal government finally said no, policy-makers responded to US initiatives with fear and uncertainty as they endlessly debated the implications - at home and abroad - of participation. However, whether this is the end of the story remains to be seen. Drawing on previously classified government documents and interviews with senior officials, James Fergusson assesses Canada’s policy deliberations and rationales for avoiding a definitive commitment in response to five major US initiatives. He reveals that a combination of factors resulted in indecision: weak leadership, wrangling between the Departments of External Affairs and National Defence, a belief that the United States would defend Canada without much Canadian participation, and a tendency to place uncertain and ill-defined notions of international security before national defence. Successive Canadian governments have failed to transform the debate over ballistic missile defence into an opportunity to define Canada’s strategic interests at home and on the world stage. Balanced and engaging, Canada and Ballistic Missile Defense offers the first full account of Canada’s uncertain response to US ballistic missile defence initiatives and an exploration of the implications of this indecision. It is essential reading for policy-makers, students, and scholars of Canadian foreign and defence policy as well as anyone who wants a fuller understanding of Canadian-American relations. Published in association with the Canadian War Museum.
“An excellent account” of Britain’s tradition of parceling out land for the public to grow food on, and the colorful history behind it (The Independent). This lively book tells the story of the private garden plots known as allotments—from their origin in the seventeenth century, when new enclosures that deprived the peasantry of access to common lands were fiercely protested, to the victory gardens of the world wars, and into the present day, when they serve less as a means of survival than as a respite from the modern world. While delving into the effects of the Napoleonic Wars, the Corn Laws, and the utopian dissenters known as the Diggers, the author reveals the multiple roles of allotments—and champions their history in the hope of protecting them for the future. “Foley’s book reminds us that the right to share the earth has always been an asymmetric struggle.” —The Guardian “Fascinating and handsomely illustrated.” —Daily Mail “Well-told . . . . [a] gallop through the history of useful rather than ornamental crops.” —Spectator Australia
The Market has deified itself, according to Harvey Cox’s brilliant exegesis. And all of the world’s problems—widening inequality, a rapidly warming planet, the injustices of global poverty—are consequently harder to solve. Only by tracing how the Market reached its divine status can we hope to restore it to its proper place as servant of humanity.
From the universally acclaimed author of The Remains of the Day comes a mesmerizing novel of completely unexpected mood and matter--a seamless, fictional universe, both wholly unrecognizable and familiar. When the public, day-to-day reality of a renowned pianist takes on a life of its own, he finds himself traversing landscapes that are by turns eerie, comical, and strangely malleable.
The Cognitive Neuropsychology of Déjà Vu by Chris Moulin Pdf
Déjà vu is one of the most complex and subjective of all memory phenomena. It is an infrequent and striking mental experience, where the feeling of familiarity is combined with the knowledge that this feeling is false. While until recently it was an aspect of memory largely overlooked by mainstream cognitive psychology, this book brings together the growing scientific literature on déjà vu, making the case for it as a metacognitive phenomenon. The Cognitive Neuropsychology of Déjà Vu reviews clinical, experimental and neuroimaging methods, focusing on how memory disorders and neurological dysfunction relate to the experience. Examining déjà vu as a memory phenomenon, Chris Moulin explores how the experience of déjà vu in special populations, such as healthy aging or those with schizophrenia, provides new insights into understanding this phenomenon. He considers the extensive data on déjà vu in people with epilepsy, dementia and other neurological conditions, assessing neuropsychological theories of déjà vu formation. Essential reading for all students and researchers interested in memory disorders, this valuable book presents the case for déjà vu as a ‘healthy’ phenomenon only experienced by people with sufficient cognitive resources to oppose and detect the false feeling of familiarity.
The Persistence of Memory Book 2: All Our Yesterdays by Karen Janowsky Pdf
Love is hard, even for superheroes. Nina and Daniel have never known any destiny other than fighting their separate masters' wars. Now, a secretive organization is creating a weapon that will collapse history. Their fight is to stay together. It takes them on a journey around the world and into another dimension. Nina and Daniel now face risks beyond their imagination. Sacrifices must be made, and time is running out.
How the billionaire owners of Hobby Lobby are spending hundreds of millions of dollars to make America a “Bible nation” The Greens of Oklahoma City—the billionaire owners of the Hobby Lobby chain of craft stores—are spending hundreds of millions of dollars in an ambitious effort to increase the Bible’s influence on American society. In Bible Nation, Candida Moss and Joel Baden provide the first in-depth investigative account of the Greens’ sweeping Bible projects. Moss and Baden tell the story of the Greens’ efforts to place a Bible curriculum in public schools; their rapid acquisition of an unparalleled collection of biblical antiquities; their creation of a closely controlled group of scholars to study and promote the collection; and their construction of a $500 million Museum of the Bible in Washington, D.C. Revealing how all these initiatives promote a very particular set of beliefs about the Bible, the book raises serious questions about the trade in biblical antiquities, the integrity of academic research, and the place of private belief in public life.
Referring to a past that never was, déjà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of déjà vu. This provocative book offers a refreshing counterpoint to the clichéd celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time.Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, déjà vu is neither a failure of memory nor a form of forgetting. Krapp's analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner Müller, this exploration of the effects of déjà vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol's work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet.Peter Krapp, lecturer in the Department of Cultural Studies and Comparative Literature at the University of Minnesota, coedited "Medium Cool," a special issue of the South Atlantic Quarterly on contemporary media theory. He has published in the fields of German studies, media studies, and literary theory and, since 1995, has acted as editor of the Hydra Web site for theories of literature and media.