Early Printed Music And Material Culture In Central And Western Europe

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Early Printed Music and Material Culture in Central and Western Europe

Author : Andrea Lindmayr-Brandl,Grantley McDonald
Publisher : Routledge
Page : 423 pages
File Size : 55,8 Mb
Release : 2021-05-04
Category : Music
ISBN : 9781000387087

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Early Printed Music and Material Culture in Central and Western Europe by Andrea Lindmayr-Brandl,Grantley McDonald Pdf

This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Material Cultures of Music Notation

Author : Floris Schuiling,Emily Payne
Publisher : Routledge
Page : 314 pages
File Size : 54,6 Mb
Release : 2022-05-16
Category : Music
ISBN : 9781000581201

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Material Cultures of Music Notation by Floris Schuiling,Emily Payne Pdf

Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.

Horace across the Media

Author : Karl A.E. Enenkel,Marc Laureys
Publisher : BRILL
Page : 763 pages
File Size : 49,8 Mb
Release : 2022-09-26
Category : History
ISBN : 9789004373730

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Horace across the Media by Karl A.E. Enenkel,Marc Laureys Pdf

This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.

Printing Music in Renaissance Rome

Author : Jane A. Bernstein
Publisher : Oxford University Press
Page : 297 pages
File Size : 50,7 Mb
Release : 2024-02-16
Category : Music
ISBN : 9780197669631

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Printing Music in Renaissance Rome by Jane A. Bernstein Pdf

In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.

The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)

Author : Vincenzo Borghetti,Alexandros Maria Hatzikiriakos
Publisher : Taylor & Francis
Page : 266 pages
File Size : 52,8 Mb
Release : 2024-05-09
Category : Music
ISBN : 9781040021064

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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650) by Vincenzo Borghetti,Alexandros Maria Hatzikiriakos Pdf

This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.

The Strasbourg Cantiones of 1539: Protestant City, Catholic Music

Author : Daniel Trocmé-Latter
Publisher : Boydell & Brewer
Page : 301 pages
File Size : 47,6 Mb
Release : 2023-05-23
Category : Electronic
ISBN : 9781837650668

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The Strasbourg Cantiones of 1539: Protestant City, Catholic Music by Daniel Trocmé-Latter Pdf

Schöffer's Cantiones tell a fascinating story of South-North, Catholic-Protestant co-operation. The Cantiones quinque vocum selectissimæ (Strasbourg: Peter Schöffer the Younger, 1539) are a collection of 28 Latin five-voice motets by composers including Gombert, Willaert, and Jacquet of Mantua. This was Schöffer's first book of Latin motets as well as his last ever musical publication; he was granted an imperial privilege to print it by King Ferdinand I. The pieces had been sent to Schöffer by Hermann Matthias Werrecore, the choirmaster of the Duomo of Milan. However, this was at a time when no liturgical Latin choral singing took place in Strasbourg, following one of the harshest reformations - musically-speaking - across Europe. This book comprises a critical study of the anthology in terms of the circumstances of its assemblage and printing, its confessional significance, and the music itself. It considers the nature of the connection between Schöffer and Werrecore, and why a Protestant publisher based in Protestant Germany would try to sell Latin music that was endorsed by a Catholic monarch and emphatically had no chance of being performed in church in its place of publication. In addition, the monograph includes considerations of the motets themselves, brief biographical details of the composers - including the lesser-known ones (e.g. Ferrariensis, Sarton, Billon) - and a full list of all concordant sources. It will be of interest to performers and scholars alike, combining elements of historical research, musical criticism and - via the transcriptions hosted online - performance.

Lutheran Music Culture

Author : Mattias Lundberg,Maria Schildt,Jonas Lundblad
Publisher : Walter de Gruyter GmbH & Co KG
Page : 306 pages
File Size : 52,9 Mb
Release : 2021-10-25
Category : Religion
ISBN : 9783110681062

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Lutheran Music Culture by Mattias Lundberg,Maria Schildt,Jonas Lundblad Pdf

This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.

Historical Performance and New Music

Author : Rebecca Cypess,Estelí Gomez,Rachael Lansang
Publisher : Taylor & Francis
Page : 228 pages
File Size : 49,6 Mb
Release : 2023-11-30
Category : Music
ISBN : 9781003801825

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Historical Performance and New Music by Rebecca Cypess,Estelí Gomez,Rachael Lansang Pdf

The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically “omnivorous” ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.

History of the Modern Music of Western Europe

Author : Raphael Georg Kiesewetter,Robert Müller
Publisher : Nabu Press
Page : 360 pages
File Size : 47,8 Mb
Release : 2013-12
Category : Electronic
ISBN : 1295424282

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History of the Modern Music of Western Europe by Raphael Georg Kiesewetter,Robert Müller Pdf

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Music, Authorship, and the Book in the First Century of Print

Author : Kate van Orden
Publisher : Univ of California Press
Page : 256 pages
File Size : 47,7 Mb
Release : 2013-10-19
Category : Music
ISBN : 9780520276505

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Music, Authorship, and the Book in the First Century of Print by Kate van Orden Pdf

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Materialities

Author : Kate van Orden
Publisher : Oxford University Press
Page : 344 pages
File Size : 45,7 Mb
Release : 2015-06-08
Category : Music
ISBN : 9780190273149

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Materialities by Kate van Orden Pdf

Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.

History of the Modern Music of Western Europe

Author : Raphael G. Kiesewetter
Publisher : Unknown
Page : 356 pages
File Size : 53,8 Mb
Release : 2008-06-01
Category : Electronic
ISBN : 1436874580

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History of the Modern Music of Western Europe by Raphael G. Kiesewetter Pdf

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Journal of the International Folk Music Council

Author : International Folk Music Council
Publisher : Unknown
Page : 892 pages
File Size : 40,7 Mb
Release : 1959
Category : Electronic journals
ISBN : UOM:39015007937983

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Journal of the International Folk Music Council by International Folk Music Council Pdf

Listening Across Borders

Author : James A. Davis,Christopher Lynch
Publisher : Routledge
Page : 239 pages
File Size : 55,6 Mb
Release : 2021-09-22
Category : Music
ISBN : 9780429648717

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Listening Across Borders by James A. Davis,Christopher Lynch Pdf

Listening Across Borders: Musicology in the Global Classroom provides readers with the tools and techniques for integrating a global approach to music history—within the framework of the roots, challenges, and benefits of internationalization—into the modern music curriculum. Contributors from around the world offer strategies for empowering students to critique the economic, ideological, and political structures that propagate global challenges. Applicable in a variety of classroom settings, the internationalized teaching methods collected here suggest fruitful ways forward in a global age, in three parts: Creating Global Citizens Teaching with Case Studies of Intercultural Encounters Challenges and Opportunities In reevaluating the role of higher education in a cosmopolitan world, modern educators have come to question the limits of geographically defined canons, traditional curricular content, and other longstanding teaching approaches. Listening Across Borders places the music history classroom at the center of the conversation about internationalization in higher education, embracing pedagogies that develop the skillsets to become global citizens in a world where international cooperation is increasingly essential.