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Early Modern Tragedy and the Cinema of Violence by S. Simkin Pdf
This study considers parallel issues in revenge tragedies of the early seventeenth-century and violent cinema of the last thirty years. It offers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to those with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.
Performing Early Modern Drama Today by Pascale Aebischer,Kathryn Prince Pdf
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema by J. Sager Pdf
Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.
The Spanish Tragedy was the first 'revenge tragedy' on the English Renaissance stage: but for its influence, major dramas including The Revenger's Tragedy, The Duchess of Malfi and even Hamlet would not exist as they do. It is thus a key text for the study of Renaissance drama and normally appears in introductory undergraduate courses on Renaissance drama and Shakespeare. Despite its initial smash-hit status, after the closing of the theatres in 1642 the play was only once performed in Britain before its gradual revival in the 20th century. Following its first professional performance in 1973, the play has come to be recognised as a Renaissance classic, receiving frequent performance. This volume will bring together its most insightful and influential modern scholars to produce an edition read both by experts in the field and lovers of Thomas Kyd's drama.
This book presents close-readings of seven post-millennial comedic films: Up in the Air, Tropic Thunder, JCVD, Winnebago Man, The Trotsky, Be Kind Rewind, and Hamlet 2. It is a sequel to Stanley Cavell’s 1981 landmark study of the comedic genre, Pursuits of Happiness, where he examines seven comedies of Hollywood’s “Golden Age.” Khan puts forward the idea that comedies, once centred on the conventional “happy ending,” are no longer interested in detailing the steps to any ending we might call happy. Instead, the agenda of most culturally serious comedies today is to “spoof,” to make all that is fair foul. The seven films presented here risk a type of cultural nihilism—spoofing for the sake of spoofing and nothing else, indicative not of film’s promise but its failure. By equating the failure of film with the failed national politics of Canada (or the failed politics of nationalism and community more generally), this study shows that comedy has less to do with happiness and more to do with the grotesque. The films analysed represent hyper-realized forms of comic irony and move towards what theatre knows as tragedy, or a tragic vision.
For many people, the cinematic vigilante has been shaped by Charles Bronson's character in Death Wish and its sequels. But screen vigilantes have taken many guises, from Old West lynch mobs and rogue police officers to rape-avengers and military-trained equalizers. This book recounts the varied representations of such characters in films like The Birth of a Nation, which celebrated the violence of the Ku Klux Klan, and Taxi Driver, Falling Down and You Were Never Really Here, in which the vigilante impulse was symptomatic of mental instability. Also considered is the extent to which fictional vigilantism functions as social commentary and to what degree it is simply stoking popular fears.
Horror Literature through History [2 volumes] by Matt Cardin Pdf
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.
The Emerald International Handbook of Feminist Perspectives on Women’s Acts of Violence by Stacy Banwell,Lynsey Black,Dawn K. Cecil,Yanyi K. Djamba,Sitawa R. Kimuna,Emma Milne,Lizzie Seal,Eric Y. Tenkorang Pdf
Grounded in feminist scholarship, this book upends normative accounts of femme fatale violence to focus beyond the misogyny and the sensationalism and unearth the motivation behind women's roles in homicide, terrorism, combat, and even nationalist movements.
The “Femme” Fatale in Brazilian Cinema by Antônio Márcio da Silva Pdf
In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales and examines how the Brazilian representations cross gender, race, and class and offer alternatives to the dominant Hollywood model.
Author : Tony Williams Publisher : Liverpool University Press Page : 139 pages File Size : 44,7 Mb Release : 2024-05-03 Category : Art ISBN : 9781835532805
This book argues for the importance of Gothic in understanding one of the key elements within the films of Sam Peckinpah (1925-1984). Although occasionally noted in the past, the Gothic has been generally overlooked when most critics consider the work of Sam Peckinpah with the exception of the Freudian based Crucified Heroes (1979) by Terence Butler. This work not only examines the films made after that date, especially the often dismissed The Osterman Weekend (1983) and the two music videos he made for Julian Lennon, but also places the director within the context of the developing work on Gothic that has since appeared. Peckinpah has been identified as the director of one undisputed masterpiece, The Wild Bunch (1969). By focussing on the key role Gothic plays in most of the director’s work, this book offers a way to see Peckinpah beyond The Wild Bunch and the Western, viewing him as a director who had the potential of evolving further, had circumstances permitted, to continue his critique of American life within the developing lens of the Gothic.
Sam Peckinpah's Straw Dogs ignited fierce debate among censors, critics and audiences on both sides of the Atlantic on its release in 1971. When Amy (Susan George) returns to her home village with her American peacenik husband David (Dustin Hoffman), the residents of this tight-knit Cornish community slowly turn on them. The sexual tension and latent violence finally erupt in an explosion of violence that includes a rape scene that has remained controversial to this day. The film was heavily cut for theatrical release in the US, and the pressinspired furore in the UK led to several local councils cutting or banning it outright. Later, caught in the wake of the 'video nasties' panic of the 1980s, Straw Dogs was refused a home-video certificate in the UK for nearly twenty years. Stevie Simkin's study sheds light on the film's treatment by the British Board of Film Classification (BBFC) and tracks its subsequent tortuous journey towards home-video release, buffeted by various shifts in the BBFC's policy on representations of sexual violence. But, equally importantly, Simkin provides a highly original accountof themaking of the film, drawing on extensive research in Peckinpah's archive, including analysis of draft scripts, notes, memos and contemporary press items, as well as insights from a number of Peckinpah's associates, and key figures at the BBFC. 'A swift, compelling read. Thorough and scholarly without the faintest whiff of academic stuffiness, Stevie Simkin's study of Straw Dogs summons up the turmoil of the 1960s and 70s and illuminates the highly charged subject of sexual violence on film.' Stephen Farber, Film Critic, The Hollywood Reporter Stevie Simkin is Reader in Drama and Film at the University of Winchester, UK. He is the author of, among other works, Revenge Tragedy: A New Casebook (2001), Early Modern Tragedy and the Cinema of Violence (2005), and, also in the Controversies series, a volume on Basic Instinct (forthcoming, 2013).
Author : André Loiselle,Jeremy Maron Publisher : University of Toronto Press Page : 301 pages File Size : 43,5 Mb Release : 2012-04-12 Category : Performing Arts ISBN : 9781442696297
Stages of Reality by André Loiselle,Jeremy Maron Pdf
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television. Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
