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One of a series examining the development of music in specific places during particular times. This volume looks at the development of music in the early Romantic era, 1789-1849, in Paris, Berlin, Dresden, Leipzig, London, Italy, the USA, Moscow, St Petersburg and Latin America.
The Romantic Imperative by Frederick C. Beiser Pdf
This study restores and enhances the philosophical aspect of early German Romanticism, offering an understanding of the movement's origins, development, aims and accomplishments.
Author : Manfred Frank Publisher : State University of New York Press Page : 297 pages File Size : 50,5 Mb Release : 2012-02-01 Category : Philosophy ISBN : 9780791485804
Romanticism: A Very Short Introduction by Michael Ferber Pdf
What is Romanticism? In this Very Short Introduction Michael Ferber answers this by considering who the romantics were and looks at what they had in common — their ideas, beliefs, commitments, and tastes. He looks at the birth and growth of Romanticism throughout Europe and the Americas, and examines various types of Romantic literature, music, painting, religion, and philosophy. Focusing on topics, Ferber looks at the 'Sensibility' movement, which preceded Romanticism; the rising prestige of the poet; Romanticism as a religious trend; Romantic philosophy and science; Romantic responses to the French Revolution; and the condition of women. Using examples and quotations he presents a clear insight into this very diverse movement, and offers a definition as well as a discussion of the word 'Romantic' and where it came from. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Classical Era: An Introduction to the Keyboard Music by Margery Halford,Willard A. Palmer Pdf
Comprised of 13 pieces, this edition showcases the many dance forms of the Classical era and their evolution into the three- and four-movement sonata. A brief biography of each featured composer and a study of ornamentation are also included.
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
During the Romantic era, psychology and literature enjoyed a fluid relationship. Faubert focuses on psychologist-poets who grew out of the literary-medical culture of the Scottish Enlightenment. They used poetry as an accessible form to communicate emerging psychological, cultural and moral ideas.
Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.
Romanticism by Carmen Casaliggi,Porscha Fermanis Pdf
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
The Essential Early Romantic Collection by Chester Music Pdf
The Essential Early Romantic Collection presents a sumptuous selection of the very best Keyboard music of the early Romantic era by composers ranging from Schubert to Chopin and beyond, all presented in one superb volume for intermediate level solo piano. The music of the Romantic era is characterised by progressive innovations in both tonal and formal expression. The works of Chopin, Liszt and Schubert form an absolutely essential repertoire for any serious Piano student, forever pushing the boundaries of diatonic harmony, timing and texture into evermore complex worlds of emotion. Every piece in this anthology is rich in heritage, and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters. Songlist: - Ave Maria [Schubert] - Au Fond Du Temple Saint (Duet From ‘The Pearl Fishers’) [Bizet] - Barcarolle (from The Tales Of Hoffmann) [Offenbach] - The Can-Can (from La Gaîté Parisienne) [Offenbach] - Casta Diva (from Norma) [Bellini] - Consolation No.3 [Liszt] - Eintritt (from Waldszenen) [Schumann] - Fantasie - Impromptu, Op.66 (Largo And Moderato Sections) [Chopin] - Flower Duet (from Lakmé) [Delibes] - Gopak (from Sorotchinsky Fair) [Moussorgsky] - Habañera: L’amour Est Un Oiseau Rebelle (from Carmen) [Bizet] - Impromptu, Op.90 No.2 [Schubert] - Impromptu No.3 In Gb Major [Schubert] - Liebesträume No.3 In Ab Major (Dream Of Love) [Liszt] - March To The Scaffold (from Symphonie Fantastique) [Berlioz] - Moment Musical, Op.94 No.3 [Schubert] - Nocturne (from String Quartet No.2) [Borodin] - Nocturne In Eb, Op.9 No.2 [Chopin] - Octet For Strings (1st Movement) [Mendelssohn] - O For The Wings Of A Dove [Mendelssohn] - Panis Angelicus [Franck] - Piano Concerto In A Minor (2nd Movement: Intermezzo) [Schumann] - Polonaise In A Major, Op.40 No.1 (‘Military Polonaise’) [Chopin] - Prelude (from L’arlésienne) [Bizet] - Prélude In Db Major, Op.28 No.15 (‘Raindrop Prelude’) [Chopin] - Prélude In E Minor, Op.28 No.4 [Chopin] - Promenade (from Pictures At An Exhibition) [Moussorgsky] - Radetsky March [Strauss I] - Rakoczy March [Liszt] - The Ride Of The Valkyries (from Die Walküre) [Wagner] - Sailor’s Chorus (from The Flying Dutchman) [Wagner] - Scherzo, D.593 No.1 [Schubert] - Song Without Words, Op.19 No.1 (‘Sweet Remembrance’) [Mendelssohn] - Song Without Words, Op.38 No.6 (‘Duetto’) [Mendelssohn] - To The Evening Star (from Tannhäuser) [Wagner] - Träumerei (from Kinderszenen) [Schumann] - Trout Quintet Op.114 (4th Movement: Andantino) [Schubert] - Valse In Db Major, Op.64 No.1 (‘Minute Waltz’) [Chopin] - Valse Lente (from Coppélia) [Delibes]
